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“文学”的重构与文学史的重释--兼论20世纪早期“中国文学史”书写的意义 被引量:5
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作者 王峰 《华东师范大学学报(哲学社会科学版)》 CSSCI 北大核心 2008年第2期1-7,共7页
我们今天通常所说的"古代文学史"与"现代文学史"可以说是两种性质的文学史,古代文学史是概念史,而现代文学史是事实史,"文学"概念并不是从历史中自然发展出来的,而是在20世纪早期被建构出来的,古代文学... 我们今天通常所说的"古代文学史"与"现代文学史"可以说是两种性质的文学史,古代文学史是概念史,而现代文学史是事实史,"文学"概念并不是从历史中自然发展出来的,而是在20世纪早期被建构出来的,古代文学史同样是现代事物,它是基于现代"文学"概念的历时性梳理。"文学源头"也同样是出自现代视野的概念,中国文学的真正源头不在古代,而在20世纪早期。从早期诸多文学史教材中可以看到文学史的逐渐成型,也可以看到文学的逐渐成型,两者实为一者。所谓的文学史不是一种"文学"的历史,而是一种叙事的历史,"文学史实"也不是真正的历史事件,而是现代视野的建构,更彻底地说,文学史是在叙事中产生的,20世纪早期"中国文学史"的书写格外清晰地展现出这种叙事的轨迹。对此文学史存在形态的澄清,提供了文学史解释模式转型的某种可能性。 展开更多
关键词 文学史书写 文学 “文学史实” 重释文学史
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The History Journey of A Literary Slogan——Reality
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作者 Hongxia Lu 《International English Education Research》 2015年第11期8-10,共3页
As a literary slogan given to a special meaning by history, ‘reality' has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature ... As a literary slogan given to a special meaning by history, ‘reality' has constituted a dominant clue in the evolution of the ideological trend of realism in 20th Century Chinese Literature. In the ‘New Literature Movement' of May 4th Movement,‘reality', as the characterization of scientific rationality spirit and an imposition on the description of the objective reality, has been incorporated into the perspective of Modern Chinese literature: In the 1950s and 1960s, it protested to obtain an independent literary discourse as a saving weapon; in the early 1980s, it‘restored' realism as a theory starting point of ‘re-enlightenment'. In the late 1980s, with the conversion of historical context, and the subversion and reconstruction of Western ‘refer to' concept to "reality" concept of traditional epistemology, ‘reality' ended its historic mission, and thus to retire 展开更多
关键词 REALITY REALISM Evolution 20th Century Chinese Literature
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