In Spain, the historical context of the sixties was experienced as a particularly changing one. Gone were the post-war years, and with them the autarchy, poverty and famine, characteristics of that time. After a trans...In Spain, the historical context of the sixties was experienced as a particularly changing one. Gone were the post-war years, and with them the autarchy, poverty and famine, characteristics of that time. After a transitory fifties decade, the country entered a prosperous time, which is known as the develompentism sixties--desarrollismo. The franscoism itself promoted this change. Meanwhile, it became a mandatory to guide the population so the fostered modem life did not imply, among other issues, an abandonment of the traditional gender order. Popular cinema played a key role in that objective. Particularly tourism narratives had direct implications on the renewed way to understand gender identities. In this article we will approach two blockbusters, as representative examples of the mainstream films productions, through which analyse how masculinity and femininity were screened and considered.展开更多
As the user a wide range of real-time communication tool, Wechat will become a more popular social way to communicate. Attracting the majority of enterprises, Wechat increasingly become a new product marketing platfor...As the user a wide range of real-time communication tool, Wechat will become a more popular social way to communicate. Attracting the majority of enterprises, Wechat increasingly become a new product marketing platform. Wechat marketing in the film industry has also been widely used. but the development of the film industry has its own characteristics, so when using Wechat marketing, certain principles and methods should be followed, to achieve the desired effect. This paper focuses on the analysis of film industy marketing based on Wechat platform and also predicting its development trend.展开更多
The films Catch-22 （1970） and The English Patient （1996） are based on literary novels, and set in the specific time and place of World War II Italy. Each work uses the topic of the war to raise the issues of ident...The films Catch-22 （1970） and The English Patient （1996） are based on literary novels, and set in the specific time and place of World War II Italy. Each work uses the topic of the war to raise the issues of identity and loyalty that loom large during wartime, when nations place huge demands on their people. Both works explore these issues as relevant to their own time. In the 1960s, Catch-22 elevates loyalty to self as a value and challenges the dehumanizing conformity demanded by the bureaucratic states of the postwar world. Twenty-six years later, The English Patient honors loyalty to people rather than to nations. Both movies end in hope, with Yossarian＇s escape in Catch-22, and the end to the European war in The English Patient. This paper argues that Michael Ondaatje＇s novel, The English Patient, goes beyond the issues of identity and loyalty and the hopeful Hollywood ending as seen in the movies. By giving Kip＇s and Hana＇s points of view, which were not shown in the film--the view of a brown man in a world controlled by whites and of a woman who understands the horrors of the atomic bomb--Ondaatje offers the possibilities of a new sense of identity and loyalty, one more in tune with issues of a post-colonial 21 st century world展开更多
Chitosan is a biopolymer material. Mechanical, physical and barrier properties of different chitosan films incorporating garlic oil at 25, 50 and 100 μL/g chitosan or potassium sorbate at 25, 50 and 100 mg/g chitosan...Chitosan is a biopolymer material. Mechanical, physical and barrier properties of different chitosan films incorporating garlic oil at 25, 50 and 100 μL/g chitosan or potassium sorbate at 25, 50 and 100 mg/g chitosan as antifungal agents were studied. Addition of garlic oil or potassium sorbate into the films did not alter their color except at the highest concentration of garlic oil which resulted in a more yellowish film. Garlic oil reduced film strength and elongation but it had no effect on water vapor transmission rate. Potassium sorbate reduced film strength and water vapor transmission rate, but it increased oxygen transmission rate. Films containing garlic oil or potassium sorbate was used to wrap around garlic bread to evaluate its shelf life. The development of mold on the bread surface was observed daily. The results showed that garlic bread wrapped in chitosan film incorporating garlic oil had 23 days shelf life, compared with only 7 days shelf life of garlic bread without wrapping. Garlic bread wrapped by film containing potassium sorbate had 13 days shelf life. Garlic breads wrapped by the films incorporating either garlic oil or potassium sorbate were acceptable in terms of sensory evaluation.展开更多
In recent years, the ＂China Dream＂ has become a popular topic in China's Mainland. To tell the stories of the ＂Chinese Dream＂ from different aspect in the field of literary and artistic creation have emerged a...In recent years, the ＂China Dream＂ has become a popular topic in China's Mainland. To tell the stories of the ＂Chinese Dream＂ from different aspect in the field of literary and artistic creation have emerged as a significant phenomenon. To some extent, these texts can be regarded as national allegory. This paper will take the film American Dreams in China as a case, to provide some thoughts on the value dimensions for the construction of the ＂Chinese Dreams＂.展开更多
Movie trailers originate from the movies themselves. Although compared with the two-hour-long films, the trailers are insignificant. It takes certain skills to make moderate spoilers and sufficient gimmicks in this sh...Movie trailers originate from the movies themselves. Although compared with the two-hour-long films, the trailers are insignificant. It takes certain skills to make moderate spoilers and sufficient gimmicks in this short period of time, while at the same time to hoist the audience appetite. Films are a result of cutting, so are trailers. But it is obviously insufficient for us to analyze their relationship only from the angle of editing techniques and art. This study is based on the perspective of large data, in which the clips of the trailers are abstracted in visual scenes by comparing the lenses of different tracks in editing software. In this way, we can get the time code of the lenses of the feature. Furthermore, when putting back the time code of the trailers into the movies again, we can have a vivid diagram of the trailers and film by using these time code and directly reveal the relationship between the trailers and the features.展开更多
The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as i...The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.展开更多
The purpose of this paper is to engage with Gilles Deleuze＇s work on time and space in cinema as a theoretical trajectory for exploring the video art of Lia Lapithi Shukuroglou. In Cinema 2： The Time-Image （1989）,...The purpose of this paper is to engage with Gilles Deleuze＇s work on time and space in cinema as a theoretical trajectory for exploring the video art of Lia Lapithi Shukuroglou. In Cinema 2： The Time-Image （1989）, Deleuze argues that post-Second World War cinema has been shaped by a historical transformation compelling it to create new signs and images. Centering on the post-war landscape of Cyprus in 1974, the moment of ＂historical transformation＂ in Deleuze is transposed to this national context; examining Lapithi＇s response to the crisis of historical time in its relation to physical spaces. It negotiates a contextualized reading of three videos and argues that they manifest Deleuzian ＂time-images＂. These texts react to the territorialization of real spaces by deterritorializing official national history. Using Martin Jones＇ study, Deleuze, cinema and national identity： Narrative time in national contexts （2006） Lapithi＇s time-images are interpreted as ＂unruly＂ as they resist a linear narrative and destabilize public time. Contrary to Martin Jones＇s view that time-images constitute a temporary deviation from flowing national time, the author argues that Lapithi excavates alternative temporalities in perpetuity; whilst proposing that in the context of Cyprus the deterritorialization of space by time postpones the nation＇s identity.展开更多
Listening, in language teaching, is a skill that requires active engagement. To help their students become effective listeners becomes one of the great challenging tasks for the language teachers. In the Chinese conte...Listening, in language teaching, is a skill that requires active engagement. To help their students become effective listeners becomes one of the great challenging tasks for the language teachers. In the Chinese contexts, this challenge is greater for college English teachers, for listening skills, an important part of communication skills, have not been given as much attention as reading or writing skills in teaching non-English majors, especially a decade ago. This paper introduces English movies on English listening teaching in college, and puts forward some application strategies of English movies in English listening teaching.展开更多
Early in the 20th century, Lin Yutang proposed learning English by watching movies, and made a lot of reasons to do so.Contemporary college students are in contact with the flood of information and cultural exchanges ...Early in the 20th century, Lin Yutang proposed learning English by watching movies, and made a lot of reasons to do so.Contemporary college students are in contact with the flood of information and cultural exchanges have become increasingly frequent.On campus, it also surges wave of watching English movies, movies not only entertainment, but also can train and inspire students＇ interest and enthusiasm for learning English.Videos spoken dialogue is authentic, students can exercise listening, imitating wonderful dialogue to enhance their listening level, reduce hearing misunderstood.There is no doubt that English is the world＇ s most widely used language, learning English is the mission of every student.Only understand English, we can communicate with the world in English.In this paper, combined with the development status in college English listening teaching, and then explore the role of fihn in college English listening teaching.展开更多
An experiment was carried out to investigate the relation of the maximum velocity of air passing through narrowest passage, mass flux of spray water in one square meter in one hour and the pressure drop of tube bundle...An experiment was carried out to investigate the relation of the maximum velocity of air passing through narrowest passage, mass flux of spray water in one square meter in one hour and the pressure drop of tube bundles. Twelve equations were obtained for the relation. The results show that the pressure drop of the tube bundles increases with increase of the maximum velocity of air and the mass flux of spray water. Comparing the pressure drop of the bare tube bundles with that of the film-enhanced tube bundles, it is found that the pressure drop of the film-enhanced tube bundles is lower about 11% and the surface roughness of the film-enhanced plates is a main factor that influences the pressure drop. The data and method obtained in the paper can be used to compute the pressure drop of the film-enhanced tube bundles and is helpful for selection of fan.展开更多
OBJECTIVE:Electroacupuncture effect on neurological behavior and the expression of tyrosine kinase Janus kinase 2(JAK 2) of ischemic cortex in rats with the focal cerebral ischemia were investigated in this study.METH...OBJECTIVE:Electroacupuncture effect on neurological behavior and the expression of tyrosine kinase Janus kinase 2(JAK 2) of ischemic cortex in rats with the focal cerebral ischemia were investigated in this study.METHODS:The model of focal cerebral ischemia was established by the heat-coagulation induced the occlusion of the middle cerebral artery.The electro-acupuncture was applied on Baihui(GV 20) and Dazhui(GV 14),and AG490 was applied by intracerebroventricular infusion.The expressions of JAK2 mRNA and phospharylatedJAK2(p-JAK2) in the ischemic cortex were observed by in situ hybridization and western blotting.RESULTS:The expressions of JAK2 mRNA and p-JAK2 were rarely found in sham surgery group.In model group,the expression of JAK2 mRNA and JAK2 phosphorylation had increased.After 1 day of cerebral ischemia,the expression had reached its peak.After cerebral ischemia,the expressions of JAK2 mRNA and p-JAK2 were consistent with the neurological deficit score.Electroacupuncture treatment and AG490 intervention were able to improve the neurological deficit score after cerebral ischemia,and down-regulate the expressions of JAK2 mRNAand JAK2 phosphorylation.CONCLUSION:After cerebral ischemia,the excessive expressions of JAK2 and the JAK2 phosphorylation would be one of mechanisms by which the brain injury got worse.The therapy of electro-acupuncture could reduce the expression of JAK2,and inhibit JAK2 phosphorylated activation,so as to block the abnormal activation of signal transduction pathway which was induced by JAK2.展开更多
文摘In Spain, the historical context of the sixties was experienced as a particularly changing one. Gone were the post-war years, and with them the autarchy, poverty and famine, characteristics of that time. After a transitory fifties decade, the country entered a prosperous time, which is known as the develompentism sixties--desarrollismo. The franscoism itself promoted this change. Meanwhile, it became a mandatory to guide the population so the fostered modem life did not imply, among other issues, an abandonment of the traditional gender order. Popular cinema played a key role in that objective. Particularly tourism narratives had direct implications on the renewed way to understand gender identities. In this article we will approach two blockbusters, as representative examples of the mainstream films productions, through which analyse how masculinity and femininity were screened and considered.
文摘As the user a wide range of real-time communication tool, Wechat will become a more popular social way to communicate. Attracting the majority of enterprises, Wechat increasingly become a new product marketing platform. Wechat marketing in the film industry has also been widely used. but the development of the film industry has its own characteristics, so when using Wechat marketing, certain principles and methods should be followed, to achieve the desired effect. This paper focuses on the analysis of film industy marketing based on Wechat platform and also predicting its development trend.
文摘The films Catch-22 （1970） and The English Patient （1996） are based on literary novels, and set in the specific time and place of World War II Italy. Each work uses the topic of the war to raise the issues of identity and loyalty that loom large during wartime, when nations place huge demands on their people. Both works explore these issues as relevant to their own time. In the 1960s, Catch-22 elevates loyalty to self as a value and challenges the dehumanizing conformity demanded by the bureaucratic states of the postwar world. Twenty-six years later, The English Patient honors loyalty to people rather than to nations. Both movies end in hope, with Yossarian＇s escape in Catch-22, and the end to the European war in The English Patient. This paper argues that Michael Ondaatje＇s novel, The English Patient, goes beyond the issues of identity and loyalty and the hopeful Hollywood ending as seen in the movies. By giving Kip＇s and Hana＇s points of view, which were not shown in the film--the view of a brown man in a world controlled by whites and of a woman who understands the horrors of the atomic bomb--Ondaatje offers the possibilities of a new sense of identity and loyalty, one more in tune with issues of a post-colonial 21 st century world
文摘Chitosan is a biopolymer material. Mechanical, physical and barrier properties of different chitosan films incorporating garlic oil at 25, 50 and 100 μL/g chitosan or potassium sorbate at 25, 50 and 100 mg/g chitosan as antifungal agents were studied. Addition of garlic oil or potassium sorbate into the films did not alter their color except at the highest concentration of garlic oil which resulted in a more yellowish film. Garlic oil reduced film strength and elongation but it had no effect on water vapor transmission rate. Potassium sorbate reduced film strength and water vapor transmission rate, but it increased oxygen transmission rate. Films containing garlic oil or potassium sorbate was used to wrap around garlic bread to evaluate its shelf life. The development of mold on the bread surface was observed daily. The results showed that garlic bread wrapped in chitosan film incorporating garlic oil had 23 days shelf life, compared with only 7 days shelf life of garlic bread without wrapping. Garlic bread wrapped by film containing potassium sorbate had 13 days shelf life. Garlic breads wrapped by the films incorporating either garlic oil or potassium sorbate were acceptable in terms of sensory evaluation.
文摘In recent years, the ＂China Dream＂ has become a popular topic in China's Mainland. To tell the stories of the ＂Chinese Dream＂ from different aspect in the field of literary and artistic creation have emerged as a significant phenomenon. To some extent, these texts can be regarded as national allegory. This paper will take the film American Dreams in China as a case, to provide some thoughts on the value dimensions for the construction of the ＂Chinese Dreams＂.
文摘Movie trailers originate from the movies themselves. Although compared with the two-hour-long films, the trailers are insignificant. It takes certain skills to make moderate spoilers and sufficient gimmicks in this short period of time, while at the same time to hoist the audience appetite. Films are a result of cutting, so are trailers. But it is obviously insufficient for us to analyze their relationship only from the angle of editing techniques and art. This study is based on the perspective of large data, in which the clips of the trailers are abstracted in visual scenes by comparing the lenses of different tracks in editing software. In this way, we can get the time code of the lenses of the feature. Furthermore, when putting back the time code of the trailers into the movies again, we can have a vivid diagram of the trailers and film by using these time code and directly reveal the relationship between the trailers and the features.
文摘The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil （as it often perceived in Western Europe） but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author＇s presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies： Sewer （1956） by Andrzej Wajda, Eroica （1956） by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum.
文摘The purpose of this paper is to engage with Gilles Deleuze＇s work on time and space in cinema as a theoretical trajectory for exploring the video art of Lia Lapithi Shukuroglou. In Cinema 2： The Time-Image （1989）, Deleuze argues that post-Second World War cinema has been shaped by a historical transformation compelling it to create new signs and images. Centering on the post-war landscape of Cyprus in 1974, the moment of ＂historical transformation＂ in Deleuze is transposed to this national context; examining Lapithi＇s response to the crisis of historical time in its relation to physical spaces. It negotiates a contextualized reading of three videos and argues that they manifest Deleuzian ＂time-images＂. These texts react to the territorialization of real spaces by deterritorializing official national history. Using Martin Jones＇ study, Deleuze, cinema and national identity： Narrative time in national contexts （2006） Lapithi＇s time-images are interpreted as ＂unruly＂ as they resist a linear narrative and destabilize public time. Contrary to Martin Jones＇s view that time-images constitute a temporary deviation from flowing national time, the author argues that Lapithi excavates alternative temporalities in perpetuity; whilst proposing that in the context of Cyprus the deterritorialization of space by time postpones the nation＇s identity.
文摘Listening, in language teaching, is a skill that requires active engagement. To help their students become effective listeners becomes one of the great challenging tasks for the language teachers. In the Chinese contexts, this challenge is greater for college English teachers, for listening skills, an important part of communication skills, have not been given as much attention as reading or writing skills in teaching non-English majors, especially a decade ago. This paper introduces English movies on English listening teaching in college, and puts forward some application strategies of English movies in English listening teaching.
文摘Early in the 20th century, Lin Yutang proposed learning English by watching movies, and made a lot of reasons to do so.Contemporary college students are in contact with the flood of information and cultural exchanges have become increasingly frequent.On campus, it also surges wave of watching English movies, movies not only entertainment, but also can train and inspire students＇ interest and enthusiasm for learning English.Videos spoken dialogue is authentic, students can exercise listening, imitating wonderful dialogue to enhance their listening level, reduce hearing misunderstood.There is no doubt that English is the world＇ s most widely used language, learning English is the mission of every student.Only understand English, we can communicate with the world in English.In this paper, combined with the development status in college English listening teaching, and then explore the role of fihn in college English listening teaching.
基金Acknowledgement： The study is supported by the National Nature Science Foundation. Patent code is 200620098211.4.
文摘An experiment was carried out to investigate the relation of the maximum velocity of air passing through narrowest passage, mass flux of spray water in one square meter in one hour and the pressure drop of tube bundles. Twelve equations were obtained for the relation. The results show that the pressure drop of the tube bundles increases with increase of the maximum velocity of air and the mass flux of spray water. Comparing the pressure drop of the bare tube bundles with that of the film-enhanced tube bundles, it is found that the pressure drop of the film-enhanced tube bundles is lower about 11% and the surface roughness of the film-enhanced plates is a main factor that influences the pressure drop. The data and method obtained in the paper can be used to compute the pressure drop of the film-enhanced tube bundles and is helpful for selection of fan.
基金Supported by the Funds of National Basic Research Program of China(973 program,No.2010CB530500)National Natural Science Foundation of China(No.30973788)+1 种基金Guangdong province science and technology projects (No.2010B031500016)Guangdong Natural Science Foundation(No.9351040701000001)
文摘OBJECTIVE:Electroacupuncture effect on neurological behavior and the expression of tyrosine kinase Janus kinase 2(JAK 2) of ischemic cortex in rats with the focal cerebral ischemia were investigated in this study.METHODS:The model of focal cerebral ischemia was established by the heat-coagulation induced the occlusion of the middle cerebral artery.The electro-acupuncture was applied on Baihui(GV 20) and Dazhui(GV 14),and AG490 was applied by intracerebroventricular infusion.The expressions of JAK2 mRNA and phospharylatedJAK2(p-JAK2) in the ischemic cortex were observed by in situ hybridization and western blotting.RESULTS:The expressions of JAK2 mRNA and p-JAK2 were rarely found in sham surgery group.In model group,the expression of JAK2 mRNA and JAK2 phosphorylation had increased.After 1 day of cerebral ischemia,the expression had reached its peak.After cerebral ischemia,the expressions of JAK2 mRNA and p-JAK2 were consistent with the neurological deficit score.Electroacupuncture treatment and AG490 intervention were able to improve the neurological deficit score after cerebral ischemia,and down-regulate the expressions of JAK2 mRNAand JAK2 phosphorylation.CONCLUSION:After cerebral ischemia,the excessive expressions of JAK2 and the JAK2 phosphorylation would be one of mechanisms by which the brain injury got worse.The therapy of electro-acupuncture could reduce the expression of JAK2,and inhibit JAK2 phosphorylated activation,so as to block the abnormal activation of signal transduction pathway which was induced by JAK2.
