“后文化”时代的旅游资源开发

不同时期的文化特征即人类活动各个领域的文化现象对旅游开发究竟有何影响和作用?通过介绍、分析“后文化”时代旅游产业发展的方向和要求,阐明了历史文化这一元素对旅游规划管理的影响,试图找出旅游发展中文化参与的有效方式。

浅议“后文化”时代的旅游资源开发——以云南省旅游资源文化为例

不同时期的文化特征对旅游开发到底有何影响和作用?以云南为例,通过介绍及分析"后文化"时代旅游产业发展的方向和要求,说明了文化这一元素对旅游规划管理的影响,试图找出旅游发展中文化参与的有效方式。

A Post-Colonial Study of American Animated Films

As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, from the view of post-colonialism so as to receal American animated films make every effort to set up the image of the Other and to propagate American culture and value. It is American cultural hegemony.

Subversive Abjection and Sublimity in Jeanette Winterson＇s Representation of the Fantastic A Study of The Passion and Sexing the Cherry

Looking at the last decades of the 19th and 20th century from our vantage point encourages parallels to be drawn between the two periods： in fact, both are affected by a process of cultural fragmentation, social, and epistemological transformations and crises that permeate the whole civil society. In the specific field of English literature, the genre of the fantastic is undoubtedly a common presence. In Fantasy： The Literature of Subversion, Jackson （1981） noted the re-emergence of the fantastic as a transgressive force at moments of cultural stress and repression. Waugh （1995） held a similar view in The Harvest of the Sixties. At the end of the 20th century, in its postmodernist shape, fantastic literature becomes one of the favourite genres of a number of feminist writers, and among them, Jeanette Winterson transforms it into a truly transgressive genre. This paper examines Winterson＇s The Passion （1996） and Sexing the Cherry （1990） in the light of Jackson＇s theory of the fantastic, as a narrative that establishes an oppositional dialogic relationship with the ＂real＂, to interrogate it and collapse the traditional distinction between the normative and the ＂other＂. In The Passion, the real is signified by the dominant ideological discourse, exemplified by Napoleon; the fantastic by Villanelle＇s webbed feet and her ability to walk on water. In Sexing the Cherry, the real is represented by the Puritans with their bigoted and hypocritical morality; the fantastic by the huge Dog-Woman and her foundling son, Jordan. Besides, in both novels, the female body is metamorphosed to challenge the view of a ＂normal＂, acceptable femininity; what emerges is a monstrous and sublime body that collapses distinctions between gender boundaries. In Sexing the Cherry （1990）, Winterson created the grotesque, gigantic body of the Dog-Woman, a figure of Kristevan ＂abjection＂. In The Passion （1996）, she gave life to the hybrid body of Villanelle, an oxymoronic combination of the terrible beautiful. The conclusion of the paper argues that Winterson deploys the fantastic to deconstruct the gendered subject of the dominant signifying order and create a dislocated world outside commercial culture, where new voices can be heard, speaking for unheard, neglected groups, particularly women.

Interpretations of St. Francis of Assisi in the 20th Century： Philosophical-Anthropological Perspective

The article deals with investigating and comparing key modern and postmodern interpretations of St. Francis of Assisi from a philosophical-anthropological perspective. We determine these interpretations to be as follows： a man of wonder and lover of wisdom, in other words, a true philosopher; hero of all times; defender of the poverty and poor; “champion of liberty”; peace-maker and pacifist; God＇s troubadour; patron of nature and animals. All of these manifestations of St. Francis＇ personality have been enriched by his Christocentrism and joyful vision. Moreover, this can be traced in primary sources and also echoes in the late modern period. Postmodernity not only incorporated similar motives into the cultural space with new focus and accent, but it also put forward some new visions. St. Francis was postulated as God＇s Fool, not so much in the medieval as in the postmodern sense of foolishness and madness as a way of interaction with the absurd and puzzle-like world in which we live. It also reconciles traditional opposition between joy and laughter as inner feelings and outward emotions within the frame of the postmodern Divine Comedy.

Inarticulateness, Power and Ethnic identity On Jorge Luis Borges＇ The Gospel According to Mark

This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details.

New Development of Chinese Literary Anthropology

Chinese literary anthropology, growing out of comparative literature and cross-cultural studies at the end of the 20th century, is a notably innovative research paradigm in contemporary Chinese humanities and enters a new stage at the beginning of the 21st century. Firstly, this essay attempts to interpret how Chinese literary anthropology responds accordingly to the new development of international anthropology and mythology, updates the postmodern concept of myth knowledge of Confucian myth and the pattern of the mythological knowledge, thereby constructing the core in modern Chinese context. Afterward, it discusses the differences between the great tradition and the little tradition, and the significance of returning to the sacred context. Last, the focus of archetypal criticism in the context of Chinese anthropology has moved from literary concerns to cultural concerns and employing the quadruple evidences and five kinds of narratives to comprehensively interpret Confucian classics.

Constructing a New Polish Architecture： Critical Regionalism and Resistance to Globalization after 1989

This paper explores the critical regionalism which could play a role in the continued development of global era Polish architecture, and the advancements achieved by those few contemporary Polish architects who have sought to combine modern tastes and techniques with culturally meaningful designs. The new culture of Poland is very much reflected in the design of many of its new buildings that have been completed since the political and economic changes in 1989. The architecture of Poland appears to have lurched from an inappropriate socialist modernism that was so horridly imposed during the communist era to an equally inappropriate post modernist hegemony in the new enterprise culture. In accordance with Poland, now is rejection of the centrally imposed system of building and architecture, and with the greater emphasis on individual initiative in the new culture, it seems a pity that the country should automatically adopt western modes of architectural expression. This paper suggests that with its newly founded freedom, Poland should be careful that it does not suffer a loss of identity and that, in its architecture, it should seek a way forward through a critical regionalism.

Culture and Maintenance of Clarias Gariepinus, Heterobranchus Bidorsalis and Their Hybrids in Earthen Pond

Interbreeding of Clarias gariepinus and Heterobranchus bidorsalis was done to produce F1 with fast growing trait using synthetic ovaprim hormone （0.5 ml/kg）. Mean hatching rates were very high （between 72.5% and 92.5%）. The parental stock of C. gariepinus showed higher survival value of 96.0% under indoor rearing. The hybrid produced by crossing of ♂H. bidorsalis and ♀C. gariepinus showed higher growth rate in hapa under suspended （14. 1 0 g） and non-suspended condition （14.30 g） in earthen pond at the end of four months rearing. The growth rate under suspended and non-suspended condition were very high and were not significant different from each other. Comparatively, the hybrid of the cross between （♀） H. bidorsalis and （♂） C. gariepinus was better than the other cross under non-suspended condition while the parental strain ofH. bidorsalis was to produce under the suspended condition. The purpose of this is to produce improved fish with fast growing trait and other qualitative characters that could meet the economic target of Nigerian aquaculture, The hybrids have potential as commercial food fish.

Mexican Identity on YouTube： A Youngsters＇ User Approach

The work at hand analyzes the visibility of cultural identity of＂Mexico＂ on the YouTube platform （Retrieved from http：//www.youtube.com）. It is focused on qualitative and quantitative analyses of a sampling of 80 videos that appear when the word ＂Mexico＂ is applied in various search formats within the site itself. User profile is also analyzed, along with video title, labels, date of upload, length, view count, thematic category, and commentaries. From this sampling of videos, an analysis is made upon the cultural identity of ＂Mexico＂ within a postmodernist framework of multicultural, fragmented, and decentralized identities （Friedman, 1994）, parting from the theory of cultural hybridization （Pieterse, 2004）, and under the logic of a media convergent culture （Jenkins, 2004a）.

Apocalypse and Body Transgression： On Picasso’s Crucifixion （1930）

The article deals with the question of the possibility of a new interpretation of Picasso’s picture entitled Crucifixion, which was created in the context of the art paradigm shift in the 1930s when the master focused his attention to the return to painting as a reference framework of myth and religion. But this return was only a turning point towards a modern understanding of the world and art from other sources. It should be noted that the problem of pictorial turn nowadays has a strong impact on the postmodern theology, which encompasses various cultural traditions, and also quite opposite philosophical attitudes. The article shows, thus, the inner relationship and connection between painting art and the search for transgression in the language that was the idea of Bataille. In the first part of this article, author tries to show the consequences of Bataille’s thinking of transgression; the second part has attempted to articulate the problems of interpretation of Picasso’s canvas Crucifixion; and concluding remarks is an attempt to review the emphasis on relationship with pictorial turn and transformations in the notion of contemporary art concerning the body as a sovereign event of the freedom and sacrifice.

Sustainable Post-Disaster Solutions--London 1666, Lisbon 1755 and Japan 2011reLearning from the Past

Natural disasters have impacted human settlements throughout the centuries, imparting lessons as new ways and strategies to avoid or minimize the damage inflicted by the natural processes. This on-going process has created new landscapes instrumental to man＇s balance of the use of the land by taking into account the probability of further natural disasters. This paper discusses the responses to disaster challenges taking past experiences on ＂after disaster decisions＂ in London 1666, in Lisbon 1755 as a framework to analyse the more recent Great East Japan Earthquake disaster. The concept of sustainability which adds a new perspective to the subject of more resistant solutions and strategies as the opportunity for a new design is presented by the destruction. Sustainable environmental, social and cultural issues improvements are important goals introduced in the 20th century and enrich long-term human adaptations to natural processes. They are also considered in this analysis as an evolving final product of the human adaptation that results in more durable cultural landscapes.

Lusitan Identity Paradoxes Revealed by Fado Songs

This paper briefly presents the methods and the results of the investigation conducted within the doctoral study. The goal is to investigate the phenomenon of fado songs in the context of cultural transformations that take place in the uniting Europe. During the investigation, we tried to verify the problem of national and cultural identity of the Portuguese and their attitude towards ethno-cultural auto-identification in fado. According to the research results, the Portuguese are profoundly conscious of the relation between fado and their national and cultural identity. The results show that the Portuguese also consider the songs so strongly tied to their own nation, history, and places in Portugal, that this makes impossible for the foreigners to understand the message （even though some listeners claim, that they ＂feel＂ fado, though not being able to understand the lyrics）. The research results proved that the Portuguese consider fado as a carrier of their identity, or even ＂Portuguese soul＂.

The Actualization of Post-colonialism in Movies

The post-colonialism is a theory proposed by the eastern colonial academist Edward W. Said. With the understanding and the definition of post-colonialism, the paper is to analyze phenomena of the movie 2012 and Avatar from several aspects. Firstly, the ＂other＂ is the first angle to be talked about. In the Westerners＇ perspective, they are the center of the world, and they dominate the world. Their rules are the accepted rules, and people of different origin or different cultures are all called ＂other＂. Secondly, it is the degeneration of eastern culture. In the complex of the degeneration of the culture, the demonization of the under-developed nations, the dominant language of English in the communication with the people around, feminization of the characters in the movies, and the updated colonialism of the colonized countries are to be mentioned.

Ethical Tradition and Modernity:The Problem of Ethical Culture in the Context of Modern China

This paper reexamines the metamorphosis of China＇s moral and cultural traditions in the course of modernization over the last hundred years and the complex relationship between Chinese modernity and the moral and cultural traditions latent in this metamorphosis, in the context of contemporary China. We deduce and demonstrate the following basic conclusion： modem China＇s attempt at resolving the dichotomy of liberalism and conservatism of moral cultural traditions shows that the country＇s post-tradition ethical culture faces the dilemma of whether to hold on to tradition or abandon it. However, the final result may be that modem China is still ＂within tradition＂ rather than ＂outside tradition.＂ The only difference is that new socialist morality has risen dramatically to prominence out of intellectual debates in the last century and has become the mainstream moral culture of modem China. However, this does not represent something that is purely alien or ＂outside tradition,＂ but rather a new stage in the development of Chinese moral tradition and Chinese modernity; it is still part of the chain of transmitted variants in China＇s long, profound and continuous moral cultural tradition.

What＇s in a Name？ Multiculturalism by the Name of Transculturalism May Smell as Bitter

The paper argues that a change of the name from multiculturalism to transculturalism will not work magic if the thinking paradigm that dictates trans- culturalism is still the same mindset that dictates multiculturalism, which is basi- cally swayed by postcolonialism, a victim mentality, or what Fanon termed as a colonized mind that conceives the world ahistorically in terms of a false binarism of the West and the non-West, ignoring entirely the complexities of power relations in intercultural and intracultural interactions, and disregarding the simple facts that, as the West is not a colonizing whole, the non-West is not a colonized monolith and that, as there are diversities between cultures in the West and the non-West, there are differences within the Western cultures, within the non-Western cultures, and within each culture. I discuss the failures of multiculturalism, critique the indiscriminate application of postcolonialism, and look into the problems and risks of conceiving power relations in cross-cultural interactions along the postcolonialist binary line, which has reduced the diversified world into the West and the non-West. The transculturalist hypothesis of World Englishes is used as a case in point. My conclusion is that transculturalism can only be meaningful if it adopts ＂a disposition of openness, liberated from the colonized mind or the postcolonialist identity politics.