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Non-contradiction The Main Way of Progress of Professional Interwar Magazines in Oltenia
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《Journalism and Mass Communication》 2013年第8期528-531,共4页
The study finds that, for Romania, the period 1920-1939 is one without major contradictions. In "neutrosophy" of renowed American professor F. Smarandache's terms, the interwar period was, in Romania, a "neutral"... The study finds that, for Romania, the period 1920-1939 is one without major contradictions. In "neutrosophy" of renowed American professor F. Smarandache's terms, the interwar period was, in Romania, a "neutral" period. As mediating operators, professional journals reflected the atmosphere of relative tranquility and social peace. From the qualitative analysis of their media discourse, we can see three elements that: (1) the professional journals of Oltenia, as media tools for teachers, priests and folklore (folklorist), or music enthusiasts (music lovers), were loyal to their financial supporters; (2) although they served oblique and opposition interests, the communication professional operators have generally not emphasized, perpetuated or generated conflicts, disputes and misunderstandings; and (3) social attitudes promoted by professional magazines in Oltenia was a beneficial, objective one of better understanding and neutrality. The conclusion is that, despite the axiom that progress is generated by contradiction, it shows that professional journals in Oltenia, during 1920-1939, even in the absence of contradictions, namely under neutrality, there have been major advances. 展开更多
关键词 PRESS JOURNALISM NEUTRALITY professional magazines Oltenia
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浅析扬琴的艺术表现
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作者 周莉艳 《作家》 北大核心 2008年第8期242-243,共2页
通过对扬琴技法在乐曲中的艺术表现,充分说明了扬琴技法与艺术表现的相互依存性,即扬琴演奏技法是为乐曲艺术表现服务的,而乐曲受地域文化、风情、性格等的影响产生不同风格的音乐流派。通过对扬琴演奏流派技法特点的分析,强调了独特音... 通过对扬琴技法在乐曲中的艺术表现,充分说明了扬琴技法与艺术表现的相互依存性,即扬琴演奏技法是为乐曲艺术表现服务的,而乐曲受地域文化、风情、性格等的影响产生不同风格的音乐流派。通过对扬琴演奏流派技法特点的分析,强调了独特音乐效果产生的美感。 展开更多
关键词 “单音” “双音” “压揉” “杂音”
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元代山西人杂剧用韵研究 被引量:2
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作者 李蕊 《语言研究》 CSSCI 北大核心 2009年第1期21-23,共3页
元代山西曲家的用韵与其他地区用韵基本一致、与《中原音韵》相符,这反映了元曲是根据通语入韵的。《中原音韵》反映了元代的实际语音,代表了当时的通语系统。
关键词 山西 杂剧 用韵 中原音韵
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《音注四言杂字》的语音特点与150年来诸城方音的演变 被引量:1
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作者 张凯 《语言研究》 CSSCI 北大核心 2020年第4期13-21,共9页
《音注四言杂字》是一部纯粹反映150年前诸城方音的历史文献。其语音特点有声母方面的知庄章组的二分、见系声母的超前腭化、日母的三分及微母的独立等,韵母方面通摄阳声韵并入梗曾摄、见系歌戈韵不分、山咸宕摄入声韵见系一等开口字读... 《音注四言杂字》是一部纯粹反映150年前诸城方音的历史文献。其语音特点有声母方面的知庄章组的二分、见系声母的超前腭化、日母的三分及微母的独立等,韵母方面通摄阳声韵并入梗曾摄、见系歌戈韵不分、山咸宕摄入声韵见系一等开口字读作合口呼、"六"、"所"二字的韵母为u及"做"的文白异读等,声调方面清入声字多数读作上声等。这些重要的特征有的与今音完全吻合,有的至今已经消失,它们对于诸城方音的历史探究乃至近代山东方音及胶辽官话的研究大有裨益。 展开更多
关键词 《音注四言杂字》 语音特点 诸城方音 演变
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