“俗文化”在商业性公共空间陈设设计中的体现

如何将深入民心的"俗文化"的具体形态转变,既要打破人们的传统印象,又保留其民俗神韵,是当下设计者需要面对和思考的难题。"俗文化"如何在陈设设计方面的应用对于主题的呈现及对空间环境的有效利用仍有改善之处,为国内商业公共空间的陈设设计的研究提供理论依据。

民俗艺术在现代文化环境下的生存与发展

论述了在现代化文化环境下,传统民俗艺术的生存危机。分析了民俗艺术的存在价值并指出民俗艺术必须回到现实生活中汲取营养的重要意义。此外,还提出了民俗艺术的发展要体现"地方性"和"民族性"的传统特色。民俗艺术只有在不断的发现、认识、借鉴和使用中才能得到有效的传承和保护。

民族传统文化基因的当代辩证之思

“文化自信”方针的确立使中国社会各个领域兴起了“传统文化热”,建立文化自信、解决文化焦虑迎来时代契机与突破口。本文以影片《哪吒之魔童降世》为主要论述对象,从中华民族传统辩证求中思维、儒家的“中和”观、“雅”“俗”文化的当代谱写等进行解码,从戏曲与电影的跨时空“雅”“俗”对话等维度剖析影片如何以中华民族传统文化基因共塑时代精神,树立当代价值观,从而奏响一曲水火共融、雅俗共赏、善恶齐奏的辩证之歌。

论文化工业时代的中国流行音乐

中国的流行音乐从70年代末在中国起步至今,在社会环境、市场经济及各种文化思潮的影响下,经过30多年发展,虽然在制作和市场上慢慢地成熟起来,但若将其放置在大众文化的背景下审视,其标准化和伪个性化的特征,以及接受欣赏其主体对情感生命的激荡、召唤、谐调和整合,所显现的在雅俗之间游弋最终合二而一,即"雅""俗"文化特征便显露出来。

从“草根现象”看社会主义核心价值体系建设

建构社会主义核心价值体系离不开民众的坚定信念和自觉行动。民众的重要组成部分——"草根阶层",以其无可替代的文化价值,帮助健全和巩固社会主义核心价值体系的主导地位;而这种独特的文化现象,也因自身无法解决的问题,需要社会主义核心价值体系的制约与提升。正确认识"草根现象"与社会主义核心价值体系的关系,必将增强思想意识领域的和谐局面。

Relationship between the development of ethnic tourism and the protection for regional culture:a case study of Tuwa people

The innocent Tuwa people live in Kanas Lake, a world famous national reserve in northern Xinjiang. With therapid development of tourism today, Tuwa people are finally involved in tourism industry. The development of tourismis a two-edged sword. On the one hand, it boosts the revival of Tuwa culture, provides a large number of employmentopportunities and cross-cultural exchanges, and improves material welfare for Tuwa people. On the other hand, somedisadvantages have also resulted from tourism development, such as the unauthentic exhibition of Tuwa culture, limitedtourists, Tuwa group interaction, and limited material improvement for the Tuwa, etc. This paper takes Tuwa people asa case, illustrates the types, characteristics and the conditions for the development of Tuwa culture, explores the advan-tages and disadvantages resulting from the development of folk-custom tourism industry and then puts forwardsrecommendations on the protection for local cultures as follows: (1) attach great importance to Tuwa culture in thetourism development of Kanas Lake Visitor Attraction; (2) construct the aboriginal village with the consciousness ofprotection; (3) remove the Tuwa village; (4) consummate the management mode and let Tuwa people really benefit fromtourism; (5) restrict the grazing in the scenic spots and protect natural grassland; (6) promote Tuwa people’s ability ofself-supervision and self-management; (7) exhibit Tuwa culture authentically.

Study on the Folk Costume Symbolization in Waterside Villages of Southern Yangtze in China

The folk costume in waterside villages of Southern Yangtze in China was notonly daily consumer goods, but also a symbol system of folk-custom culture. This symbol system was directly conveyed by a series medley shape signs, many-faceted color signs and decorated craft signs of pleated skirt. Its origination, accumulation, continual process and development were greatly associated with the life style and paddy culture of waterside villages, such as the folk religion, social life, artistic philosophy, regional culture, the landform of waterside villages and the humanity environment. So the folk costume was the significant sign of practical function and also the significative sign of folk traditional culture, both of which composed the costume cultural symbol system of waterside villages of Southern Yangtze called ＂ integration of aesthetic and practical function＂.

Collar of Lady's Wear in Qing Dynasty

The research is started with a query that whether the width of collar in Qing Dynasty is too small. The paper bases on the statistics which come from the collection of the Costume Museum of Denghua University. compares the results with the national standard specification, then analyzes the structure and shape of collars in Qing Dynasty, and tells the relationship between collar and the garment. Furthermore, the paper discusses the function of lady＇s collar in Qing Dynasty and gives a suggestion that collar being an indicator to distinguish women＇s wear from children＇s wear.

Effect of Oral Traditions, Folklores and History on the Development of Education in Nigeria, 1977 Till Date

Nigerian literatures contain history in the oral tradition and folklore like satire, proverbs, chants, symbolism etc. in the pre-literate period, Nigeria enjoyed high level of verbal art civilization which traditional rulers and the generality of the populace patronized. The oral tradition served as medium of preservation of culture and history of the ancient past and experiences. Though, most Nigerians can still remember their family history, folklore, tradition and genealogy, only few oral artists and youths of nowadays possess the skill and ability needed to chant the lengthy oral literature. It is in the light of the above that this study examined the effect of oral tradition, folklore, and history on the development of education in Nigeria, 1977 till date. The study adopted historical research method using primary and secondary sources of information to analyze data. Primary sources include, like archive materials, oral interviews and secondary sources include, like textbooks, speeches, journals, and internet materials and images. The outlines of the paper are： the definition of concepts, historical background of Nigerian oral tradition, and folklore in the educational system, the place of oral tradition, folklore and history in the education policy in Nigeria since 1977, the effect of oral tradition, folklore and history on the development of education in Nigeria since 1977, the prospects of oral traditions, folklore and history on the development of education in Nigeria, conclusion and a few recommendations for future improvement. The findings of the study revealed that oral traditions, folklore and history were the bed-rock for the development of education and society in the pre-colonial period, but these were dropped gradually with the advent of the colonial masters and gradually deteriorate both in the educational curriculum and general conduct of the society and these have adverse effect on the nation＇s economy. It is recommended that the beauty of Nigerian history, oral and written traditions, culture, folklore like proverbs, chants, satire and symbolism, be brought back into the school system, politics and every sector of the Nigerian economy for proper advancement to take place in the education sector and for overall national development.

Discussion of Subjects on Guangdong＇s Foshan Paper-cutting

Guangdong＇ s Foshan paper-cutting art is significantly related with the local folk culture and religion, with unique craflwork as well as rich subjects. In the present paper, the characteristics of subjects was analyzed in detail based on the relationship between Foshan papercutting and local folk religion, folk activities and folk cultural activities. It is suggested that subjects of Foshan paper-cutting is strongly affected by the coast and regional culture as well as widely affected by the coastal culture especially foreign culture. Foshan paper-cutting is the typical example for studying folk custom life of Lingnan area because of the rich subjects.

Discussion on Dong Ethnic Minority＇s Folk Culture and Aesthetic Psychology from the Perspective of Song and Dance ＂Duoye＂

In this paper, Dong ethnic minority＇s folk customs and aesthetic psychology are understood from the perspective of the nationality culture reflected in Dong song and dance ＂Duoye＂ so as to excavate the nationality spirit, and also the connotation and spiritual foundation of the humanity structure are explored, in which the dignified history, rich nationality characteristics, and elegant artistic quality are integrated together, for the purpose of inheriting the traditional culture and continuously innovating and developing the nationality culture.

Research on aesthetic charm of Qiang folk songs

Qiang folk songs are a form of expression of the ancient oral literature and mass creation, regardless of folk songs, work songs, custom songs, worship songs, etc., They mostly reflect the dominated public opinion of Qiang people from different historical periods and cultural life. Qiang folk songs are born with a strong national consciousness, national temperament and color. Through social and cultural changes, Qiang folk song forms its unique aesthetics in the language, form, emotion, mood and other aspects. Understanding and analyzing the aesthetic charm of Qiang folk songs helps to strengthen the Qiang heritage and intangible cultural heritage protection, and benefit rich folk culture of Chinese Qiang cognition.

The study of folk culture and creative industry development strategy in Hebei

Hebei province is located in the middle and lower reaches of the Yellow River, it is one of the birthplace of the Chinese nation. Its superior natural conditions gave birth to the rich and colorful folk culture. In the trend of rapid development of modem economy, more and more people are aware of the important position in the cultural construction and huge potential about the folk culture. But as the result of the modem cultural development faster and faster, many folk culture has been neglected, even under the modem culture.

Study on the Kind and Character of Mongol Hats in Yuan Dynasty

In the thirteenth century the Mongols created a vast, transcontinental empire that intensified cultural, art, craftwork, garment and commercial contact throughout Eurasia. Hats were so indispensable parts of formal Mongol dress that were seen as a symbol of Mongol traditional garment. Roughly Mongolian men＇s headgear can be divided into two groups, which are Li and Mao. In addition, Mongolian women＇s Gu-gu-gwan, a kind of bonnet, was the head-dress for the empress, concubines of the emperor, and wife of high ranking ministers. This study, based on the analysis of image resources and existing evidence, discusses the hats of Yuan period in the context of its group, origin, decoration and cultural influences.

On the English translation from the customs and cultural differences between Chinese and Western

Culture is the sum of the products from human creation of material and spiritual. It contains the values, behaviors, literary arts, customs, lifestyles, economical and political system and so on that human groups possess. Language is the carrier and the crystallization of culture, it is also a mirror which is reflecting the culture. Any kind of national language is always inextricably linked with the nation＇s culture, and any language is the reflection of the culture. Mastering a language must understand the culture of the language belongs, especially cultural differences in customs. Culture refers to cultural practices throughout society and everyday commtmication activities by the national customs form. Due to the big contrast of culture and customs between Western and Chinese, if the English learners want to grasp English, they must understand and master the differences between Chinese and Western culture, they can not speak in English with Chinese cultural communication patterns. Differences between Chinese and Western customs exist everywhere, to understand these cultural practices will help understanding and use English correctly.

“雅”“俗”文化漫谈

民俗即民众日常风俗习惯,它是一种重要的社会文化现象,是人们的日常生活文化。从时间上看,它与人类的历史一样古老,是人类社会发生、发展过程中的产物。从空间上看,从古至今,它都是人类的伴生物。从形式上看,文化上的'雅'、'俗'分流是一个长期存在的现象,任何时期,在文化评判上,大抵可以在'雅''俗'的界限上加以区分。千百年来,'以雅为正宗,以俗为末流'的观念,在一定时期内。

Jan Haicksz Steen＇s Woman at Her Toilet： ＂Provocative Innuendos＂

Jan Haicksz Steen （1626-1679）, a Dutch actor, poet and painter, engaged the viewer with various innuendos and double entendres in his paintings about Woman at Her Toilet. Decoding the conceits introduces the viewer to Dutch artistic astuteness and popular culture. Steen drew the observer into his picture plane through a series of emblematic vignettes. Although he raised questions about cultural mores, morality, and religiosity, none are judgmental. On the contrary, it is the viewer who might or might not articulate a moral judgment according to personal experiences. For Steen, the imagery, filled with complex conceits, is an artistic visual representation to delight the eyes, tantalize the senses, and maybe even spark the intellect.

Comparison Research on the Differences of Uighur Han Chinese Communication Etiquette Customs and Psychological Characteristics under the Cross-cultural Environment

In this paper, we conduct research on differences of Uighur Han Chinese communication etiquette customs and the psychological characteristics under cross-cultural environment. Empathy is the process of cross-cultural communication subject and adapts to each other and good a better means of communication. In cross-cultural communication, we must improve on the sensitivity of the taboo, taboo customs of different peoples and nations. In this way can eliminate communication barriers and conflict, to achieve smooth with the harmonious language communication. This article will use the theory of intercultural communication with the understanding of the Uygur traditional culture as can dissolve the contradictions and obstacles of the communication. This article from two aspects of the language communication, nonverbal communication in the process of cross-cultural communication problems enumerated and analyzed which will be meaningful.

Study on the Policy of Embodying Language Difference between Chinese and Western Culture

For centuries, cross-cultural exchange activities throughout history, language and culture from the communication is an integral part of the contact. For the entire human history, cross-cultural communication is not strange. It plays an important role in studying different languages. Language is the carrier of culture and the main manifestation of culture. Language is developing with the development of a nation, it is an integral part of national culture, history, customs and local customs and practices, the nation＇s culture and social customs are also in the national language to show. The different historical background and development process leads to great difference exists in Western languages. With mutual understanding and deepen, the conflict in western culture are increasing. Language is the primary from of communication. And the use of language and culture are closely related. So ＂differences between Chinese culture and Western culture in English language＂ has become the important topic of intercultural communication.