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传统屈骚批评的超越——论王国维《屈子文学之精神》中“想象说”的意义 被引量:1
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作者 张煜 《中国文学研究》 北大核心 2003年第2期102-105,共4页
王国维的《屈子文学之精神》 ,引入西方原始思维理论的视野和批评方法 ,通过“想象”这一概念来揭示屈骚的文学特征 ,使该文大大超越了渊远流长的传统屈骚批评。这是一篇于实际批评中充分显示“中西融通”
关键词 王国维 《屈子文学之精神》 “想象说” 屈骚批评
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The Tension between New Media and Narratology: The Case of Cinema 被引量:1
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作者 Alberto J. L. Carrillo, Marco Calder6n, Francisco J. Montes May Zindel 《Journal of Philosophy Study》 2012年第9期677-687,共11页
We will discuss here the tension between the reality of new media and narratological theory, and the case in point will be cinema. Our thesis is that new media have to do with illusion, basically with illusion, and on... We will discuss here the tension between the reality of new media and narratological theory, and the case in point will be cinema. Our thesis is that new media have to do with illusion, basically with illusion, and only derivatively with imagination; on the contrary, the field of literature has to do with imagination, strictly with imagination, not with illusion at all. If it is so, something must be wrong with the pretence of narratology, which has literature as its basic referent, to be the adequate theoretical frame in order to understand every cultural phenomenon, especially in the case of new media. We have to insist on the distinction between illusion and imagination. In fact, most literary theorists do not bear in mind such distinction; it tends to completely disappear under the general title "fiction." To be sure, it is usually said of cinema that it is fiction, like literature, but cinema is much more than fiction, it is illusion, even if it is the illusion of a story. 展开更多
关键词 IMAGINATION ILLUSION plastic imagination aesthetic belief sameness of the character
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