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一次活色生香的探班
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作者 黄学敏 深蓝 《半岛新生活》 2004年第13期14-14,共1页
一直喜欢乖巧听话的男生,因此从小学起就把“小虎队”里的乖乖虎苏有朋当怍梦中情人,听说这几天苏有朋要来青岛拍电视剧《魔术奇缘》.我激动得寝食难安.夜不能寐。虽然同来的还有韩国的如花似玉的安七炫,但我还是最爱乖乖虎。那天... 一直喜欢乖巧听话的男生,因此从小学起就把“小虎队”里的乖乖虎苏有朋当怍梦中情人,听说这几天苏有朋要来青岛拍电视剧《魔术奇缘》.我激动得寝食难安.夜不能寐。虽然同来的还有韩国的如花似玉的安七炫,但我还是最爱乖乖虎。那天我在办公室对镜自顾了一会,不由自怨自艾地说:“唉,这几夭又憔悴了许多.让我怎么去见朋朋呀?“ 展开更多
关键词 “影迷” 苏有朋 影视演员 娱乐记者
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In the Labyrinth of Memory Cultural Representations About the Warsaw Rising of 1945 in Polish Film and Media Narration
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作者 Elzbieta Wiacek 《History Research》 2012年第6期398-414,共17页
The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil (as i... The Warsaw Uprising is one of the events key to understanding not only the history of Poland but also Central Europe and World War II. The Uprising shows that the war was not a simple fight of good against evil (as it often perceived in Western Europe) but that in fact three sides, each with different goals, were involved--two totalitarian systems and the world of Western democracies. Memory is a phenomenon that is directly related to the present; our perception of the past is always influenced by the present. The aim of the author's presentation is to examine how the collective memory of Polish people about the Warsaw Rising was changing. The author would argue that the remembrance of this event is situated between the communicative memory and cultural memory. To prove it, the author will examine two movies: Sewer (1956) by Andrzej Wajda, Eroica (1956) by Andrzej Munk, and the narrative exhibition of the Warsaw Rising Museum. 展开更多
关键词 the Warsaw Uprising communicative memory cultural memory museum NARRATION
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