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对“三个代表”重要思想认识的重大发展——学习胡锦涛同志的“时代精神”论
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作者 宗文举 《天津大学学报(社会科学版)》 2004年第1期12-14,共3页
从世界史上正在经历的两个百年、两个时代以及其间形成的两个时代主题、两个战略机遇期和两个一脉相承而又与时俱进的时代精神体系的角度,分析"三个代表"重要思想产生的历史必然性,论证了"时代精神"论是对"三... 从世界史上正在经历的两个百年、两个时代以及其间形成的两个时代主题、两个战略机遇期和两个一脉相承而又与时俱进的时代精神体系的角度,分析"三个代表"重要思想产生的历史必然性,论证了"时代精神"论是对"三个代表"重要思想认识的重大发展。 展开更多
关键词 “三个代表”重要思想 “时代精神” 发展
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重新审视“时代精神”论题
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作者 郭春明 《广东社会科学》 CSSCI 北大核心 2018年第6期72-79,共8页
黑格尔的"哲学是时代精神"命题虽体现着时代性,但其历史感与现实感终因普遍精神的实体性及其对时代精神的主宰关系而被遮蔽。在一定意义上,"哲学是时代精神的精华"论题亦具有此一黑格尔主义的理论哲学气质。在实现... 黑格尔的"哲学是时代精神"命题虽体现着时代性,但其历史感与现实感终因普遍精神的实体性及其对时代精神的主宰关系而被遮蔽。在一定意义上,"哲学是时代精神的精华"论题亦具有此一黑格尔主义的理论哲学气质。在实现哲学革命之后,马克思对此一与人的现实生命处于颠倒状态的理论哲学展开了持久的批判,指出了其中哲学成为"自我实现"的主词,人的现实生命降格为哲学的宾词和他者。只有揭露理论哲学的此一造物主意识,确立实践哲学的思维方式,才能拯救作为时代精神的哲学,进而拯救具有历史性的人的现实生命,在观念变革的未竟之路上进一步确立形而上学"他者"之爱这的实践哲学的理论旨趣。 展开更多
关键词 “时代精神的精华” 理论哲学 人的尊严和解放 实践哲学 他者
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中国服饰文化发展的新理念
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作者 詹建中 《山东纺织经济》 2001年第6期6-8,共3页
关键词 中国 服饰文化 “时代精神” “三个代表” 传统文化 顾客服务
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Capital and Aesthetics" How Could People's Freedom be Possible under Modem Conditions?
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作者 SONG Wei 《Journal of Literature and Art Studies》 2017年第11期1431-1441,共11页
In the age where capital becomes the most dominant, the most manipulating power, the current aesthetics has to face and solve the problems such as "capital versus aesthetics", "matter nature versus mind nature", ... In the age where capital becomes the most dominant, the most manipulating power, the current aesthetics has to face and solve the problems such as "capital versus aesthetics", "matter nature versus mind nature", "society versus culture" and has to answer the follow-up question--"How could people's freedom be possible in modem conditions?" The reflections and criticism on "capital modernity" by Marx, Weber and Simmel all directly pointed to the issues of people's value and the settlement of their spirit in the Age of Capital. Meanwhile, the salvation of the "aesthetic modernity" makes up the proper meaning of the solution in many thinkers' mind to the predicament of the age. In this sense, the reflections on the Zeitgeist in the Age of Capital is certainly included in the pursuit of aesthetic freedom in this age. 展开更多
关键词 contemporary aesthetics Marxist aesthetics capital modernity aesthetic modernity
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Society and State in Marcuse and Hegel
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作者 Stefan Gandler 《Journal of Philosophy Study》 2014年第1期55-67,共13页
In the 40s and the 50s of the last century existed a largely shared conviction amongst the majority of social scientists in the US regarding the explanation of the theoretical philosophical roots of National Socialism... In the 40s and the 50s of the last century existed a largely shared conviction amongst the majority of social scientists in the US regarding the explanation of the theoretical philosophical roots of National Socialism. Contrarily to European writers, who searched its philosophical origins in irrational philosophical traditions, in the US, they relied upon the perception that Hegel's Philosophy of State was the most relevant ideological basis of National Socialism. Hegel's idea for the need of a strong state, seemed to clearly support the hypothesis. Herbert Marcuse, exiled in the United States, bad to confront himself with this conviction that academic colleague shared. This theoretical hypothesis was in tune to the Zeitgeist and the political context, in which anticommunism was growing stronger by the day and where the cold war was developing. Associating Hegel and National Socialism implied, for most of the hypothesis defenders yet another vantage point: it could discredit also Marx, for the tights links between his philosophical thinking and Hegel's one. For Marcuse this hypothesis was even more problematic knowing that in Germany, national socialist philosophers had rejected Hegel from the very first day their party came to power. In this article we try to analyze Marcuse's respective philosophical argument. The point of departure of this reconstruction is the philosophical interpretation of Hegel's theory of the State. Further than the historical context, the debate on Hegel and his theory of the State, is very relevant for today's debates, dominated by neoliberal ideologies, which often are starting from similar theoretical errors than the mentioned. In both cases exists a lack of understanding of the classic bourgeois content within the concept of the State, based on the French Revolution. 展开更多
关键词 Georg Wilhelm Friedrich Hegel Herbert Marcuse STATE SOCIETY
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The Spirit of the Age in Mathematics and Art: The Eastern and Western Perspective Painting
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作者 Young Hee Kye 《Journal of Mathematics and System Science》 2014年第1期56-68,共13页
Both mathematics and art consistently reflect the spirit of the age in which they arise. Consequently, the mathematics in China and in Korea during the Joseon Dynasty, in contrast to the deductive western mathematics,... Both mathematics and art consistently reflect the spirit of the age in which they arise. Consequently, the mathematics in China and in Korea during the Joseon Dynasty, in contrast to the deductive western mathematics, does not function on the basis of proving something deductively. Rather, the Chinese mathematics from this period was based upon making observations about problems by combining patterns with specific examples. In this paper, this author attempts to compare the differences in mathematics between the East and the West, and also to study the different perspectives in art between the East and the West, in order to identify the relationship between civilization, culture and the spirit of the age. This will explain the reason why the Western 'One Point Perspective' had spread in China and the Chosen Dynasty, yet could not be permanently established in these countries. 展开更多
关键词 Eastern mathematics Western mathematics one-point perspective culture CIVILIZATION the spirit of the age
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Analysis on the Style and aesthetic effects of decorative arts in environment space
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作者 Zeming LV 《International Journal of Technology Management》 2014年第7期86-88,共3页
Art decorative can make landscape more beautiful in urban public space. Art decorative design reflects the characteristics of the environment, history and culture of a city and a state of the spirit of the times. Mode... Art decorative can make landscape more beautiful in urban public space. Art decorative design reflects the characteristics of the environment, history and culture of a city and a state of the spirit of the times. Modem art deco design should not only have its own style, but also be more perfectly reflect the cultural connotation of specific urban environment, and to create a pleasant living environment for human being. Aesthetic concepts of decorating space environment are inseparable from the people's view of decoration. Analyzing from the sensory effects and psychological effects of decorative environment, the paper points out the way for environmental decoration development, and provide ideas for future creative decoration. 展开更多
关键词 Art Deco design sensory effects psychological effects AESTHETIC
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民族情怀与浪漫精神——陈铨戏剧论 被引量:3
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作者 孔刘辉 《戏剧(中央戏剧学院学报)》 CSSCI 北大核心 2009年第3期5-16,共12页
本文从情节主题、精神内涵和结构形式等方面探讨陈铨抗战期间的戏剧。陈铨戏剧以富有传奇性的生动故事,表现一切为抗战的民族意识和献身精神,同时通过刻意的戏剧动作和人物的逾常行为寄寓了对"理想主义和浪漫精神"的追求,并... 本文从情节主题、精神内涵和结构形式等方面探讨陈铨抗战期间的戏剧。陈铨戏剧以富有传奇性的生动故事,表现一切为抗战的民族意识和献身精神,同时通过刻意的戏剧动作和人物的逾常行为寄寓了对"理想主义和浪漫精神"的追求,并以富有象征意味的意象、抒情化的语言和优美动听的歌曲穿插等形式手法,营造了诗情画意的戏剧空间。 展开更多
关键词 陈铨戏剧 “时代精神” “浪漫精神” 戏剧形式
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“世纪”视野与新诗的历史起点——《女神》再论 被引量:9
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作者 姜涛 《中国文学批评》 CSSCI 2019年第2期4-12,157,共10页
《女神》作为新诗历史起点的判断,虽然已是文学史的定论,但其狂放自由的诗风,却不一定能得到后来读者的认同。要在当下语境中认识《女神》的“起点”意义,除了回到五四时代的“现场”,进行历史的“同情”之外,也有必要重构更为宏阔的理... 《女神》作为新诗历史起点的判断,虽然已是文学史的定论,但其狂放自由的诗风,却不一定能得到后来读者的认同。要在当下语境中认识《女神》的“起点”意义,除了回到五四时代的“现场”,进行历史的“同情”之外,也有必要重构更为宏阔的理论视野。1923年,闻一多从“二十世纪底时代的精神”的角度,对《女神》的全面阐发,提供了一个可以持续展开的框架。以“世纪”的眼光,重新审视新诗的起点,也会为理解百年新诗总体的文化政治意涵,打开新的思考空间。 展开更多
关键词 《女神》 郭沫若 闻一多 二十世纪 “时代精神”
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