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言有色,画有声——读丁建元的“游画”散文
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作者 林淑玉 《百家评论》 2019年第6期41-47,共7页
作为颇具探索意识的散文作家,丁建元以深挚的情感、丰富的想象和富于哲学意蕴的思辨构筑起文字与绘画互融、生发的独立文化空间,以"游"记思,体悟深沉,"深情冷眼",富哲理诗趣,在题材探索与艺术手法上均取得了突破,... 作为颇具探索意识的散文作家,丁建元以深挚的情感、丰富的想象和富于哲学意蕴的思辨构筑起文字与绘画互融、生发的独立文化空间,以"游"记思,体悟深沉,"深情冷眼",富哲理诗趣,在题材探索与艺术手法上均取得了突破,丰富了当代散文的创作类型,彰显了作者深厚的文化底蕴和人文关怀。 展开更多
关键词 丁建元 “游画” 散文 人性 “深情冷眼”
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Mario Paint: An Accessible Environment of Musical Creativity and Sound Exploration
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作者 Dr. Christopher Hopkins 《Journal of Literature and Art Studies》 2015年第10期847-858,共12页
Mario Paint, the 1992 Nintendo game for the Super NES, remains an accessible environment for musical creativity and sound exploration within its music mode. Although developed for a gaming system, the game's music mo... Mario Paint, the 1992 Nintendo game for the Super NES, remains an accessible environment for musical creativity and sound exploration within its music mode. Although developed for a gaming system, the game's music mode is a streamlined tool built upon basic music theory and music composition. Through familiar video game sounds and icon and Westem music notation, players are able to compose chipttme works and explore the nature of sound through an inviting interface. Similar music composition software upgrades the process of composition established in Mario Paint, allowing for digital distribution and dissemination. Mario Paint continues to inspire new projects in the areas of video games and scholastic studies. Mario Paint and its successors are very reasonable entry-level programs for chiptune composers and fledgling music students 展开更多
关键词 music composition Super NES NINTENDO music theory music production sound chip
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