美国学者对“当代”中国平等观的独特看法——从孟旦的《中国“当代”人的概念》谈起

"当代"中国将"培养"新人作为"平等"的手段,而西方人是用"平等"来描绘自由民主理想;在"当代"中国,"平等"对待是建立在"成为人民的一员"的基础之上,而西方人的平等观来源于上帝的爱;"当代"中国人最重视地位平等,而"当代"西方人最重视权利平等。

A Study of the Gendered Identity of Female Migrants in Contemporary China

As a new group in the process of socio-economic transformation, female members of the Chinese floating population have negative self-identities rooted in the traditional gender discrimination in China society. This impacts negatively on female migrants1 both physiologically and psychologically, disadvantaging them in the pursuit of resources, opportunities and rights. It is therefore necessary to positively influence the self-image of female migrants so as to ensure their rights, further their interests and ultimately to achieve gender equality.

China's Urbanization in 1949–2015: Processes and Driving Forces

The pace and scale of China＇s contemporary urbanization are stunning. This paper reviews process and the underlying driving forces of China＇s urbanization between 1949-2015. Contemporary China＇s urbanization has experienced four stages, and each has had different driving forces： 1） economic re-construction and industrialization-led urbanization 0949-1977）; 2） economic reform and mar- ket-led urbanization （1978-1995）; 3） economic globalization and the global-local urbanization （1996-2010）; and 4） the land-economy- led urbanization （2010-）. These urbanization processes and driving forces will undoubtedly provide scientific reference and have sig- nificant implications for developing countries, especially African countries, to formulate their urbanization public policies.

Seven Decades of China's Fiscal Modernization

After its founding in 1949,the People’s Republic of China'started to modernize its fiscal system-an essential part of its broader modernization drive.Its unified and wellfunctioning fiscal system supported the stability of the nascent government,and helped stabilize the economy and restore public order after then.In the era of the planned economy,public finance in the country was put at the service of economic plans while striving to reach a fiscal equilibrium,which was of great significance at that time.Economic equilibrium,including fiscal,credit and material equilibrium,was perceived as a manifestation of macroeconomic stability.Problems encountered during the era of the planned economy led to the launch of a reform and opening-up program-a brilliant chapter in modern Chinese history.The Third Plenum of the 11th CPC Central Committee marks a brand-new era of reform and opening-up.In this transformative period,China’s fiscal system was initially decentralized to keep abreast of its“planned commodity economy.”After the goal of socialist market economic reform was announced in 1992,China’s fiscal reforms embarked on a fast track.As China'strived to build a public finance system compatible with a socialist market economic system,fiscal reforms took place and fiscal policy played a more important role in macroeconomic regulation.The Third Plenum of the 18th CPC Central Committee held in November 2013 set the goal of the reform to establish a modern fiscal system.Afterwards,China deepened its fiscal reforms,focusing on budget management,taxation and reform of central-local fiscal relations.

What is ＂Chinese Modem Calligraphy＂？ An Exploration of the Critical Debate on Modem Calligraphy in Contemporary China

Since the mid-1980s Chinese calligraphy art has undergone a radical change and has opened itself to experimentation. Nowadays in China this artistic revolution has sparked a vivid debate among the art critics on three main topics： （1） definition of the phenomenon; （2） analysis of its nature; and （3） classification of the artistic production. In this article, all these aspects are analysed in order to give a comprehensive view of the present theoretical discussion and of its future development.

The Influence of the Gentry on Rural Political Construction

Based on some former studies of Chinese rural society, this paper summerizes the achievements and limitations of general Chinese rural studies and then proposes a social operation model in rural areas which is dominated by the squires. It uses some specific historical data and discoveries of feild sduty to further examine the profound influence of the squires on rural politcal construction in three different aspects： the model of clan and religion, the role as inter-mediator and the growth of basic armed forces. The study found that this special social group played a center role in Chinese rural political system from ancient to modem times, particularly, the research considers the decline of the squire society since the establishment of the new government in 1949. In the end, this paper points out the cultural guiding significance of this social model in the study to the rural construction in contemporay China by predicting the possiblity of renaissance

Rock Music in Contemporary China： An Ideological Arena

The rock music in contemporary China is a filed for the folk, official, elite and other multi-element ideology competition. Wang Feng is a winner walking on the ideological balance beam. After deconstructing Cui Jian＇s grand narrative mode and strong critical feature, his works have been endowed with heavy critical color and reflection value by a grassroots band named ＂Xuriyanggang＂. Besides, Wang Feng＇s works have eliminated the distinction between the official and folk feature, elegance and worldly feature, as well as elite and mass. To a large extent, they have defined the rock music in contemporary China, and pushed the Chinese rock to the mainstream market. Consequently, the Chinese rock has been gradually developed into multiple and compound culture modes.

A Brief View of Practice Ontology Aesthetics in the Context of Contemporary China

In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem China, in which the existence dimension in Marxist concept of practice was of great significance to breaking the theoretical limitation of present Practice Aesthetics. Therefore, in terms of the distinctive context of Chinese contemporary aesthetics, the introduction of Practice Ontology Aesthetics from the theoretical perspective of Marxist existentialism offers a possible way to break the current aesthetics and represents a multiple academic pursuit of Marxist, Chinese and modem aesthetics.

An Exploratory Study on Joumalistic Professionalism and Journalism Education in Contemporary China

Journalism education and the journalism industry have boomed in the past twenty years in China, however, journalism school graduates are not highly welcomed by media organizations. In order to examine issues and challenges facing journalism education, this study conducted an in-depth interview with practicing journalists and journalism educators through a lens of journalistic professionalism. This paper finds that their perceptions are focusing on expertise, commitment, responsibility but eschewing journalistic autonomy deliberately with respect to journalistic professionalism and concentrating on rigid journalism knowledge without ＂professional＂ or practical ability with respect to journalism education. Limitation and suggestions for future research are also provided.

Research on the Development Dilemma and Response Strategy of Contemporary Chinese Classical Dance

Chinese classical dance contains a profound connotation of Chinese traditional culture, with distinctive forms of performance and aesthetic characteristics. In the world of multi-cultttral communion, the development of Chinese classical dance needs to be inherited on the basis of traditional culture to inject more innovation, highlight its unique artistic aesthetic value and deep national culture contains. In this paper, the development course, aesthetic characteristics and classical dance form of Chinese classical dance are expounded. From the perspectives of historical cultural inheritance, classical dance culture cultivation and dance culture innovation, the feasibility measures and measures are put forward in order to explore the effective path and methods to developing Chinese classical dance, which gives excellent national dance art inheritance, development and innovation.

Management research on private enterprise under the background of diversification strategy

After private enterprise having experienced 30 years of hard work in the reform and opening up and accumulated a certain primitive accumulation of capital, how to make strategic adjustments or enterprise strategic transformation, how to avoid the risk of corporate business development and to make diversification or specialization has become a question of reality that contemporary Chinese private enterprises must face. In this paper, we will exposure to and experience Chinese private enterprises from small to big, starting from nothing, with its own business development strategy, and briefly talk about how private enterprise face the diversification and professional development strategies.

The application of situational teaching method based on the Chinese linguistic literature

The teaching properties and the teaching modes of the Chinese linguistic literature compared with the other courses have certain particularity, and in the course teaching, we should give full play to the subjectivity of the students, but also play the practicability of the course teaching through the construction of students＇ knowledge slructures and the shape of their ideology. The author thinks that contemporary Chinese language and literature teaching should break the limitation of the traditional teaching mode, and we should guide the students to play the subjective consciousness and the consciousness of the emotional experience of the course learning in the cross-national literature and artistic context with various forms and rich contents, and help the students easily and autonomously integrated into the Chinese language and literature teaching.

Analysis of publication dissemination of Chinese present current literature work English translation and research methodologies

As a systematic work, there are very close links between the various aspects of the English translation of Chinese modern and contemporary literary works, whether they are translated into the main body, translated content and other links, or a specific translation approach, are not segmentation. Many translators, sinologists and books, magazines and so on have played a very important role in the process of translating modern and contemporary literary works in China. However with English-Chinese “borrowism” compared with, English work that translates the Chinese present current literature work, no matter in quantity and quality, infi uence and other aspects that the work itself has appear the relative backwardness. In order to promote the modern and contemporary Chinese literary works in the world, it is necessary to analyze and study the English translation of Chinese modern and contemporary literary works and the research methods.

Research on the Influence about students＇ Quality Training by Contemporary Chinese Literature Teaching

Chinese Contemporary Literature as related professional foundation courses, with the development of the country＇ s higher education reform, its status and role are also changing and Under the current talents to professional competence based values, many students of Chinese Modem Literature awareness and interest gradually weakened, due to reduced hours, the old teaching model and the impact on consumer attitudes about fast food culture, college students thinking of contemporary Chinese literature, values, and aesthetic taste, are a significant deviation and dislocation. To this end, we should strengthen the status of contemporary Chinese literature teaching, and teaching literature from many problems currently faced by the contemporary university, and re-examine their academic, cultural, informative features, innovative teaching model to promote the current inherit Chinese Contemporary Literature Teaching and development.

Feminist Analysis of As for Me and My House

As for Me and My House （1957） is the first work by Canadian writer Sinclair Ross. Written in the form of a diary, it tells the story of the protagonist Mrs. Bentley whose subconscious feminine awareness goes through a process of surrendering and awakening under the oppression of patriarchal society and the tribulation of daily life. The novel brings to light the protagonist＇s strong will when she is in the pursuit of spiritual satisfaction and of her importance of being within the framework of a society in which gender Bentley＇s different traits from her female peers are exhibited about her own mind, and has her own pursuit of dreams relation is unequal. In this way of depiction, Mrs. She is independent, strong, and optimistic, knows

A Historical Review

A Concise History Reader of the People’s Republic of China is a condensed compilation by the Institute of Contemporary China Studies over 20years from a multivolume collection.It is the fi rst monumental work recording the development history of the PRC.

Exploring New Frontiers in Contemporary Chinese History Studies:A Case Study of Third Front Construction

In the 1960s,to prepare for war,China initiated a massive economic campaign known as“Third Front construction”(sanxian jianshe三线建设).Third Front construction was largely founded on manufacturing industry,transport,and national defense science and technology.It began to attract academic attention from the 1980s,and the relevant research has made rapid progress since the advent of the new century.Today,research efforts in this field mainly come from history,supplemented by other disciplines such as sociology,economics,geography,architecture and musicology.With the increasing integration of disciplines in the future,Third Front construction promises to be one of the most vigorous and creative areas in studies of contemporary Chinese history and contemporary China.

Advancing Cross-Cultural Understanding Through Experimental Literary Translation： Chinese Translation of Finnegans Wake in China

A fertile ground is needed for a work to be translated and accepted successfully in the target culture, which includes enough understanding of the ideology and poetics of the source text. Sometimes, a work could be translated and introduced into a culture too early before the readers there can understand the foreign idea and poetics. The innovative language and narrative experiment in Finnegans Wake are far ahead of the literary tradition in contemporary China, which makes it hard to be understood and accepted wholeheartedly by most Chinese readers. However, such experimental works should not be translated in a domesti- cating way to make them easier. If the experimental poetics in Finnegans Wake were kept in the translation as much as possible, it could advance the acceptance of new ideas and poetics in modem Chinese literature, especially when some efforts are given to make the translated work popular.

On the Contemporary Construction of the Chinese System of Academic Discourse

As an important academic issue, the contemporary construction of the Chinese system of academic discourse has attracted increasing attention in recent years. Questions needing further reflection and exploration are： What does the genesis and expansion of this topic actually mean？ Within what horizon can we reveal its fundamental nature and draw further conclusions？ What intellectual task will be presented to us in the course of fixing its direction？ An in-depth probe into these questions, that is, the core issue in the contemporary construction of the Chinese system of academic discourse, is how contemporary academic discourse can enter deep into the specific content ushered in by our historical practice, so that this content can be truly grasped intellectually and studied academically.

SPECIAL ISSUE： GLOBALIZATION AND CONTEMPORARY CHINESE CULTURAL CONSTRUCTION：Contemporary Chinese cultural construction and advanced culture

Advanced Chinese culture today has three interconnected requirements： a） it is an organic component of today＇s advanced world culture; b） it critically absorbs all the best elements of foreign cultures in an organic combination with the best elements of traditional Chinese culture; and c） it transcends the argument over ＂modernism＂ and ＂post-modernism.＂ From a world- historical perspective, all other necessary features of advanced culture in contemporary China represent the logical unfolding of these three requirements. A full and correct grasp of the three elements constituting the world-historicality of this advanced culture is of important methodological significance in clarifying the world-historical mode of the construction of contemporary Chinese culture and the path to cultural innovation.