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盛大的叙事 细节的争议——关于第四届成都双年展的疑问和展望
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作者 小泼猴 《西部广播电视》 2009年第8期188-189,共2页
有报道称,对于成都双年展,"叙事中国"这个选题过于强大,整个展览显得很空乏,太宏伟的主题就等于没有主题。实际上,任何展览都会有瑕疵,更何况在起步很晚的中国?更何况是全民营支持的大型公益艺术活动?主办方用意很美好,以期... 有报道称,对于成都双年展,"叙事中国"这个选题过于强大,整个展览显得很空乏,太宏伟的主题就等于没有主题。实际上,任何展览都会有瑕疵,更何况在起步很晚的中国?更何况是全民营支持的大型公益艺术活动?主办方用意很美好,以期用一次大型的展览,表达对祖国60年风雨历程的献礼,用艺术见证历史。然而122名中外艺术家组成的双年展,俨然成为一个"焦点访谈装置展",一些细节的处理也引来媒体与业界的争议。批评家段炼指出,作品叙事,整个展览的所有作品放在一起,整体叙述了什么? 展开更多
关键词 成都 “叙事中国” 双年展 艺术
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The Enabling and Constraining Nationalist Discourse and Effects of Strategic Narratives: China's Foreign Relations
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作者 Liao Ning 《Fudan Journal of the Humanities and Social Sciences》 2013年第2期23-55,共33页
This paper examines the projection and reception of strategic narratives in the realm of Chinese nationalism and the impact of contemporary official nationalist discourse on Beijing's foreign policy making. Within th... This paper examines the projection and reception of strategic narratives in the realm of Chinese nationalism and the impact of contemporary official nationalist discourse on Beijing's foreign policy making. Within the analytic framework of political symbolism, the paper dissects the divergent national identities reflective in different semantic and syntactic relationships inherent in the state-crafted historical narratives in contemporary China. In the post-Tiananmen era, the signification of the traumatic symbol of national humiliation in modem Chinese history, projected in the form of strategic narratives by the Party-state in patriotic education, has given rise to a societal force that threatens to internalize the historical conflicts on the foreign relations fi:ont. The counter-effect of strategic narratives, which has constrained the rationality of the state's foreign policy making, implies that collective memory is not an on^ztemand resource for the authoritarian regime to exploit to enhance its legitimacy. The relationship between the Chinese state and society as the constructor and consumer of communicative nationalism cannot be simplistically dichotomized. 展开更多
关键词 strategic narratives collective memory Chinese nationalism foreign policy making
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A Century of Korean Narrative in Chinese Literature
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作者 Chang Bin Yang Yi 《Social Sciences in China》 2011年第2期118-136,共19页
The harmonious relationship among East Asian countries has a very long history. However, it has faced serious challenges in the past hundred years. In these eventful years for our nation, Chinese literature, like the ... The harmonious relationship among East Asian countries has a very long history. However, it has faced serious challenges in the past hundred years. In these eventful years for our nation, Chinese literature, like the Chinese people, has endured hardships and pondered ways of extricating the country from its malaise. In addition to being concerned over China's enlightenment, salvation, independence and rejuvenation, writers have also paid considerable attention to important international forces that had a strong influence on their country's fate. Concern over and understanding of the Korean nation bad a particular emotional charge and relevance to their own fate. Over the course of a century, Chinese literature's awareness of Korea went through four stages. In the first, Korea's loss of independence served as a mirror of China's own dangerous position, menaced on all sides; in the second, the Korean people were seen as comrades-in-arms combating foreign foes; in the third, when the Korean Peninsula was divided, North Koreans continued to be regarded as comrades-in-arms while South Korea was not acknowledged; and in the final stage, amidst the interaction between "China style" and the "Korean wave," Chinese literature's awareness of Korea expanded through a penetrating appreciation of Korean history involving deep ties of courage and uprightness. 展开更多
关键词 Chinese literature Korean narrative MIRROR INTERACTION
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