In traditional philosophy, man is usually treated as a subject of knowledge, not as a subject of activity. This naturally led to an ignorance of his creative side and had its echoes in the models of the world put forw...In traditional philosophy, man is usually treated as a subject of knowledge, not as a subject of activity. This naturally led to an ignorance of his creative side and had its echoes in the models of the world put forward. Thus, when the world was mentioned the world meant was that perceived by man and the world man created or planned to create himself was given either a secondary treatment or else it was completely forgotten. But, as man is carrier of active spirit, the things he creates have their place in this world along those created by God. It is without doubt that things created by man are not produced against God＇s will. Still, human creativity is the corruption of the original creation, of the harmony of the world, of the book of nature. Man brings order, so to speak, to the world. He achieves this however at the cost of corrupting the Great Order within some narrow limits. Man himself is among the many highly interesting books written before and there exist as many variations of this book as there are human beings. What is the most difficult for man is though, to read his own book, to understand himself. In this article, the concept of the culture as a human creation is analyzed in the light of Man-World and Man-Nature-God relations. In this case, the author firstly explains the four different world models and then determines the boundaries of science and culture, as well as the individual and social strata of culture.展开更多
This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the tra...This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the transportation and importation of western cultural values and the implantation of same in Nigeria thereby almost completely eclipsing the hitherto African cultural conservatism of the Nigerian state. Clear examples of this cultural transplant are given in this work, including but not limited to the use of English language in place of the indigenous languages for communication even when there are no foreigners, smoking of cigarettes, ladies putting on trousers, abortions as a means of birth control, free premarital and extramarital sexual relationships, and homosexuality and gay practices. These which were viewed as an anathema to Nigeria＇s cultural values have supplanted the traditional conservatism of the Nigerian people. This work particularly looks at Chimamanda Adichie＇s Purple Hibiscus and distills classical cases of cultural imperialism. Adichie through the character Eugene, captures cultural imperialism as seen in the life of this vastly brainwashed ＂been-to＂ who is clearly portrayed as an imperial lackey, capitalist, and apologist. Also, the character of Rev. Father Benedict, a Briton, who often found any indigenous songs in St. Agnes Parish was quite offensive. The work also captures cultural imperialism in the ironical contempt with which the catholic devotee, Eugene, treats his own father, Papa Nnukwu, steeped in the traditional African cultural values, and Eugene viewes him as Godlessness. The essay concludes by identifying the cultural crises that cultural imperialism creates in the Nigerian state, and recommends ways of diluting and diffusing the present cultural imperialism as a solution to the myriad of socio-political crises currently experienced by the Nigerian society.展开更多
The deepening and widening of globalization have profoundly modified the world＇s political, economic and cultural landscapes as we know them. It calls for not only a green revolution in our ways of production and way...The deepening and widening of globalization have profoundly modified the world＇s political, economic and cultural landscapes as we know them. It calls for not only a green revolution in our ways of production and ways of life, but also a restructuring of the ＂knowledge-oriented＂ model of intellectual production that has served as bedrock to support the single-minded mentality of developmentalism. One of the possible routes to arrive at a new Weltanschauung is what I have termed as the ＂living wisdom＂ that can help to explicate the inexplicables by existing social theories. I argue in this paper that the Chinese living wisdom offers a nutshell view of how traditional resources can be made accessible for us to respond to current unprecedented chaJJenges facing htunamty. It is as much a best oppommky in the ＂metropolitan moment＂ for a ＂China＇s representation＂ as for other civilizations, cultures and nations, such as the ＂eco--social time＂ in primitive societies, the ancient European philosophies on ontology and cosmology, and the rejection of sagehood and intellect by Zhuangzi.展开更多
文摘In traditional philosophy, man is usually treated as a subject of knowledge, not as a subject of activity. This naturally led to an ignorance of his creative side and had its echoes in the models of the world put forward. Thus, when the world was mentioned the world meant was that perceived by man and the world man created or planned to create himself was given either a secondary treatment or else it was completely forgotten. But, as man is carrier of active spirit, the things he creates have their place in this world along those created by God. It is without doubt that things created by man are not produced against God＇s will. Still, human creativity is the corruption of the original creation, of the harmony of the world, of the book of nature. Man brings order, so to speak, to the world. He achieves this however at the cost of corrupting the Great Order within some narrow limits. Man himself is among the many highly interesting books written before and there exist as many variations of this book as there are human beings. What is the most difficult for man is though, to read his own book, to understand himself. In this article, the concept of the culture as a human creation is analyzed in the light of Man-World and Man-Nature-God relations. In this case, the author firstly explains the four different world models and then determines the boundaries of science and culture, as well as the individual and social strata of culture.
文摘This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the transportation and importation of western cultural values and the implantation of same in Nigeria thereby almost completely eclipsing the hitherto African cultural conservatism of the Nigerian state. Clear examples of this cultural transplant are given in this work, including but not limited to the use of English language in place of the indigenous languages for communication even when there are no foreigners, smoking of cigarettes, ladies putting on trousers, abortions as a means of birth control, free premarital and extramarital sexual relationships, and homosexuality and gay practices. These which were viewed as an anathema to Nigeria＇s cultural values have supplanted the traditional conservatism of the Nigerian people. This work particularly looks at Chimamanda Adichie＇s Purple Hibiscus and distills classical cases of cultural imperialism. Adichie through the character Eugene, captures cultural imperialism as seen in the life of this vastly brainwashed ＂been-to＂ who is clearly portrayed as an imperial lackey, capitalist, and apologist. Also, the character of Rev. Father Benedict, a Briton, who often found any indigenous songs in St. Agnes Parish was quite offensive. The work also captures cultural imperialism in the ironical contempt with which the catholic devotee, Eugene, treats his own father, Papa Nnukwu, steeped in the traditional African cultural values, and Eugene viewes him as Godlessness. The essay concludes by identifying the cultural crises that cultural imperialism creates in the Nigerian state, and recommends ways of diluting and diffusing the present cultural imperialism as a solution to the myriad of socio-political crises currently experienced by the Nigerian society.
文摘The deepening and widening of globalization have profoundly modified the world＇s political, economic and cultural landscapes as we know them. It calls for not only a green revolution in our ways of production and ways of life, but also a restructuring of the ＂knowledge-oriented＂ model of intellectual production that has served as bedrock to support the single-minded mentality of developmentalism. One of the possible routes to arrive at a new Weltanschauung is what I have termed as the ＂living wisdom＂ that can help to explicate the inexplicables by existing social theories. I argue in this paper that the Chinese living wisdom offers a nutshell view of how traditional resources can be made accessible for us to respond to current unprecedented chaJJenges facing htunamty. It is as much a best oppommky in the ＂metropolitan moment＂ for a ＂China＇s representation＂ as for other civilizations, cultures and nations, such as the ＂eco--social time＂ in primitive societies, the ancient European philosophies on ontology and cosmology, and the rejection of sagehood and intellect by Zhuangzi.
