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《更多的人死于心碎》中的“对话”哲学 被引量:8
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作者 刘兮颖 《外国文学研究》 CSSCI 北大核心 2007年第6期121-129,共9页
美国犹太作家索尔.贝娄的代表作《更多的人死于心碎》这部小说深刻体现了马丁.布伯提出的"对话"哲学思想,是其哲学观点的形象化展现。首先,在人物关系上,小说中的肯尼斯与舅舅本诺之间存在着"我-你"之间的对话关系... 美国犹太作家索尔.贝娄的代表作《更多的人死于心碎》这部小说深刻体现了马丁.布伯提出的"对话"哲学思想,是其哲学观点的形象化展现。首先,在人物关系上,小说中的肯尼斯与舅舅本诺之间存在着"我-你"之间的对话关系,本诺与妻子玛蒂尔德及舅舅哈罗德、肯尼斯与情人翠姬及父亲鲁迪之间只是一种冷漠的"我-它"关系;而这种关系不仅表现在人与人之间,也体现在人与物之间,作为植物学家的本诺与假杜鹃花之间的关系经历了从"我-你"到"我-它"的转换,从中展现了犹太知识分子在当代美国社会面临的伦理困惑和精神危机,以及传统犹太伦理道德观念在美国当代社会受到的冲击。其次,在叙事上,第二人称"你"的使用也体现出了对话性,拉近了读者与文本之间的距离,由此产生了强烈的审美效果。 展开更多
关键词 《更多的人死于心碎》 马丁·布伯 “对话”哲学 “我-你”关系 “我-它”关系 第二人称叙述
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论马丁·布伯“对话”哲学在《拉维尔斯坦》的体现
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作者 邓海珍 王佳英 《理论观察》 2013年第1期96-97,共2页
美国著名的诺贝尔文学奖获得者、犹太裔作家索尔·贝娄的辞世之作《拉维尔斯坦》体现了犹太宗教哲学家马丁·布伯的"相遇"哲学即"对话"哲学的观点。小说中主人公拉维尔斯坦及小说叙述者齐克的关系、及他们... 美国著名的诺贝尔文学奖获得者、犹太裔作家索尔·贝娄的辞世之作《拉维尔斯坦》体现了犹太宗教哲学家马丁·布伯的"相遇"哲学即"对话"哲学的观点。小说中主人公拉维尔斯坦及小说叙述者齐克的关系、及他们分别与其他人的关系都体现了马丁·布伯的二重世界的观点。本文通过阐述这两个主要人物及其他人的关系,旨在表达作者贝娄极力诉求人与人和谐相处的伦理要求。 展开更多
关键词 索尔·贝娄 《拉维尔斯坦》 马丁·布伯 “对话”哲学
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论《傻瓜吉姆佩尔》中的“对话”哲学
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作者 于海珍 《南昌高专学报》 2010年第1期28-30,38,共4页
美国著名作家艾萨克·巴什维斯.辛格的代表作《傻瓜吉姆佩尔》深刻体现了马丁.布伯的"对话"哲学思想。这一哲学思想首先在小说人物之间的关系间得以展现。文中在吉姆佩尔与牧师之间存在着"我-你"之间的对话关系... 美国著名作家艾萨克·巴什维斯.辛格的代表作《傻瓜吉姆佩尔》深刻体现了马丁.布伯的"对话"哲学思想。这一哲学思想首先在小说人物之间的关系间得以展现。文中在吉姆佩尔与牧师之间存在着"我-你"之间的对话关系,吉姆佩尔与他的妻子埃尔卡,吉姆佩尔与他的学徒或其他邻居之间只是一种冷漠的"我-它"关系;这种关系展现了现代人在当代美国社会面临的伦理困惑和精神危机,以及传统伦理道德观念在美国当代社会受到的冲击。其次,在叙事上,第二人称"你"的使用也体现出了对话性,拉近了读者与文本之间的距离,由此产生了强烈的审美效果。最后,在吉姆佩尔的游荡与梦境中,"对话"哲学得以最完美的诠释。因此,在一定程度上,傻瓜吉姆佩尔成为"对话"哲学中的代表人物。 展开更多
关键词 《傻瓜吉姆佩尔》 马丁·布伯 “对话”哲学 “我-你”关系 “我-它”关系 第二人称叙述
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The Dialogue Between Cinema and Philosophy: Hannah Arendt by Margarethe Von Trotta
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作者 Alessio Tommasoli 《Journal of Literature and Art Studies》 2016年第4期400-410,共11页
Hannah Arendt, the new film by the German director Margarethe Von Trotta, does not seem just like another trying to represent philosophy through the classic cinematic storytelling. It builds instead a perfect dialogue... Hannah Arendt, the new film by the German director Margarethe Von Trotta, does not seem just like another trying to represent philosophy through the classic cinematic storytelling. It builds instead a perfect dialogue between these two practices that never encroach each other: There is not any doctrine that prevents cinema's freedom to create images and any philosophy claim that forces cinema to find in images an alternative way of expression. Von Trotta leaves any biopic form and stages a harmonic building where cinema fulfills philosophy and philosophy fulfills cinema. In this way she gets an outright practical exhibition of a theory, the "banality of evil". We want to comprehend the reasons of this perfect building analyzing this film, its characters with their acts, all the images their montage, and editing, everything that supports the Arendt's philosophical notion. We work on the film with the philosophical categories created by Gilles Deleuze to study the history of cinema in two essays, Image-mouvement and Image-time. In this way we can unfold how Margarethe Von Trotta represents a theory through images, without any word as intermediary 展开更多
关键词 Hannah Arendt PHILOSOPHY Margarethe Von Trotta Gilles Deleuze film aesthethics CINEMA
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The Philosophy of a Dialogue and the Process of Understanding the Identities and Alterities
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作者 Slavica Srbinovska 《Journal of Literature and Art Studies》 2015年第1期8-15,共8页
The main subject of the research is in close connection with the contemporary theories of subject and cultural identity. It represents the point of view of the problems of globalization and boundaries from the perspec... The main subject of the research is in close connection with the contemporary theories of subject and cultural identity. It represents the point of view of the problems of globalization and boundaries from the perspective of the present historical position. It interprets contemporary reflections of the cultural, especially literary boundaries. The research is also a kind of analyze which is in connection with the decentralization of the identity through the images of the others. The main subject of the interpretation is the problems of the others as a measure of our personality, our past, and our future. Who we were and who we are now? In this research, narrativity is understood as a constitutive impulse of many different spheres such as narrative literature and film, and as an influential element of the religious and philosophical texts. The main goal of the study is to present the deployment of the senses that are conducted to our origin. It means investigation of our understanding of where we come from and how can we find ourselves in the contemporary culture, first of all, how can we constitute the identity if we use the meanings that come from the past and make our identification in the present. 展开更多
关键词 IDENTITY narrativity GLOBALIZATION HYBRIDITY memory
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