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后马克思主义的“文化”霸权理论——基于历史唯物主义的批判性反思 被引量:1
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作者 周嘉昕 《河海大学学报(哲学社会科学版)》 CSSCI 2012年第4期15-18,93,共4页
作为当代西方备受关注的一种激进话语,狭义的后马克思主义思潮在后结构主义的基础上提供了一种代替传统马克思主义的霸权接合理论。按照拉克劳和墨菲自己的理解,其话语分析是对经济基础和上层建筑二分的彻底超越。因此并不存在"文... 作为当代西方备受关注的一种激进话语,狭义的后马克思主义思潮在后结构主义的基础上提供了一种代替传统马克思主义的霸权接合理论。按照拉克劳和墨菲自己的理解,其话语分析是对经济基础和上层建筑二分的彻底超越。因此并不存在"文化霸权"概念。但是从全球化资本主义的视阈出发,我们将看到:后马克思主义仍停留在马克思所批判的意识形态层面上,但这种"文化"霸权理论对于丰富历史唯物主义的当代理解亦具有借鉴意义。 展开更多
关键词 后马克思主义 “文化”霸权 接合 历史唯物主义
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The Power of Money in FS. Fitzgerald's The Great Gatsby
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作者 Hasnul Insani Djohar 《Journalism and Mass Communication》 2015年第3期151-157,共7页
The topic of this paper is the pursuit of cultural studies focusing on cultural hegemony, introduces the notion of the dominant groups' power to control society. It will also raise the issue of how hegemonic classes ... The topic of this paper is the pursuit of cultural studies focusing on cultural hegemony, introduces the notion of the dominant groups' power to control society. It will also raise the issue of how hegemonic classes live in 1920s. The objective is to analyze, using cultural studies, Antonio Gramsci's Hegemony, Scott Fitzgerald's The Great Gatsby in order to come to some conclusions about depictions of aristocratic classes and powers in order to dominate powerless groups. Specifically, the research focuses on Jay Gatsby's struggles to face the hegemony of aristocratic groups, whose affluent supremacy. In the story, the new moneyed group, represented by Jay Gatsby, lives in West Egg while the aristocratic group, represented by Tom Buchanan, lives in East Egg. Tom is always the winner because he comes from the aristocratic groups, whose prestigious family. Therefore, Gatsby always loses compete against Tom no matter how hard Gatsby tries. By learning Gatsby's struggle in this novel, we gain a better understanding of how other powerless groups, not only in American society, but also other society in the world, who also struggle to compete with the aristocratic groups. 展开更多
关键词 F. Scott Fitzgerald The Great Gatsby HEGEMONY class aristocratic group
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Inarticulateness, Power and Ethnic identity On Jorge Luis Borges' The Gospel According to Mark
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作者 Du Bingyue 《International Journal of Technology Management》 2016年第8期10-11,共2页
This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi e... This paper attempts to focus on Jorge Luis Borges’ short story The Gospel according To Mark. Borges, an Argentina short storywriter and translator, whose motherland is under long-term western colonization, identifi es himself unconsciously with the western culture. Hisworks mostly touch upon the themes of religion and philosophy. Along with post-colonialism theory’s springing up, critics began to analyze hisworks from the post-colonial perspective. The author thinks that this short story with religious implication parallels to the cultural invasion in theperiod of colonization, from powerful culture to weaker one. The author, thus, aims to use Michael Foucault’s viewpoints concerning power andknowledge to probe into the western cultural hegemony and ideological invasion refl ected in this story. Besides, the loss and construction of theethnic identity of the colonized will be discussed in details. 展开更多
关键词 Jorge Luis Borges power and knowledge inarticulateness Ethnic identity cultural hegemony.
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A Post-Colonial Study of American Animated Films
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作者 Ma Han 《International Journal of Technology Management》 2014年第10期34-36,共3页
As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, f... As a visual art, film has already been one of the main forms to exhibit culture in modem society. This paper tries to explore American animated films, one of the most successful and tipical styles of American films, from the view of post-colonialism so as to receal American animated films make every effort to set up the image of the Other and to propagate American culture and value. It is American cultural hegemony. 展开更多
关键词 POST-COLONIALISM American animated films ESSENCE the other
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