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Theatrical Storytelling From Page to Stage: An Applied Study in Writing and Performing Techniques
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作者 Gamal El-Sayed Hussein Mohamed Yakout 《Journalism and Mass Communication》 2015年第11期555-564,共10页
Storytelling is an important performing art. Attracting theater practitioners and audiences are the main targets. Successful narrator communication is one of the biggest challenges even when theatres facilitate commun... Storytelling is an important performing art. Attracting theater practitioners and audiences are the main targets. Successful narrator communication is one of the biggest challenges even when theatres facilitate communication with scenery, lighting and costumes etc., as the performance depends primarily on the text and narrator for successful expression. This study views the most important techniques to create a well-made story at both text and performance levels. The researcher begins differentiating storytelling, imitation and characterization, as this understanding assists the objective of this study, which is to determine specific techniques to achieve successful communication with an audience. This research highlights elements which distort story structure; including immersion in narrative without incident description, identified as the most dangerous element due to description being essential to create suspense.1 Text condensation is also crucial. A good writer uses his pen more for deletion than addition. Repeated reading and deletion to condense the story to its optimal is vital. Also included are techniques for good text rhythm in addition to production of captivating beginnings. Further techniques to raise audience attention in text and event building, as well as to determine conflict and types, narrator language use and the structure of the diagnostic viewer, finally, mastering story ending techniques are provided. At performance level, this research provides techniques in creativity prologue, good story rhythm, body language and eye contact together with prop (object) use; all of which enable the narrator to capture and retain audience attention throughout. This research concludes with recommendations on how to achieve a good storytelling performance. 展开更多
关键词 STORYTELLING narrator and audience communication successful storytelling performance theatre techniques
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从“万比洛夫派”到“新戏剧”:当代俄罗斯戏剧源流与发展考 被引量:3
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作者 王树福 《戏剧(中央戏剧学院学报)》 CSSCI 北大核心 2011年第4期26-38,共13页
以1953年斯大林去世为滥觞、以"解冻文学"为开端,当代俄罗斯戏剧在美学观念、艺术手法、表/导演理念、戏剧体式、叙述策略等层面都发生了前所未有的变化。从"解冻"到"停滞"时期的"万比洛夫派"... 以1953年斯大林去世为滥觞、以"解冻文学"为开端,当代俄罗斯戏剧在美学观念、艺术手法、表/导演理念、戏剧体式、叙述策略等层面都发生了前所未有的变化。从"解冻"到"停滞"时期的"万比洛夫派"戏剧,从"停滞"到"改革"时期的"新浪潮"戏剧,从"改革"到"重建"时期的"新剧作"现象,以及从"重建"到"新生"时期的"新戏剧"现象,当代俄罗斯戏剧在主流与边缘、传统与先锋、本土与外来等因素中不断兴起和发展,涌现出众多流派和思潮,形成多种风格和题材。其发展历程不仅折射出社会的变迁和历史的发展,也反映着文化话语的重组与戏剧的裂变。 展开更多
关键词 “万比洛夫派”“新浪潮” “新剧作” “新戏剧” 当代俄罗斯戏剧
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