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西蒙喜剧结构中的“犹太性”研究
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作者 王冰 《英美文学研究论丛》 2020年第1期279-291,共13页
尼尔·西蒙是战后美国最著名的喜剧家之一。他的作品寓庄于谐,具有丰富的艺术表现力和深邃的思想内涵。如影随形的犹太身份意识、根深蒂固的犹太宗教与文化传统、对现代环境下美国犹太人的生活体验以及对百老汇犹太剧作家创作风格... 尼尔·西蒙是战后美国最著名的喜剧家之一。他的作品寓庄于谐,具有丰富的艺术表现力和深邃的思想内涵。如影随形的犹太身份意识、根深蒂固的犹太宗教与文化传统、对现代环境下美国犹太人的生活体验以及对百老汇犹太剧作家创作风格的继承,都深刻地影响了西蒙的创作理念和艺术表征,从而使他的喜剧在结构上表现出显著的犹太特征。与此同时,由于复杂的原因,西蒙喜剧结构中的"犹太性"是较为隐讳的。本文拟从场景、情节、结尾三个视角出发,解读结构中蕴含的"犹太性",探究西蒙创作思想中浓厚的民族情愫及他对现代环境下犹太人存在意识的认知。 展开更多
关键词 尼尔·西蒙 喜剧结构 “犹太性”
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Revisiting Contemporary Judaism in Modem Israel
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作者 Uri Zur 《Journal of Literature and Art Studies》 2014年第5期396-408,共13页
Today's society in Israel is divided and tom on many issues, including religion, and Jewish and Israeli identity, yet occasionally, a single event emerges which combines several divisions. One such issue is the "ide... Today's society in Israel is divided and tom on many issues, including religion, and Jewish and Israeli identity, yet occasionally, a single event emerges which combines several divisions. One such issue is the "identity crisis" also known as the question of "Who is a Jew?". This is a thorny complex problem, and one which has not yet been awarded a clear-cut constitutional solution. For example, it continues to be debated whether the religious definition should be the decisive factor, that is, should a Jew defined as an individual born to a mother who is Jewish or has been converted according to halacha, or whether Israeli identity is the more critical element and whether any individual born in or immigrated to Israel who served in the army, works and pays taxes in Israel, and identifies with the state's values should be identified as a Jew? In this paper, the author wishes to focus on equally complicated issue, although one has attracted less attention. This is the issue of halachic polarization or extremism that characterizes Judaism in modem Israel. Following a brief historical explanation, the author defines the problem at hand, and propose a solution. 展开更多
关键词 JEWS contemporary Judaism modem Israel
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SPECIAL ISSUE: RELIGION AND SOCIETY: CROSS-CULTURAL COMMUNICATION:The idea of humanity in Jewish tradition: from "the image of God" to the Jews of China
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作者 David Stern 《Social Sciences in China》 2010年第1期162-183,共22页
This paper explores the construction of the idea of "Humanity" in classical Jewish tradition and culture. The first half of the paper traces the history of the idea from the Biblical notion of human beings created ... This paper explores the construction of the idea of "Humanity" in classical Jewish tradition and culture. The first half of the paper traces the history of the idea from the Biblical notion of human beings created "in the image of God" through medieval interpretations of that phrase, and the implications of those traditions for conceptualizing Jewish-gentile relations, and in particular, the "humanity" of gentiles. The second half of the paper treats a very different construction of Jewish-gentile relations by looking at the phenomenon of inter-cultural adaptation and exchange as it has shaped Jewish diasporic culture; this discussion focuses upon one extreme case of Jewish-gentile syncretism, the medieval Kaifeng Jewish community in China. 展开更多
关键词 HUMANITY cultural adaptation Jews and gentiles Chinese Jews DIASPORA Bible
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