林志纯的“中西古典学”

在理论和实践上构建"中西古典学"是林志纯(日知)先生学术成熟后用力最深的方向,是先生一生学术的精华所在,其中寄托着对未来中国世界古代史乃至整个史学研究工作的希望。林先生在讨论"中西古典学"的时候,并没有首先抽象地探讨学科划分之类的问题,而是用一种研究规划的方式勾勒出"中西古典学"的问题意识、时空范围、基本立场。本文根据林先生的理论勾勒和具体研究实践,试图重现"中西古典学"的框架,并对其中有争议的内容做出自己的理解,希望对当前关于"古典学"的讨论有所助益。

Noether-Lie Symmetry of Generalized Classical Mechanical Systems

In this paper, the Noether Lie symmetry and conserved quantities of generalized classical mechanical system are studied. The definition and the criterion of the Noether Lie symmetry for the system under the general infinitesimal transformations of groups are given. The Noether conserved quantity and the Hojman conserved quantity deduced from the Noether Lie symmetry are obtained. An example is given to illustrate the application of the results.

Set Valued Vitali-Hahn-Saks-Nikodym Theorem

In this paper, we establish the set valued Vitali-Hahn-Saks-Nikodym Theorem.

Logic paradox under current corporate finance

The current corporate finance is based on the theory framework of new classical economics. Therefore, the main contents such as free cash flow, NPV method and capital structure decision-making are still based on the balanced price of product and capital markets, they still can＇t reflect the essential character of corporation. The logic paradox, causes the current corporate finance study under a more and more embarrassing circumstance in the front of enterprise financial management practice, with the feature of value management.

Postmodernism and Classical Chinese Philosophy

While over two thousand years apart, Western postmodernism and ancient Chinese philosophy share some extraordinary similarities, especially epistemology wise. For example, they both recognize the role of language in constructing, and limiting, knowledge and reality. This is because thinkers of different cultures and geographical regions, and of different historical periods, can possibly come up with similar philosophical conclusions when addressing what is commonly known as the ＂human condition＂. The paper will discuss, in general terms, some of the philosophical similarities between postmodemism and classical Chinese philosophy; it will also take a close look at three concepts in Chinese philosophy that register strong affinity with Western postmodernism： namely, change, dialectic, and relativism.

Technology in New Institutional Economics --Comparison of Transaction Costs in Schumpeter＇s Capitalist Development Ideology

In mainstream economics （the neoclassical economics）, it is accepted that every company that competes under the perfect competition market has the same technological equipment. So, technology is approached as a simple efficiency increase whose source is unknown. In terms of established economics view, technology is like a ＂black box＂ that cannot be predicted. As the creator of the concept of＂creative destruction＂, Joseph Schumpeter （1883-1950） caused significant changes in terms of the view of neoclassical economics about technology. On one hand, Schumpeter created a new point of view about the concept of＂innovation＂ by using key concepts, such as ＂invention＂, ＂imitation＂, and ＂business cycles＂. Schumpeter＇s ＂creative destruction＂ concept carries out the role of a new map for the new institutional economics trend which accepts ＂technology＂ as an institution. On the other hand, if one is to understand why the ideology differs between neoclassical economics and new institutional economics, ＂transaction costs＂ should be analyzed. Since, transaction costs and creative destruction have a relationship between each other; Schumpeter and Coase＇s ideas are resembling each other. While doing this, this paper will try to discuss the question of how to accept the technology as ＂external＂ instead of ＂internal＂ limit neoclassical economics. In this process, it will primarily base the dimension on the concept of＂technology＂ developed by Schumpeter. The second station is an inquiry between Schumpeter＇s and Coase＇s ideas about technology. Although new institutional economics （NIE） and neoclassical economics can be confused, they can be seperated from each other by the way they look at technology. Because, technology is accepted as an external theme by neoclassical economics, on the contrary, NIE acceptes technology as an internal fact. One of the most important reasons why technology is internal in terms of NIE can be evaluated by ＂transaction costs＂. As a result, the author will give effort to create a critical presentation in order to readdress the viewpoint of mainstream economics about ＂technology＂.

Quantum to Classical Transition by a Classically Small Interaction

We investigate the quantum-classical transition of a kicked rotor （KR） under perturbation by a second one. The influence of such a chaotic KR makes decoherence of the first one, resulting in the emergence of classical diffusion from its quantum dynamics. Such quantum-classical transition persists by decreasing the effective Planck＇s constant h, and at the same time, decreasing the mass of the second KR and the interaction strength proportionally. In the limit of h → 0, due to vanishing small mass and interaction, the second KR has almost no effect on the classieal dynamics of the first one. We demonstrate this via two different coupling potentials.

The Dilemma Between the Heterodox-the Orthodox Economics and Its Ideology

Economic movements have close relation with historical transformations. Historical and social transformations have seriously determined economic views, so, economic movements have been the indicators of economic wars of social classes. But no concept can describe sharp contrast in economics better than the two opponent concepts in economics： ＂orthodox＂ and ＂heterodox＂ economics. In this article, the reason why neo-classic economics, also called as orthodox economics, has a serious place in economic literature while the opponent＇s economic movements, named heterodox economics, do not defend only one ＂truth＂ and are not as important as orthodox economics will be examined. While doing this examination, Louis Althusser＇s ＂ideology＂ and Antonio Gramsci＇s ＂hegemony＂ will help us as these two concepts are quite instructive in understanding the irreplaceable significance of orthodox economics. As a result, by discussing alternative point of views about economics, positive emphasis of multivocality in economics literature will be revealed. On the other hand, every heterodox economics cannot criticize orthodox economics in the same way. In this study, institutional economics, which is accepted to be part of heterodox economics, will be discussed thoroughly. Institutional economics had a serious attitude against orthodox economics. In this study, generally the points in orthodox economics that institutional economics opposes will be emphasized, and although both economics approaches＇ ideological attitude will be attempted to be discussed generally, it will become easy to discuss the reason why heterodox economics developed an opposing ideology against the ideology of orthodox economics.

On Translation of Classical Chinese Literary Texts

Chinese classical literature is precious treasure of the world literature. In order to transmit and carry forward it, translation is an effective and necessary way, especially as the development ofglobalization and China＇s economy. This paper mainly discusses the history, difficulties, ways and skills on translation of classical Chinese literary texts in this paper.

Authorship Identification of Classical Japanese Literature Using Quantitative Analysis

Singular authorship of＂The Tale of Genji,＂ which is the greatest accomplishment in classical Japanese literature, is doubtful In this study, we statistically analyze whether the author of Uji Jujo, which comprises the last ten chapters of the ＂Tale of Ganji,＂ is same as that of other chapters by using statistical analyses such as principal component analysis and random forests. The result of the analyses of word frequency shows that there is no obvious difference in word usage between the ten chapters and others. Thus, we conclude that it is highly possible that the chapters＇ author is same as that of others.

On the theoretical framework and practice of financial development and financial supervision

Along with the history of the development of financial regulation, we can see that the theory of evolution has experienced from financial liberalization to financial supervision, financial regulation, then to the stage both with the safety and efficiency of financial supervision ; development of the theory of financial regulation experienced the theory of financial supervision represented by classical economics and neo- classical economic theory, to the Keynesian theory and financial repression theory, financial fragility hypothesis, the progressive liberalization of the financial road, then to the financial regulatory theory, regulatory function theory concept, regulatory incentives theory under the framework of economics of information in the 1990s. You can see the way scholars will not have feared in the study of financial regulation, and each theory proposed has its special significance in the special economic and financial environment at the time, and we can not necessarily say what kind of theory is advanced in other theory.

On ＂Poetic Spontaneity＂ and Aesthetics

This paper tries to explore Wordsworth＇s poetics through a discussion of his important poetic conception of＂poetic spontaneity＂ or ＂All good poetry is the spontaneous overflow of powerful feelings＂. Wordsworth＇s poetic point ＂All good poetry is the spontaneous overflow of powerful feelings＂ is stated in his important work The Preface to Lyrical Ballads （1801）, and this theoretical point is actually validated by many good poems of his own. This paper demonstrates the significance of the theoretical point by a close examination of The Preface and its textual meanings. And then it presents an understanding of the theory through a detailed analysis of his masterpiece Tintern Abbey （1798） and I Wandered lonely as a cloud （1804）. It also demonstrates the importance and influence of his ＂poetic spontaneity＂ by comparing it with the Neo-classicalism in the 18th century and the Modernism in the 20th century.

Camillo Camilli＇s Imprese for the Academies

This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli＇s Imprese of 1586. Camillo Camilli （ca. 1560-1615--his exact birth date is unknown） was an Italian poet of the sixteenth-century. His family came from Monte San Savino, Siena, and records mention that he died on July 13, 1615, in Ragusa. While personal documentation on Camilli＇s life is scarce there are substantial sources about his literary career as a translator, compiler and poet. Camilli wrote extensively. There are the five canti on Erminia e Tancredi which were collated with Tarquo Tasso＇s （1544-1595） unfinished poems, and his commentaries for Ludovico Ariosto＇s Orlando Furioso in 1584 and for Tasso＇s Gerusalemme Liberata in 1585. Under the influence of Tasso＇s writings and his involvement in the commentary of Gerusalemme Liberata （1585）, Camilli started formulating his concetto （conceit） of what an impresa is （badge, device or insignia）. The focus of this essay is on Camilli＇s Imprese for the Academies. The whole collection of the lmprese consists of three volumes. The frontispiece to each volume depicts three different stage settings filled with classical ornamentation and bearing in the center of the lintel the impresa or insignia of Francesco Ziletti＇s printing company--a starfish surrounded by stars and bound by a ribbon. Camilli selected this image to announce through the imprese the significance of these famous men （uominifamosi） of the academy, granting them immortality and honor for their cultural and intellectual accomplishments.

Comparative analysis of domestic and professional women image in modem literature

Comparative analysis of domestic and professional women image in modem literature in the impression of Chinese classical poetry that women are always given the weak, meek attitude. Virtuous, dignified and elegant is the good to requirements right woman, whether going shyly and sniffing the plum, or the lady laughing as if daring according to water lines and being. When faced with love, women in classical literature mostly appeared as the role of attachment or victims, their character sketched vain traces as a faint smudge of ink.

Humanistic Principles in the Circle of European Literature Themes

There is the question--can we hope that humanism and erudition can redevelop nowadays？ In the long history of humanistic inheritance, from ancient times till the end of the 18th century, there was obvious decadence of essential humanistic points. As the historial period, humanism means revival of classical culture, and as a specific culturological phenomenon, it means erudite education created by Hellens and developed by Romans, who recovered ＂humanitas＂ as global education. Italy was the first who helped humanists to contemplate on classical culture; and in post-medieval age, Italian humanists achieved a supreme measure of humanism through their ＂humanistic studies.＂ We will try to point out good achievements of humanism erudite education in European culture in later epochs. Humanism leads man to turn over to world--after medieval stricture--and it becomes self-conscious revolution, what we can see in Latin literature till the 18th century. Rise of individualism, development of libraries and humanistic academies give chance to latin tradition in European literature as universal discipline, including erudite education in international corpus （Ragusa also）. High-intellectual and latinized elites with humanistic state of mind develop complex spiritual inteligency with science requests in later epochs too. We will try to explain in which degree humanism, with its synthetic point of view, influences on later corpus of European literary themes and how great its actuallity is nowdays.

The Tradition of the Joint Voice Singing in the Context of the Orient Culture （As an example of Margilan Singing School）

The article deals with musical heritage of some Orient cultures, joint singing as one of the main part of music art from ancient time to nowadays. The measure reflecting live process of national musical art is a performing practice. Makom is the most example of Uzbek classical musical heritage. The art of singing plays considerable role in culture of Uzbek national music. On the basis of classical singing the following singing directions as ＂Folk singing＂ （yallachilik）, ＂Classical singing＂ （mumtoz yallachilik）, ＂Grand Song＂ （katta ashulachilik） and ＂Art of Makom＂ singing forms were formulated and developed. Greatest representatives of Margilan School of singing.

Poussin＇s Kingdom of Flora： Love in the Garden

The Fort Worth （Texas） exhibition/publication Poussin： The Early Years in Rome： The Origins of French Classicism （1988） proved to be a seminal event in Poussin scholarship. Over 200 works were put on display at the Kimbell Art Museum that revealed the formative years in the French painter＇s works. The drawings and paintings confirmed Poussin as the leading classicist in 17th century French art and expanded our appreciation of the flexibility of the artist to illustrate mythological narratives. Previous positions on the artist such as Anthony Blunt＇s, who viewed the painter as a strict classicist without a major interest in color, are now reevaluated after the Fort Worth show. The influence of the Venetian school, especially the work of Titian, emerged stronger into Poussin＇s oeuvre. It was under the classicist umbrella that the romantic verse of Ovid and the sensual color of Titian became forged into the pictures of Roman mythology. The leading source of inspiration for this work would be Ovid＇s Metamorphoses where figures change into flowers made timeless by the painter＇s brush. Just as the poet varied the structure of his narrative presentation, so too did the painter expand his approach to depicting scenes of change in a variety of formats. A key work for Poussin in these stories of change would be the Kingdom of Flora （1631） where Ovidian tales are posed as an eternal spring where the goddess distributes the flowers of the collective narrative in an olive green chitin. This paper will contribute to the position of viewing Poussin＇s art under a wider vision of classicism where flexible narrative design and sensuous color fit the mission to make art noble and timeless.

Quintilian’s Institutes of Oratory: Classical Rhetoric and English Language Education in China

Well known to students of rhetoric,classics,and the history of education,Quintilian’s Institutes of Oratory also merits the attention of EFL teachers and scholars who deal with public speaking and written composition.Although created in ancient Rome 2,000 years ago,the Institutes is replete with insights that are as applicable today as in Quintilian’s time.After providing historical background on Quintilian and his masterwork,this article examines his comprehensive program of speech education,his explication of the symbiotic relationship between speech and writing,and his notion of the good person speaking(and writing)well as the ideal of ethical communication.In the process,it touches upon numerous issues germane to English language educators in China and to EFL teaching and research in general.

Seeking the Theoretical Origins of Supply-side Structural Reform

The theoretical origins of supply theory and supply-side structural reform lie in British and French classical economics, with their longstanding interest in supply, rather than in the later emergence of Jean-Baptiste Say and Say＇s Law, which attempts to deny the possibility of economic crises. Marx deepened supply theory, holding that production （supply） structure and product （income） distribution structure depended on the nature and structure of relations of production. This theory has been especially significant in guiding supply-side structural reform in China. The main reference value of American supply-side economics lies in some of its policy proposals for reforming and managing supply. Supply-side structural reform in China requires the development of a socialist supply theory with Chinese characteristics.

The Intrinsic Influence of the Poetics of Yanzhi on Modern Chinese Literature

Rejection and denunciation of the poetics of ＂yanzhi＂ （literally ＂expressing one＇s thought or ideals＂） was once a marker of Chinese literature＇s modem transformation. However, right from the beginning of May Fourth new literature, the poetics of ＂yanzhi＂ was not only not cast out of the aesthetic canon of modem Chinese literature but was, on the contrary, legitimately transmitted via Western discourse. Whether modem Chinese writers were expressing enlightenment ideas of saving the nation or voicing their personal feelings for their country and their people, they remained convinced that ＂zhi＂ was ＂feelings＂ writ large and ＂feelings＂ were a lesser form of ＂zhi.＂ Specifically, the school stressing the idea that ＂literature expresses thought＂ advocated utilitarian literary creation and returned to the traditional Chinese poetics of ＂yanzhi＂ by replacing ＂feelings＂ with ＂zhi.＂ Those stressing the idea that ＂literature expresses feelings＂ advocated writing with genuine emotion; they went on to express ＂zhi＂ via ＂feelings,＂ thus returning to the traditional Chinese way of thought. Both the theory and practice of modem Chinese literature have a strange ＂Western＂ tint. Nevertheless, this literature＇s essential character of ＂reinterpreting the ＇dao＇ （way）＂ and sophisticated ＂expression of thought＂ or ＂yanzhi＂ indicate its value identification withtraditional culture rather than the simple abandonment of ＂tradition＂ in pursuit of ＂the West.＂