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论康德鉴赏判断与新批评“张力说”的内在关联
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作者 陈昱昊 《湖北函授大学学报》 2014年第15期76-77,共2页
20世纪三四十年代兴起的新批评理论中"张力说"最为核心,然而这个学说与康德的鉴赏判断有很大的渊源。康德鉴赏判断意在观照美的对象的过程中获得超越性,而"张力说"从作者角度要求诗歌作品的言语字面意义与联想意义... 20世纪三四十年代兴起的新批评理论中"张力说"最为核心,然而这个学说与康德的鉴赏判断有很大的渊源。康德鉴赏判断意在观照美的对象的过程中获得超越性,而"张力说"从作者角度要求诗歌作品的言语字面意义与联想意义的结合,从而使读者获得不同于现实的审美体验。区别在于,前者是从哲学体系出发构建,以人为主体;后者以文本为主体,重视形式与言语在激发审美感情方面的作用。 展开更多
关键词 康德 鉴赏判断 新批评 “张力说”
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The Tension between New Media and Narratology: The Case of Cinema 被引量:1
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作者 Alberto J. L. Carrillo, Marco Calder6n, Francisco J. Montes May Zindel 《Journal of Philosophy Study》 2012年第9期677-687,共11页
We will discuss here the tension between the reality of new media and narratological theory, and the case in point will be cinema. Our thesis is that new media have to do with illusion, basically with illusion, and on... We will discuss here the tension between the reality of new media and narratological theory, and the case in point will be cinema. Our thesis is that new media have to do with illusion, basically with illusion, and only derivatively with imagination; on the contrary, the field of literature has to do with imagination, strictly with imagination, not with illusion at all. If it is so, something must be wrong with the pretence of narratology, which has literature as its basic referent, to be the adequate theoretical frame in order to understand every cultural phenomenon, especially in the case of new media. We have to insist on the distinction between illusion and imagination. In fact, most literary theorists do not bear in mind such distinction; it tends to completely disappear under the general title "fiction." To be sure, it is usually said of cinema that it is fiction, like literature, but cinema is much more than fiction, it is illusion, even if it is the illusion of a story. 展开更多
关键词 IMAGINATION ILLUSION plastic imagination aesthetic belief sameness of the character
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