The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and J...The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.展开更多
The general characteristics of climate changes over the past 2000 years in China,regional differences and uncertainties were analyzed based on the recently peer-reviewed high time-resolution climatic reconstructions.T...The general characteristics of climate changes over the past 2000 years in China,regional differences and uncertainties were analyzed based on the recently peer-reviewed high time-resolution climatic reconstructions.The results showed that there exists four warm periods of the temperature variation in China since the Qin Dynasty,including the western and eastern Han Dynasties(200 BC-AD 180),the Sui and Tang dynasties(541-810),the Song and Yuan dynasties(931-1320),and the 20th century,and three cold phases involving the Wei,Jin,and North-South Dynasties(181-540),the late Tang Dynasty(811-930),and the Ming and Qing dynasties(1321-1920).The Song and Yuan warm period is consistent with the Medieval Warm Period over the Northern Hemisphere,and the cold phases of the North-South Dynasties and the Ming and Qing dynasties are paralleled to the Dark Ages Cold Period and the Little Ice Age,respectively.The 13th-15th century could be a shift to the wet condition of the climate,and the low precipitation variability is exhibited in western China prior to 1500.In the context of the climate warming,the pattern of the drought in north and flood in south is prevalent over the eastern China.In addition,the published reconstructions have a high level of confidence for the past 500 years,but large uncertainties exist prior to the 16th century.展开更多
This essay examines the Daoist metaphysical masters＇ hermeneutic misreading of the Confucian classics during the Wei and Jin Dynasties. Applying the concept of misreading as the theoretical guideline, we will first a...This essay examines the Daoist metaphysical masters＇ hermeneutic misreading of the Confucian classics during the Wei and Jin Dynasties. Applying the concept of misreading as the theoretical guideline, we will first analyze the three important supporting columns of Confucian literary theory： the importance of virtue/morality, the authority of literary sages and the ontology of the classics, and then we will examine the metaphysical masters＇ subversion of the Confucian classics by misreading with their Daoist literary theory and concepts. In their hermeneutic misreading of the Confucian classics, the metaphysical masters in fact fused the original concepts of the Confucian classics with their contemporary Daoist hermeneutics, and the result of such a fusion is that the original meanings as the signified parted from the signifiers--the texts of the classics themselves--and were turned into repositories of contemporary Daoist meanings. In such a hermeneutic misreading, the Daoist theorists forced the Confucian theory and its ontology to gloomily withdraw from the cultural center, and gradually took the spotlight on the historical stage of the Wei and Jin Dynasties. In their open attitudes and flexible system, the metaphysical theorists constructed an age of enlightenment for the development of literary theory. With their hermeneutic misreading, the metaphys- ical literary theorists indeed broke through the world of Confucianism, won the right of expression, and voluntarily moved toward the self-fulfillment of their own system in the Wei and Jin Dynasties.展开更多
文摘The emergence and development of Buddhist sculpture has completely changed the original Chinese ancient sculpture, rich China sculpture theme, greatly promote the development of the Chinese sculpture, in the Wei and Jin Dynasties, Buddhist sculpture received considerable development, the art form is abundant, representative of the ＂ slim but clear appearance＂ and＂ images of noble figures ＂two kinds of modeling features. From the perspective of historical background and aesthetic orientation, this paper analyzes and studies the overall features of the art of carving art in this historical period, as well as its profound influence on the development of Chinese Buddhist statues.
基金supported by grants to IGSNRR from China Global Change Research Program of MOST (Grant No. 2010CB950101)the Chinese Academy of Sciences (Grant No. XDA05080100)National Natural Science Foundation of China (Grant No. 41071029)
文摘The general characteristics of climate changes over the past 2000 years in China,regional differences and uncertainties were analyzed based on the recently peer-reviewed high time-resolution climatic reconstructions.The results showed that there exists four warm periods of the temperature variation in China since the Qin Dynasty,including the western and eastern Han Dynasties(200 BC-AD 180),the Sui and Tang dynasties(541-810),the Song and Yuan dynasties(931-1320),and the 20th century,and three cold phases involving the Wei,Jin,and North-South Dynasties(181-540),the late Tang Dynasty(811-930),and the Ming and Qing dynasties(1321-1920).The Song and Yuan warm period is consistent with the Medieval Warm Period over the Northern Hemisphere,and the cold phases of the North-South Dynasties and the Ming and Qing dynasties are paralleled to the Dark Ages Cold Period and the Little Ice Age,respectively.The 13th-15th century could be a shift to the wet condition of the climate,and the low precipitation variability is exhibited in western China prior to 1500.In the context of the climate warming,the pattern of the drought in north and flood in south is prevalent over the eastern China.In addition,the published reconstructions have a high level of confidence for the past 500 years,but large uncertainties exist prior to the 16th century.
文摘This essay examines the Daoist metaphysical masters＇ hermeneutic misreading of the Confucian classics during the Wei and Jin Dynasties. Applying the concept of misreading as the theoretical guideline, we will first analyze the three important supporting columns of Confucian literary theory： the importance of virtue/morality, the authority of literary sages and the ontology of the classics, and then we will examine the metaphysical masters＇ subversion of the Confucian classics by misreading with their Daoist literary theory and concepts. In their hermeneutic misreading of the Confucian classics, the metaphysical masters in fact fused the original concepts of the Confucian classics with their contemporary Daoist hermeneutics, and the result of such a fusion is that the original meanings as the signified parted from the signifiers--the texts of the classics themselves--and were turned into repositories of contemporary Daoist meanings. In such a hermeneutic misreading, the Daoist theorists forced the Confucian theory and its ontology to gloomily withdraw from the cultural center, and gradually took the spotlight on the historical stage of the Wei and Jin Dynasties. In their open attitudes and flexible system, the metaphysical theorists constructed an age of enlightenment for the development of literary theory. With their hermeneutic misreading, the metaphys- ical literary theorists indeed broke through the world of Confucianism, won the right of expression, and voluntarily moved toward the self-fulfillment of their own system in the Wei and Jin Dynasties.
