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“文学文化史”观念下的外国文学经典教学实践研究 被引量:2
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作者 王钢 《河北联合大学学报(社会科学版)》 2016年第6期90-94,共5页
"文学文化史"观念之于外国文学经典教学实践具有重要的方法论启示意义。首先,它有利于学生熟识外国文学经典的整体宏观背景,并由此在阅读过程中产生明确的问题意识。其次,它有利于学生形成整体的、联系的思维方式来理解经典... "文学文化史"观念之于外国文学经典教学实践具有重要的方法论启示意义。首先,它有利于学生熟识外国文学经典的整体宏观背景,并由此在阅读过程中产生明确的问题意识。其次,它有利于学生形成整体的、联系的思维方式来理解经典的流传与变异;最后,它有利于学生在跨文化语境中增强对外国文学经典的认同感。 展开更多
关键词 “文学文化史”观念 外国文学经典 教学实践
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“文学文化史”观念与外国文学教学中的经典阅读问题 被引量:1
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作者 王钢 《唐山师范学院学报》 2016年第6期56-59,共4页
"文学文化史"观念之于外国文学教学实践中的经典阅读问题具有重要的方法论启示意义。首先,它有利于学生熟识外国文学经典的整体宏观背景,并由此在阅读过程中产生明确的问题意识。其次,它有利于学生形成整体的、联系的思维方... "文学文化史"观念之于外国文学教学实践中的经典阅读问题具有重要的方法论启示意义。首先,它有利于学生熟识外国文学经典的整体宏观背景,并由此在阅读过程中产生明确的问题意识。其次,它有利于学生形成整体的、联系的思维方式来理解经典的流传与变异。再次,它有利于学生在跨文化语境中增强对外国文学经典的认同感。 展开更多
关键词 “文学文化史” 外国文学教学 经典阅读
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Culture Survivance and Religion Healing: On Ojibwe Spirituality in Healing Trauma in LaRose
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作者 WAN Mei 《Journal of Literature and Art Studies》 2018年第8期1181-1187,共7页
As of French, German and Ojibwe mixed-blood origin, Louise Erdrich, a well-known and prolific American writer, has always been dealing with the theme of the relationship between Catholicism and Ojibwe spirituality in ... As of French, German and Ojibwe mixed-blood origin, Louise Erdrich, a well-known and prolific American writer, has always been dealing with the theme of the relationship between Catholicism and Ojibwe spirituality in her fictional world. Her attitude towards Catholicism and Ojibwe spirituality has sparked a heated discussion among scholars and researchers in recent years. Under such academic atmosphere, therefore, LaRose is discussed in this paper. It is shown inLaRose that when white and tribal history come together, where Catholic and traditional spirit worlds intersect, and when Western legal justice cannot solve an ethical problem, Ojibwe spirituality can be used for healing trauma, which is represented through the tradition of adoption as a spiritual reparation, the acquisition of power through naming and biological inheritance and the practice of rituals and ceremonies, from all of which the healing power is derived. Rather than being a syncretism with Catholic, Ojibwe spirituality should preserve its own traditions and cultures to survive generational as well as individual trauma and maintain a culture survivance 展开更多
关键词 LaRose culture survivance religion healing CATHOLICISM Ojibwe spirituality
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National Identity in Conflict: The Reconstruction of King Ly Thai To on Vietnamese Screen
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作者 Le-Na Dao 《Journal of Literature and Art Studies》 2018年第8期1207-1213,共7页
Born as Ly Cong Uan, Ly Thai To is the first king of the Ly Dynasty. The most important contribution of Ly Thai To in Vietnamese history is to move the capital from Hoa Lu to Dai La, and rename it as Thang Long (Asce... Born as Ly Cong Uan, Ly Thai To is the first king of the Ly Dynasty. The most important contribution of Ly Thai To in Vietnamese history is to move the capital from Hoa Lu to Dai La, and rename it as Thang Long (Ascending Dragon) in 1010. Nowadays, it is known as Hanoi. Ly Thai To promoted Buddhism, and reduced the centuries-old influence of Confucianism in the kingdom. The growth and prevalence of Buddhism brought about a long period of peace, where Buddhist literature consequently flourished with seminal achievements. Due to King Ly Thai To's enormous contributions, the Vietnamese have created several legends and anecdotes to mystify his life. Thus, although a historical figure, his life remains a mystery and controversy. In 2010, Hanoi celebrated the 1000th anniversary of Thang Long. On this occasion, Vietnamese historical films about Ly Cong Uan were produced. This created intriguing variations within historical facts, legends, and on-screen stories. This paper will explore the reconstruction of Ly Cong Uan's life from an adaptation studies perspective through four historical films: Legend of the Capital Relocation (Huyen su thien do), Thang Long Aspiration (Khat vong Thang Long), Ly Cong Uan The Road to Thang Long Citadel (Ly Cong Uan: Dtrong toi thanh Thang Long), Child of the Dragon (Ngtroi con cua Rong). This research also wants to clarify the issues of national identity, nationalism, and cultural interaction reflected through the representations of Ly Thai To in those cinematic products 展开更多
关键词 Ly Thai To Vietnamese historical films Ly Dynasty RECONSTRUCTION adaptation studies identity NATIONALISM cultural interaction
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Discussion on Thinking Mode in Cross-cultural Teaching
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作者 Bing Zhang 《International English Education Research》 2015年第11期27-29,共3页
Different cultural backgrounds result in a different way of thinking and cultural characteristics, and this difference are reflected in the life, production, culture, education and other aspects. Chinese and Westerner... Different cultural backgrounds result in a different way of thinking and cultural characteristics, and this difference are reflected in the life, production, culture, education and other aspects. Chinese and Westerners have different social and historical and cultural traditions, forming a distinctive way of thinking. Such as the differences between marginal thinking and logical thinking, differences between comprehensive thinking and analytical thinking, differences between focusing on "unity" and tending to "opposite", differences between focusing on perceptual and on rational thinking, all of these ways of thinking result in different ways of expression and language in cross-cultural teaching, different ways of behavior and interactions and different view of life and values. 展开更多
关键词 Differences between Chinese Thinking Modes and Western Thinking Modes Cross-Cultural Teaching IMPACT
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Modem Iranian Literature: The Historical and Present Development of the Short Story Genre
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作者 Oydin Turdiyeva 《Journal of Literature and Art Studies》 2016年第7期775-784,共10页
The following article is about the historical overview of the Persian literature and the emergence and development of the short story as a literary genre and its prominent role in the modem literature of Iran. It disc... The following article is about the historical overview of the Persian literature and the emergence and development of the short story as a literary genre and its prominent role in the modem literature of Iran. It discusses the origin of the short story in general and preconditions for the popularity of the new genre the Iranian literature of the 20th century, and also about the first successful collection of short stories that introduced it to the public. Also the development process of the short story and principle factors in every stage of its emergence as an independent genre of prose, as well as the thematic range are the main aspects among others to be analyzed in the article. It is historically documented that the Islamic state was established in 1979 after the fall of the Shah. And the very event had big impact not only on the social and political life of the country, but also on the cultural and literary life of the Iranians of the time. The significance of the revolution was such that it divided the literature to be known as the "pre-revolution" and "post-revolution" periods. Therefore this article is aimed to observe how this historic event had influenced the short story in particular and the distinct features of the works created during the two periods. The next period which stands out in the development of the short story is during the late 90s and the beginning of the 2000, where the genre experienced aesthetic innovations and experiments with new forms and styles. The distinct feature of the period is mainly in its topics it deals, among other the effects of the globalization and popular culture brought forth, isolated individual, urbanization, climate change and its destructive outcome and the social conflicts resulting from them. Such global issues caused the established writers to look out of their borders and open up to the concerns of the planet, and by doing so establishing new schools of thought and style among the writers of short story in modem Iranian literature. Finally the article will overview the role of the Iranian contemporary female short story writers, children's literature and the works of the immigrant Iranian authors that continue the traditions of the Persian literature outside Irma. 展开更多
关键词 the short story pre-revolution period post-revolution literature thematic range female writers immigrant authors subgenre "~z" modernism school children's literature
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SPECIAL ISSUE: CULTURAL PHILOSOPHICAL STUDIES IN CHINA:Some theoretical characteristics of the philosophy of culture
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作者 Chen Shulin 《Social Sciences in China》 2008年第4期163-173,共11页
Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relati... Establishing a philosophical theory or a paradigm of philosophical understanding should be premised on its possession of a relatively well-defined research subject, relatively original research methodology, and relatively outstanding theoretical objectives. In this regard, philosophy of culture aims at a general understanding of man through cultural symbols which in themselves are not the end of the research. Using the research methodology of historical science, philosophy of culture attempts to understand man as a non-continuous and heterogeneous being. The theoretical objective of philosophy of culture is the criticism and reconstruction of cultural patterns with cultural symbols at their core. 展开更多
关键词 philosophy of culture cultural symbolic forms methodology of historical science cultural patterns
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SPECIAL ISSUE: CULTURAL PHILOSOPHICAL STUDIES IN CHINA:Interpretation of the generation theory of cultural philosophy
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作者 Juan Hongfei 《Social Sciences in China》 2008年第4期153-162,共10页
From the viewpoint of generation theory, cultural philosophy illustrates the inherent unity of history and culture through a profound understanding and grasp of the historicality of human existence, thus making cultur... From the viewpoint of generation theory, cultural philosophy illustrates the inherent unity of history and culture through a profound understanding and grasp of the historicality of human existence, thus making cultural philosophy transcend the general metaphysical system and become a totally new research paradigm. As such, cultural philosophy is essentially a new pattern for historical interpretation. It is always guided by the spirit of self-conscious cultural criticism, endeavoring to elucidate the cultural roots of the existential crisis of modern humanity through macro- and micro-level description of the generation of the cultural spirit of mankind, and to provide multiple possibilities for the future existence of humanity. 展开更多
关键词 generation theory historicality CULTURE cultural philosophy
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