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The Anti-globalization Movement in the “Eyes” of Journalism: “Global Justice” or “Mind Framing”? 被引量:1
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《Journalism and Mass Communication》 2013年第4期240-253,共14页
This research examines how the anti-globalization movementI (AGM) is portrayed in the mainstream print media. The study focuses on anti-globalization protest events over a period of seven years following the 1999 Se... This research examines how the anti-globalization movementI (AGM) is portrayed in the mainstream print media. The study focuses on anti-globalization protest events over a period of seven years following the 1999 Seattle protest, and covers all major protests until the end of 2006. Framing is used to explore how bias is instituted in media texts and whether this pattern is consistent across the corpus. Results of this study reveal that the framing strategies of journalists regarding AGM protests all revolve around two forms of memory-based framing tools: explicit and implicit. Explicit memory-based framing strategies refer to the coverage of previous events whereas implicit strategies involve the use of repeated connotations and metaphors applied consistently over the years, recalling previous insinuations made by a biased media system. 展开更多
关键词 global protest MEDIA FRAMING joumalism
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寓言考古:论电影媒介特性的三种演绎 被引量:4
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作者 龚力 《北京电影学院学报》 CSSCI 北大核心 2022年第9期40-49,共10页
作为一种再现媒介,电影连接了人和已经过去的现实,以重塑当下人类对过去的认知;作为一种“灵媒”,电影魔法般地制造了“通灵”幻象,这是人与被自身抛弃的“泛灵论精神活动”残余的连接;作为一种全球媒介,电影赋予了“我”与他者对话的... 作为一种再现媒介,电影连接了人和已经过去的现实,以重塑当下人类对过去的认知;作为一种“灵媒”,电影魔法般地制造了“通灵”幻象,这是人与被自身抛弃的“泛灵论精神活动”残余的连接;作为一种全球媒介,电影赋予了“我”与他者对话的“想象的公共空间”。电影的媒介功能在人主观性的驱使下被分配至各个经验领域,体现的是某种寓言考古学的愿景。一定程度上,电影重构了当下时代的知识型,它使人类的思考维度发生了一次语言学上的转向。 展开更多
关键词 电影 媒介 “灵媒” 全球媒介 媒介考古学
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