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民国时期詹安泰的文学本位论及其历史贡献 被引量:1
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作者 马晴 李昌集 《江苏师范大学学报(哲学社会科学版)》 北大核心 2014年第1期27-32,共6页
詹安泰是民国时期著名的古典文学研究专家,在词学、古典文论及《诗经》、《楚辞》等方面,多有建树。詹安泰的古典文学理论与文学批评的研究始于民国时期,其中最富有新意和学术价值的是"文学本位观"和文学"自性"论... 詹安泰是民国时期著名的古典文学研究专家,在词学、古典文论及《诗经》、《楚辞》等方面,多有建树。詹安泰的古典文学理论与文学批评的研究始于民国时期,其中最富有新意和学术价值的是"文学本位观"和文学"自性"论。针对当时"社会决定论"的文学观念,詹安泰鲜明地提出以人为本的文学本位观,认为文学"风格"生成的关键和根本是由作家决定的;由此提出文学的"独自性",从文学的创作和接受机制两个方面,指出文学的世界是作家"我心"对现实世界的再创造,文学释读和接受的根本是人的生命体验。詹安泰的"文学本位观"和"文学自性"说,在民国学术界独树一帜,其深层意味和启迪是:文学中的"人学"命题,是文学和文学理论研究中的根本命题。对"文学即人学"这一简赅而朴素的命题所持的立场和观念,决定着对文学的释读和理论阐释的立场和路径。 展开更多
关键词 詹安泰 文学本位观 “文学自性”说
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Women's repression, rebellion and quest for the "true self": Theyellow wallpaper as the epitome of the female Gothic novel
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作者 YIN Cai-qiao 《Sino-US English Teaching》 2008年第11期49-53,64,共6页
As a genre that expressed women's dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their w... As a genre that expressed women's dark protests, fantasies and the fear, female Gothic was not theorized until the late 1960s, and before its theorization, this convention was adopted by many women writers in their works. Charlotte Perkins Gilman's The yellow wallpaper is one of the many examples. As the epitome of female gothic, The yellow wallpaper utilized the female gothic conventions--the grotesque symbol of yellow wallpaper, the hysteric narrative format and the archetype image of madwoman, to express women's status of her time--their repression, rebellion and quest for the "true self". 展开更多
关键词 female Gothic REPRESSION REBELLION quest for "true self"
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