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德彪西的音阶式音高预制——析钢琴前奏曲《帆》与《焰火》的音阶结构运用
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作者 苑艺萍 《北方音乐》 2015年第9期35-36 38,38,共3页
本文试通过对德彪西两首钢琴前奏曲的音高结构原则作分析与比较,从而观察德彪西的音高方面的预制构想,这个角度不同于常规的对德彪西式音乐语言进行的特征描述,研究角度是更直接地从作曲家创作作品的具体结构形态进行剖析与理解。
关键词 德彪西 《帆》 《焰火》 “全音阶” “半音阶” “五声调式音阶”
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Chorus from Two Brain Hemispheres with Chinese Pentatonic Scale
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作者 WU Dan YAO De-zhong 《Chinese Journal of Biomedical Engineering(English Edition)》 2014年第3期121-126,共6页
In order to listen to brain activity as a piece of music, we proposed a scale-free brainwave music (SFBM) technology, which translates the scalp EEG into music notes according to the power law of both EEG and music.... In order to listen to brain activity as a piece of music, we proposed a scale-free brainwave music (SFBM) technology, which translates the scalp EEG into music notes according to the power law of both EEG and music. In this paper, the methodology was further extended to chorus music of two channels from the two hemispheres. Firstly, EEG data from two channels symmetrically located on the left and fight hemispheres are translated into MIDI sequences by SFBM, respectively, where the EEG parameters modulate the pitch, duration and volume of each music note. Then, the two sequences are fiitered into a chorus of the Chinese pentatonic scale or the Western major scale. The resulted Chinese and Western music at different sleep stages illustrate distinct differences in harmony, and the music with Chinese pentatonic scale sounds more harmonious. 展开更多
关键词 brain music SCALE-FREE chinese pentatonic scale Western majorscale EEG sonification
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