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浅谈米芾行书用笔及对当今书坛的启示
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作者 孙克斌 《艺术科技》 2017年第4期210-210,共1页
宋代书法史上,"宋四家"之一的米芾,论书法造诣当首屈一指,他在书法领域的贡献深深影响着后世书家,从"集古字"到自成一家,奠定了他在中国书法史上举足轻重的地位及深远的影响力,本文就简要探讨了米芾书法及对当今书... 宋代书法史上,"宋四家"之一的米芾,论书法造诣当首屈一指,他在书法领域的贡献深深影响着后世书家,从"集古字"到自成一家,奠定了他在中国书法史上举足轻重的地位及深远的影响力,本文就简要探讨了米芾书法及对当今书坛的启示。 展开更多
关键词 学书经历 “集古字” “势” “刷字” 当代启示
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米老行书第一——《蜀素帖》
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作者 庆旭 《江苏教育》 2016年第45期29-31,共3页
米芾是宋代'尚意书风'的代表书家。其脱俗的品格、傲人的才情、高超的技艺、犀利的观念在宋代书家,以至整个书法史上都迥异于他人而熠熠发光。其爽利干练的行书笔调被人誉为'风樯阵马,沉着痛快'。有清晰的法度意识和完... 米芾是宋代'尚意书风'的代表书家。其脱俗的品格、傲人的才情、高超的技艺、犀利的观念在宋代书家,以至整个书法史上都迥异于他人而熠熠发光。其爽利干练的行书笔调被人誉为'风樯阵马,沉着痛快'。有清晰的法度意识和完整的艺术构成的《蜀素帖》被王澍称为'米老行书第一'。 展开更多
关键词 集古 书法形态学 “刷字”
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The manifestation of texture art in the creative design of fashion fabrics
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作者 WeiZHONG Meiting YAN 《International Journal of Technology Management》 2014年第12期51-53,共3页
This paper presents a discussion of the characters and design patterns of the digital texture design in fashion fabrics. It starts from the characters of fabric texture design, taking digital printing technology as a ... This paper presents a discussion of the characters and design patterns of the digital texture design in fashion fabrics. It starts from the characters of fabric texture design, taking digital printing technology as a detailed example, and raises a possible design route and pattern of the innovative design of fashion fabrics under digital technology. 展开更多
关键词 TEXTURE MANIFESTATION Design Pattern
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Between Manuscript and Print: Literary Reception in Late Medieval France. The Case of the Songe de la Pucelle
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作者 Emma Cayley 《Fudan Journal of the Humanities and Social Sciences》 2015年第2期137-165,共29页
Based on original archival and codicological research, this paper in- vestigates the transformations and negotiations between manuscript and printed versions of fifteenth-century poetry through the specific example of... Based on original archival and codicological research, this paper in- vestigates the transformations and negotiations between manuscript and printed versions of fifteenth-century poetry through the specific example of one surprisingly complex debate poem, Le Songe de la Pucelle (The Dream of the Virgin). Our debate relates the choice that a female narrator must make between the respective appeals of two personifications, Love and Shame, who appear to her in a dream- vision. The manuscript tradition invariably collects the poem with other fifteenth- century debates and moral texts, while the early printed copies tended to have experienced a prior separate circulation and often remain as monotextual pamphlets. Manuscript and printed copies of the same poem seem, then, to target different audiences. My paper investigates this curious divergence in the transmission pattern of the manuscript and printed versions of the Songe and seeks possible answers in the very different sets of images accompanying the text in manuscript and printed versions. 展开更多
关键词 MEDIEVAL Fifteenth century MANUSCRIPT Early printed book Debate poetry Dream-vision
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