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基于吉尔·德勒兹之“感知-影像”概念对“诗电影”的重新思考 被引量:1
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作者 李竺 《新闻研究导刊》 2022年第24期238-240,共3页
“诗电影”一词始终充满歧义,目前学界对于“诗电影”并没有一个权威的概念界定。在论及“诗电影”时,表露在形式上的诗性特征是最常见的切入点,普遍认为电影的诗意来自于影片中抽象的隐喻、非线性的诗性结构、唯美的影像画面以及镜头... “诗电影”一词始终充满歧义,目前学界对于“诗电影”并没有一个权威的概念界定。在论及“诗电影”时,表露在形式上的诗性特征是最常见的切入点,普遍认为电影的诗意来自于影片中抽象的隐喻、非线性的诗性结构、唯美的影像画面以及镜头语言等方面。本文将借由吉尔·德勒兹电影专著中的“感知—影像”概念,以及帕索里尼对于电影中“自由间接话语”运用的思考,重新审视“诗电影”在本体论上的诗意所在。在德勒兹影像理论视域下,对苏联导演安德烈·塔可夫斯基的《乡愁》和墨西哥当代导演卡洛斯·雷加达斯的《光之后》进行分析,旨在探析在“液态感知—影像”展现的不确定流变以及“气态感知—影像”的混沌知觉之中电影本质上的诗性显现。 展开更多
关键词 “德勒兹” “诗电影” “感知—影像” “乡愁” “光之后”
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The Balance Between the Transmitted and the Perceived Image of Luxury Fragrance Brands
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作者 Monica Diaz-Bustamante Sonia Carcelen Maria Puelles 《Journal of Modern Accounting and Auditing》 2015年第10期499-514,共16页
The luxury market has experienced considerable growth over recent years, being one of the sectors that have been the most resistant to the current economic recession. Selective fragrances make up one of the primary ca... The luxury market has experienced considerable growth over recent years, being one of the sectors that have been the most resistant to the current economic recession. Selective fragrances make up one of the primary categories of the so-called accessible luxury consumed by a middle class that is seeking to approach the upper classes by copying their lifestyle. Despite the importance of this market, there is relatively little literature existing in regards to the study of the image of luxury brands due to the complexity of the luxury phenomenon. This article presents the results of an initial qualitative study conducted on focus groups of luxury fragrance consumers, making it possible to identify the types of attributes to be considered when studying the brand image of said luxury products. Subsequently, a quantitative study was conducted in order to determine the perceived image of the principle luxury fragrance brands by consumers. Thanks to this study, it has been possible to determine the typical profile of each of the analyzed brands so that a subsequent comparison may be made with the advertising created by said brands in order to verify whether or not the image projected in their advertising corresponds with the perceived image of their target audience. 展开更多
关键词 brand image LUXURY FRAGRANCES ADVERTISING PERCEPTIONS
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