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对戏剧与文学关系的再认识——从焦菊隐的“戏剧—诗”观念说起
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作者 邹红 《励耘学刊》 2005年第2期56-68,共13页
本文梳理了焦菊隐"戏剧—诗"观念的形成过程,强调了其诗性意识从着眼于剧本的文学价值提升至对戏剧本体的认识,并最终在传统戏曲的诗性特征上找到二者契合点的理论发展轨迹。另外,探讨了焦菊隐重视戏剧文学性的重要意义:不仅... 本文梳理了焦菊隐"戏剧—诗"观念的形成过程,强调了其诗性意识从着眼于剧本的文学价值提升至对戏剧本体的认识,并最终在传统戏曲的诗性特征上找到二者契合点的理论发展轨迹。另外,探讨了焦菊隐重视戏剧文学性的重要意义:不仅对早期重表演、轻剧本的理论偏差形成有力的反拨,同时也为当今话剧艺术发展提供了可资借鉴的理论资源,即可从剧本理解、戏剧观念及文学素养等方面加强戏剧性与文学性的有机融合,共同构筑和谐的艺术整体。 展开更多
关键词 焦菊隐 “戏剧-诗” 戏剧 文学
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Yuan Kejia's Poetics and the western influence
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作者 Kang Dan 《International English Education Research》 2015年第1期53-56,共4页
Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic... Yuan Kejia's poetics is the theory about the modernization of the new poetry. Some of his specific views on "the poetry and non poems", "the reality and the poetry", "the experience and the poetry", "the logic of the imagination", and "the drama doctrine" and other problems and the poetics texts are influenced by the western poetry, poetics or the literary theories. But it is not the summary of the Chinese theories of the western poetry or the Chinese version of the western poetry or the literary theories, but an attempt to "use all the cultural and academic achievements to come close to the literature and understand the literature", to develop the Chinese noetics. 展开更多
关键词 Yuan Kejia POETICS WESTERN INFLUENCE
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