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论东坡“清”词的审美意蕴
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作者 徐梅 《太原师范学院学报(社会科学版)》 2012年第1期88-91,共4页
东坡"清"词有着丰富的审美意蕴,其中的"清"主要指向客观的自然景物、主体的审美心境以及诗乐的独特格致,但很多时候这几种意蕴在东坡"清"词中是合而为一的,即东坡"清"词从整体上呈现出了独特的... 东坡"清"词有着丰富的审美意蕴,其中的"清"主要指向客观的自然景物、主体的审美心境以及诗乐的独特格致,但很多时候这几种意蕴在东坡"清"词中是合而为一的,即东坡"清"词从整体上呈现出了独特的"清"美。 展开更多
关键词 苏东坡 “清”词 审美 意蕴
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方言词语谐音理据研究——以《明清吴语词典》为例 被引量:1
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作者 刘瑞明 《励耘语言学刊》 CSSCI 2015年第1期161-181,共21页
词义的根据是理据,不探求理据而猜测词义就会有各种失误。理据有谐音理据与事理理据两种,方言词语的谐音理据更难探求,形成大量谐音趣难词。本文以《明清吴语词典》为例尝试探求其中若干方言词语的谐音理据。
关键词 理据 谐音趣难 《明吴语典》
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顺治康熙两朝词作拾零
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作者 陆勇强 《南阳师范学院学报》 CAS 2017年第1期47-53,共7页
文章从总集、词话、地方志等各类文献中,辑录《全清词·顺康卷》《全清词·顺康卷补编》未收之佚作48首,凡《全清词·顺康卷》和《补编》未及收录的作者,对其姓氏、字号、里籍、生平事迹等,略作考述。
关键词 拾遗
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词话与清代词话 被引量:2
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作者 孙克强 《古代文学理论研究》 2020年第2期260-275,共16页
词话是词学批评理论的最典型载体,清代词话代表了词话的最高水平。从南宋至明清,词话的内容由单纯记载本事演变为兼具鉴赏、批评、理论等。清代词话主要分为辑录类词话和原创类词话。从民国初年开始编纂整理清代词话,从《词话丛编》到2... 词话是词学批评理论的最典型载体,清代词话代表了词话的最高水平。从南宋至明清,词话的内容由单纯记载本事演变为兼具鉴赏、批评、理论等。清代词话主要分为辑录类词话和原创类词话。从民国初年开始编纂整理清代词话,从《词话丛编》到21世纪以来多种大型词话丛编体现了对清代词话整理研究的新水平。新版《清代词话全编》的整理分为六类:单本词话,新辑单本词话,增补单本词话,词选评语辑录词话,重辑前人词话,书目提要。 展开更多
关键词 话全编》
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清代传本苏州弹词的方言语气助词与叹词的使用特点——以“吓”、“哙(噲)”为例 被引量:3
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作者 蔡晓臻 《语言研究》 CSSCI 北大核心 2018年第2期54-57,共4页
根据清代传本苏州弹词文献,文章对苏州方言特色浓厚的语气助词与叹词的兼类词"吓"、"哙(噲)"的语法功能和意义进行了具体探讨,归纳了弹词文献中方言语气助词和叹词的呼应关系,同时,对弹词文献中方言语气助词和叹词... 根据清代传本苏州弹词文献,文章对苏州方言特色浓厚的语气助词与叹词的兼类词"吓"、"哙(噲)"的语法功能和意义进行了具体探讨,归纳了弹词文献中方言语气助词和叹词的呼应关系,同时,对弹词文献中方言语气助词和叹词的一些关联特点进行了探讨。 展开更多
关键词 苏州弹 苏州方言 通语 语气助
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“Love” as the Key Word: New Sexual Morality and New Literature in the Late Qing and Early Republican Years(1900-1920)
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作者 杨联芬 Chen Si 《Social Sciences in China》 2014年第4期65-82,共18页
Courtesy of translation, the word "love" (lian "ai 恋爱) entered the modem Chinese language in the early 20th century, leading to changes in the mode, experience, meaning and evaluation of "feelings between men ... Courtesy of translation, the word "love" (lian "ai 恋爱) entered the modem Chinese language in the early 20th century, leading to changes in the mode, experience, meaning and evaluation of "feelings between men and women" by virtue of this new nomenclature. The word entered public discourse and became the point of entry for new Chinese ethical construction, spawning a series of new moral propositions from the late Qing to the May Fourth Movement together with corresponding works of new literature. The "free marriage" advocated in the late Qing confirmed the modem consciousness of marriage premised on love and determined primarily by the will of the parties themselves, initiating a new style of civilized marriage. In the early Republican period, the word "love" was temporarily stigmatized in the course of sinicization, with the result that it was generally avoided in romance fiction. However, the widespread cult of the "spiritual character of love" in novels of tragic love laid the foundation for the emergence of"the sanctity of love" in the May Fourth period. The theory of love constructed at this time under the influence of Western theories made a subtle distinction between the "freedom of love" and "free love," reflecting the ideological divergence within the New Culture community. In terms of spatial imagery and descriptions of love, the pioneering creation of romantic literature during the May Fourth period deconstructed the patriarchal authority that suppressed individual freedom, undermining traditional morality and opening up new fields for literary expression. But since the one-dimensional pursuit of individual freedom also led to weaknesses such as superficial emotionalism, May Fourth romantic literature could not take the experiences and expression of love to a deeper level. 展开更多
关键词 LOVE late Qing and early Republican period new word new morality new literature
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