《说文解字》对北宋“画学”的影响

语言训练如何影响绘画创作？北宋＂画学＂提供了一个很好的历史范本。《说文解字》（以下简称《说文》）是北宋＂画学＂最重要的讲授内容,它对绘画创作的影响有三个方面：《说文》因形求义,其540部首主要来源于自然形象,这些自然形象保留了古代思维方式和特点,客观上提升了画师领会＂古意＂的思维能力;《说文》推求本义,从本义理解引申义,是深刻领会＂诗意＂的基础;不仅如此,《说文》也是训释古义的基础文献,为绘画脚本提供解读支撑。

笔墨创新在重彩山水画教学过程中的运用

笔墨创新建立在艺术家对传统重彩山水画的深刻体会、认识和把握上。与此同时,它也脱离不了中国哲学思想的滋养。重彩山水画创新可以通过笔墨创新来实现,在重彩山水画教学过程中,教师要把创新与传统联系起来,培养学生的笔墨创新思维,以达到借古开今的目的,促进重彩山水画教学的发展。

“分宗”与“道统”——浅议明末清初文人画的传承与影响

从明末董其昌的“南北分宗”,到清初王时敏的“画学道统”,文人画顺着艺术发展的一般规律而传承变化。董其昌所做出的梳理总结,得到时人的广泛认可,“复古开新”之路至此而始,至清初“四王”最盛。“四王”注重“画学道统”的儒学意识,讲究以古为尚,他们过分地注重笔墨上的“笔笔有来历”终致清中后期的绘画陷入程式化和教条化的桎梏。从另一个角度而言,明末清初文人画的传承与影响,使清代个性派画家们能自辟蹊径,理论家们亦能在论著中明确地指出当前绘画的问题所在,终使晚清海上画派、岭南画派崛起,从而完成了新文人画的变革,明末清初文人画的传承与影响由此可见一斑。

宋徽宗与美术教育及院体风格的形成

宋代是中国古代绘画的鼎盛时期,宋徽宗作为一位艺术修养很高的热爱绘画的封建帝王,在位期间利用他的权力及影响,通过对专业美术机构画学的设立、相应制度的完善,采用考核、奖掖等手段对绘画审美标准的引导和一系列美术经典汇本的编纂,使绘画环境、气氛、机制与当时的政治经济形势达到完美的融和,为宋代以及后世美术院体风格的形成做出了重要贡献。

On the Teaching of Decorative Painting for the Major of Visual Communication Design

On the basis of analyzing chafactetistics of decorative painting, this paper analyzed problems in the teaching of decorative painting in the major of visual communication design, and proposed correspon.corresponding strategies of adjusting teaching contents, changing the mode of teaching, and updating the teaching thought Moreover; all teachers are expected to adapt to the development of the times, enhance the cultivation of thdr own qualities besides the professions and also the trainkig of relevant design skills, imptove the teaching quality,atfange the teaching contents and divisions pfopedy as well as homewotk flexibly, and cultivate students5 abilities of applying decorative paintings into the visual communication design, so as to improve their cultural quality and aesthetic capacity.

Redrawing Frescoes of Dunhuang Grottoes and Their Application in Costume History Research

This paper explores the relationship between costume history research and the redrawing of frescoes of Dunhnang Grottoes. Redrawing frescoes could provide evidences for costume history research, and the research can correspondingly help the rodrawing. Redrawing frescoes, for the purpose of costume history study, must comply with some specific rules, which are different from those of other studies. The present study also discusses the methods to distinguish, the original fresco colors that have faded or changed after more than one thousand years.

Discussion on the Inheritance and Development of Taoism＇s Simple Aesthetics Spirit in Contemporary Landscape Paintings

Nowadays, the landscape paintings dominated by Taoism＇ s thoughts are highly controversial among people in the aspects of theory and practice along with the constantly intensified collision and blending of the eastern culture and the western culture, and the interaction of arts. In the process of development from the tradition to the modem times, the original source of contemporary landscape paintings＇ artistic spirit should be traced, and the corresponding historical stages should be objectively and rationally analyzed, so that contemporary landscape paintings can better adapt to the present conditions, and then their real existence and creative development can be really realized.

Reuse of clips in cartoon animation based on language instructions

This paper describes a new framework for reusing hand-drawn cartoon clips based on language understanding ap- proach. Our framework involves two stages: a preprocessing phase, in which a hand-drawn clip library with mixed architecture is constructed, and the on-line phase, in which the domain dependent language instructions parsing is carried out and clips in the clip library are matched by use of some matching values calculated from the information derived from instruction parsing. An im- portant feature of our approach is its ability to preserve the artistic quality of clips in the produced cartoon animations.

Ancient and modern, compatibility of Chinese and Western --Analysis of Huang Dufeng Painting Aesthetics Thought

Mr. Huang Dufeng is the master to paint landscapes, flowers, birds and people. In artistic practice, he clearly saw that in addition to using the ink to express the appearance, there exists its independence of aesthetic nature. In addition, Mr. Huang Dufeng is aware of vital importance of the spirit manifesting in the traditional painting. He has foresight in the face of treating the mutual development of Chinese and Western painting. In the meantime to advocate learning western painting, he all along emphasize that we should flourish the specific beauty of Chinese painting. He has showed a wide range of subjects, breaking the bondage of ＂four gentlemen＂ and pioneered the art image of angelfish. By discussion on Mr. Huang Dufeng through the painting features and process of thinking, he insisted on aesthetics concept of ＂Ancient and modern, compatibility of Chinese and Western＂.

Practice of Animation Professional Talent training of Exploration and Research In the Teaching

Animation professional talented person＇s raise is the premise and basis to ensure the healthy development of animation industry in China.ln this paper, combining with the experience of teaching practice on the teaching methods, curriculum, system arrangement and so on are studied and thinking, analysis of the problems existing in current practices in the animation teaching in colleges and universities, and put forward effective solutions, how to improve the teaching quality, cultivate and teaching requirements in accordance with the high quality of animation professionals, is the focus of the research in this paper.Therefore, this paper introduced the exploration and research of the above problems.

Appreciation and Analysis of Traditional Chinese Painting＇s Freehand Brushwork Aesthetic Characteristics

Traditional Chinese painting possesses its own unique artistic style in the world＇ s art circle. Compared with the western painting, the freehand brushwork characteristics are very significant in traditional Chinese painting. In traditional Chinese painting, top priority is given to the expression of the creator＇s subjective interests, but not to the external colors and similar appearances. The masters in the world of traditional Chinese painting have always attached high importance to expressing the spirits with forms or appearance since the ancient times. In traditional Chinese painting, ＂similarity in form or appearance＂ and ＂similarity in spirit＂ are always dialectically unified with consciousness and unconsciousness, so that the art form with the ＂freehand brushwork＂ aesthetic characteristics is produced and significantly features Chinese spirit and oriental style. Also, the realm of art to express spirit with appearance is always pursued in traditional Chinese painting, and this is totally different from the ＂express appearance with appearance＂ in the western paintings. Moreover, expression is always stressed in traditional Chinese painting so as to express the feeling world of human using the ＂freehand brnshwork＂ aesthetics as the creation method. The ＂freehand brushwork＂ aesthetic characteristics of traditional Chinese painting are branded with a profound Zhuangzi philosophy.

The Effective of Short Movie Innovation on Pharmacology Knowledge

The integration of compute.r technology in education allows students to have better comprehension of the subject content, and suitable learning material can make learning activity more attractive. The objectives of this development research were the evaluation of short movie production as innovative learning material and the knowledge comparison between traditional learning and learning through short movie. Three licensed pharmacists, i.e., the experts, proofread the screenplay of the movie. The study subjects consisted of 68 public health students--A control group and 31 of whom saw the movie--An experiment group. The results showed that the highest mean score was o^L understanding about the ＂group of anti-bacterial agents＂, while the lowest mean score was on ＂recommendation of time used＂. Evaluation of the short movie innovation showed the highest mean score in the item ＂the film can be used as the objective＇s direction＂ and the lowest mean score in the item ＂the film is usefully material＂. The students who watched the short movie had significantly higher level of knowledge at the end than those who underwent conventional learning （p 〈 0.001）. For future studies, films that are useful for other subject areas should be produced.

Patterns and Technology -- A Creative Approach to Isometries

Today＇s math education basic syllabus gives an ever increasing emphasis to Geometry and Patterns. Curricula also advocate an approach that allows student to understand the concepts involved supported by dynamical computer tools. However, there is not much research work joining these paradigms. Therefore, a case study was developed, with 9th grade students （14-15 years old）, to evaluate the impact of a creative approach to isometries and symmetries-friezes, rosaceas （rosettes） and wallpapers-centered in patterns （reproduction, continuation, completion, description and creation） and using Geometer＇s Sketchpad software to solve, mainly in pairs, and discuss, with the whole class, the challenging tasks proposed, involving the formulation of hypothesis, argumentation and justification of the reasoning. The statistical analysis of the quantifiable data and content analysis of the qualitative data, collecting trough enquiry, direct observation and documental analysis （involving questionnaires, field notes, logbook, pre-tests and post-test, other works of the students including those computer related, and internal documents of the school） enable to conclude positively regarding the main research question underlying the study. In fact, it led to the conclusion that the teaching strategy implemented has contributed to deepen the student＇s knowledge and skills on geometry, mathematical communication and autonomy as well as to develop a closer relation with the field of geometry itself. This article focuses on one of the cases studied. The pair was selected due to be representative of most students and due to their communication skills.

STUDY ON MULTIMEDIA ANIMATION SYSTEM OF ACUPOINT ANATOMY WITH FLASH

Mastering anatomic structures of acupoints is of active significance for avoiding blindly needling and preventing accidents of acupuncture and moxibustion. This multimedia animation system of acupoint anatomy adopts Flash software as developing tool and can dynamically display anatomic layers of needle insertion, with objectivity, convenient operation and English-Chinese control,higher reliability, easy to study and master anatomic knowledge of acupoint anatomy, increase teaching efficiency, and richen teaching ways. This system can be used as a teaching tool of acupuncture and moxibustion, a software of studying anatomy of acupoints and an adjuvant tool of medical workers in studying anatomy.

2D Animation Hybrid Technique Combining Traditional and Digital Technique Based on Analytical Motion and Physics

Great Animation not just drawing sequence of images or just combining images into frame by frame whatever motion will be, but Great Animation actually based on Physics, Biology and Lip sync. 2D Animation Hybrid Technique is combination of Traditional Technique and Digital Technique, but the motion also based on analytical motion and physics. Traditional technique using mostly stop motion technique and experiment in any material animated objects, such as celluloid, sand, pebble, clay, doll, flour, or any objects that can be animated. This day digital technique is widely used mostly using computer hardware and software, and a lot of 2D animation software out there that can be used to create 2D animation. 2D Animation Hybrid Technique is a new technique that combining the traditional 2D animation technique but not using stop motion technique and with digital technique using computer and software, this technique become possible using image scanning technology that can digitizing any image from photo to hand drawn image. Then the sequence hand drawn animation edited in frame by frame also layer by layer using certain software in computer to create illusion of motion. The motion itself not just using any sense of art but also using physics, biology especially anatomy when needed to create such realism motion or perhaps funny motion in cartoon style animation.

Xu Beihong＇s Artistic Influence on Current University Education Teaching of Chinese Painting Art

We explore the idea of current university teaching reform of Chinese art, the contemporary Chinese painting cannot help with the status quo and reform. Because after all, the fundamental purpose of teaching Chinese painting is to train a large number of innovative awareness and skills of professionals in order to promote the prosperity and development of Chinese painting. So, therefore, to reform the teaching of Chinese painting not only should be synchronized with the innovation of Chinese painting, Chinese painting should be involved in the development and reform of a series of important topics discussed making forward-looking thinking. Starting from the basic characteristics of painting, we are to explore ways to image modeling and imagery observation method according to melting into the hold of the art teaching among Chinese oaintin~ is one of a fundamental issue.

Study on the Scaffolding Teaching of Three-dimensional Animation Foundation based on Modularization

In this paper, the teaching of course Three-dimensional Animation Foundation is designed mainly based on teaching content modularization and scaffolding teaching model. The modularized content design for Three-dimensional Animation Foundation is specifically expounded, and also the ideas for developing the scaffolding teaching model are analyzed. How to integrate the scaffolding teaching model into course teaching is introduced in details. Finally, new methods for guiding students to think independently in course teaching and improve students＇ self-awareness and self-learning ability are proposed.

Simulating the dynamics of fluid-cylinder interactions

We present the simulation of the dynamics of fluid-cylinder interactions in a narrow three-dimensional channel filled with a Newtonian fluid, using a Lagrange multiplier based fictitious domain methodology combined with a finite element method and an operator splitting technique. As expected, a settling truncated cylinder turns its broadside perpendicular to the main stream direction and the center of mass moves to the central axis of the channel. In the case of two truncated cylinders, they first move around each other for a while and then stay together in a "T" shape. After the "T" shape has been formed for a long enough time, we found no vortex shedding behind the cylinders. When simulating the fluidization of 60 truncated cylinders, we captured the features of interactions among fluidized cylinders as observed in experiments.

Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong＇s ＂Theory of Southern and Northern Schools＂

Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.

Design and Application of Integrated Teaching System of Animation

The animation industry is a comprehensive art, and the development is very rapid in recent years, and many excellent domestic animation works are moved on the screen, winning support among the people. Looking to the future, the animation industry has a very great development potential. The animation major is considered as an emerging major in some colleges, and its teaching methods are still in the exploring stage. And the emerging industry has a great demand for animation talent, thus, the teaching methods of animation major need to be reformed to adapt to the constant market demand. This paper proposes an integrated teaching system of animation to solve the contradiction between market demand and traditional animation teaching mode, making analysis and researches of the kind of integrated teaching system, which is briefly described.