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汤亭亭的“全球小说”:作为一种现代性策略
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作者 郭思聪 《华文文学》 2024年第3期44-50,共7页
美国华裔的文化身份使汤亭亭的创作是跨语言、跨文化、跨国界的,但同时也使她处于中美两个文学空间的边缘。而汤亭亭追溯并认同自惠特曼以来的美国语言与文学传统,并将美国文学空间首都纽约的语言文化的多元性作为创作的现代性模范。她... 美国华裔的文化身份使汤亭亭的创作是跨语言、跨文化、跨国界的,但同时也使她处于中美两个文学空间的边缘。而汤亭亭追溯并认同自惠特曼以来的美国语言与文学传统,并将美国文学空间首都纽约的语言文化的多元性作为创作的现代性模范。她在创作历程中不断地稳固现代美国作家的地位,而她在这一背景下提出的“全球小说”(global novel)概念也就区别于通常概念下的世界文学。这是一种为获得来自美国文学空间的文学性与现代性认可而提出的写作策略。基于帕斯卡尔·卡萨诺瓦在《文学世界共和国》中提出的文学空间理论,并结合汤亭亭的创作与访谈,本文将还原汤亭亭在美国文学空间中“被同化”的过程以及得到文学性准入的路径,同时分析其地位的不稳定,借此探寻“全球小说”作为汤亭亭创作策略的内在逻辑。 展开更多
关键词 美国华裔文学 文学空间 “全球小说” 汤亭亭
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Cultural and Generational Differences in The Joy Luck Club
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作者 WANG Xiao-yan LIU Xi 《Sino-US English Teaching》 2014年第2期143-147,共5页
Amy Tan is one of the prominent Chinese American writers that have emerged since the 1980s. Her first novel The Joy Luck Club, which was published in 1989, brought her instant success. The story explores conflicts bet... Amy Tan is one of the prominent Chinese American writers that have emerged since the 1980s. Her first novel The Joy Luck Club, which was published in 1989, brought her instant success. The story explores conflicts between two generations and two different cultures. Set in China and in the United States, the novel is woven by stories of four Chinese mothers and their four daughters. Though short in form, it is really worth detailed interpretation and appreciation. This paper will mainly discuss the cultural and generational differences reflected in the story with the conflict of one pair of the mother and daughter--Suyuan Woo and Jing-mei Woo as the main examples. The author of this paper believes that with the realization of the globalization, different cultures are fusing now 展开更多
关键词 The Joy Luck Club CULTURE GENERATION DIFFERENCE
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