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电影声音“真实感”在动效中的表达
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作者 刘慧哲 《艺术评鉴》 2023年第10期140-143,共4页
“真实感”是电影声音创作的一个重要追求,也是衡量创作成果的重要标准。然而在实际创作中,会发现一个现象,完全符合生活真实的动效声未必能满足电影声音创作需要。本文围绕如何更好地在动效中表达“真实感”而展开,从“生活真实”与“... “真实感”是电影声音创作的一个重要追求,也是衡量创作成果的重要标准。然而在实际创作中,会发现一个现象,完全符合生活真实的动效声未必能满足电影声音创作需要。本文围绕如何更好地在动效中表达“真实感”而展开,从“生活真实”与“艺术真实”两个角度出发,论述了何为电影声音“真实感”;分析了影响电影声音“真实感”的两个重要因素——声画关系以及心理认同;探究了动效录音中如何塑造“真实感”,拿到一部影片时应该从哪些方面入手、怎样抓住声音设计风格、选择合适的材质与质感,不同的人物及其情绪应如何设计与表现;如何通过编辑的技巧选择与组合声音元素,思考在整体声音设计中每一声动效应该居于怎样地位,恰当运用减法思路、修辞手法才能让动效更好地体现声音的“真实感”。 展开更多
关键词 电影 声音 “真实感”
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社会文化视域:影像技术演进与“真实感”体验 被引量:1
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作者 付茜茜 《电影文学》 北大核心 2021年第11期8-14,共7页
伴随着影像技术的发展,人们对于“真实感”的体验愈加丰富。影像对现实世界“真实感”的不懈探寻与呈现,也丰富着社会文化样态。在由技术造就的影像世界中,“真实感”成为完美再现现实世界的基础。在“真实感”的社会文化历程中,精神呈... 伴随着影像技术的发展,人们对于“真实感”的体验愈加丰富。影像对现实世界“真实感”的不懈探寻与呈现,也丰富着社会文化样态。在由技术造就的影像世界中,“真实感”成为完美再现现实世界的基础。在“真实感”的社会文化历程中,精神呈现与物质呈现兼有,现代影像技术颠覆了传统经验中能够真实确证的“真实感”,虚拟影像带来体验型社会文化形态。本文聚焦影像的“真实感”体验,从影像技术的社会性视角出发,探析“真实感”的社会文化历程、影像技术演进与“真实感”变迁,以及虚拟影像与体验型社会文化形态。 展开更多
关键词 影像技术 感官 “真实感” 社会文化
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电影“真实感”的塑造--以影片《敦刻尔克》中的声音为例 被引量:1
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作者 潘谊加 《传播力研究》 2021年第22期38-39,共2页
电影从诞生之初就体现出技术性与艺术性相结合的媒介特征,而电影的“真实感”是电影审美中一个非常重要的美学范畴。真实感是电影的生命,电影用具象的影像来复原现实的物质世界。本文结合影片《敦刻尔克》中视听语言的运用,探究电影声... 电影从诞生之初就体现出技术性与艺术性相结合的媒介特征,而电影的“真实感”是电影审美中一个非常重要的美学范畴。真实感是电影的生命,电影用具象的影像来复原现实的物质世界。本文结合影片《敦刻尔克》中视听语言的运用,探究电影声音对于电影真实感的塑造,探讨电影体现出的人文关怀,思考电影最根本的追求。 展开更多
关键词 电影声音 “真实感” 人性
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SOME ALGORITHMS FOR NC MACHINING SIMULATION AND VERIFICATION 被引量:1
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作者 伍铁军 周儒荣 廖文和 《Transactions of Nanjing University of Aeronautics and Astronautics》 EI 2003年第1期30-35,共6页
This paper presents an approximation method to display realistic pictures of numerical control (NC) machining simulation very quickly. T he tool movement envelope is divided into many small regions and the normal to... This paper presents an approximation method to display realistic pictures of numerical control (NC) machining simulation very quickly. T he tool movement envelope is divided into many small regions and the normal to t hese small regions is calculated. The system saves the calculated result in a fi le before starting animation display. When the system starts displaying machinin g animation, it does not need to calculate small triangular facets normal to the workpiece surface. It only needs to find out what part of the cutter cuts the w orkpiece surface and to read the normal from the file. A highly efficient NC cod e verification method is also presented in this paper. The method first detects the error in z direction. If some points are reported to be out of the tolerance , the system divides neighborhood of these points into smaller grids and calcula tes the normal surface at each grid intersection and the error in the normal ve ctor direction. 展开更多
关键词 numerical control machi ning SIMULATION VERIFICATION realistic picture
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A Real-Time Photo-Realistic Rendering Algorithm of Ocean Color Based on Bio-Optical Model 被引量:4
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作者 MA Chunyong XU Shu +2 位作者 WANG Hongsong TIAN Fenglin CHEN Ge 《Journal of Ocean University of China》 SCIE CAS 2016年第6期996-1006,共11页
Abstract A real-time photo-realistic rendering algorithm of ocean color is introduced in the paper, which considers the impact of ocean bio-optical model. The ocean bio-optical model mainly involves the phytoplankton,... Abstract A real-time photo-realistic rendering algorithm of ocean color is introduced in the paper, which considers the impact of ocean bio-optical model. The ocean bio-optical model mainly involves the phytoplankton, colored dissolved organic material (CDOM), inorganic suspended particle, etc., which have different contributionsto absorption and scattering of light. We decompose the emergent light of the ocean surface into the reflected light from the sun and the sky, and the subsurface scattering light. We estab- lish an ocean surface transmission model based on ocean bidirectional reflectance distribution function (BRDF) and the Fresnel law, and this model's outputs would be the incident light parameters of subsurface scattering. Using ocean subsurface scattering algorithm combined with bio-optical model, we compute the scattering light emergent radiation in different directions. Then, we blend the re- flection of sunlight and sky light to implement the real-time ocean color rendering in graphics processing unit (GPU). Finally, we use two kinds of radiance reflectance calculated by Hydrolight radiative transfer model and our algorithm to validate the physical reality of our method, and the results show that our algorithm can achieve real-time highly realistic ocean color scenes. 展开更多
关键词 ocean color BRDF subsurface scattering bio-optical model
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Evaluation of Sunlight and Humidity Protection of a Bioherbicide for Eichornia crassipes Biocontrol
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作者 Martinez Jiménez Maricela Gómez Balandra María Antonieta María del Pilar Saldana Fabela 《Journal of Environmental Science and Engineering(B)》 2015年第1期17-24,共8页
C. piaropi (Cercospora piaropi) and A. zonatum (Acremonium zonatum) have proved to be effective in reducing water hyacinth growth. However, efficacy of these fungi in field is limited by the effect of solar UV (u... C. piaropi (Cercospora piaropi) and A. zonatum (Acremonium zonatum) have proved to be effective in reducing water hyacinth growth. However, efficacy of these fungi in field is limited by the effect of solar UV (ultraviolet) light and desiccation. In this study, three compounds used as sunscreens and one seed plant that produce mucilage were tested for their effects on the infection produced by C. piaropi and A. zonatum inoculum under laboratory and field conditions. In laboratory conditions, TiO2 (titanium dioxide) and metamucil did not inhibit C. piaropi and A. zonatum viability. Moreover, the addition of TiO2 and metamucil to the inoculum suspension increased fungi infection. The protective effect of TiO2 and metamucil was more evident when the inoculum suspension was applied 4 h before sunset. These results suggest that addition of TiO2 and metamucil provides necessary humidity and solar protection for increasing C piaropi and A. zonatum infection on water hyacinth plants. 展开更多
关键词 C. piaropi A. zonatum solar radiation TIO2 water hyacinth.
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虚构与非虚构之间:沉浸式戏剧《大真探赵赶鹅》的艺术阐释
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作者 张同岳 《戏剧文学》 北大核心 2023年第12期17-21,共5页
全景沉浸式戏剧《大真探赵赶鹅》将重案刑警赵赶鹅笔下的真实案件以一种“在场”的形式展现出来,给观众带来了身临其境的“沉浸感”。戏剧演出中对观众主体感受的强调具有特殊价值。其艺术阐释大致包含以下三个不同维度:其一为空间的“... 全景沉浸式戏剧《大真探赵赶鹅》将重案刑警赵赶鹅笔下的真实案件以一种“在场”的形式展现出来,给观众带来了身临其境的“沉浸感”。戏剧演出中对观众主体感受的强调具有特殊价值。其艺术阐释大致包含以下三个不同维度:其一为空间的“还原”,20世纪80、90年代北京胡同里的“凶案现场”在剧场中得以重现;其二是对人性的记录与关注,案件不被人关注的细节和案中人的复杂心理在舞台演绎和观众的互动、参与、游戏中有了更为深刻的展现;其三是剧中演员、场景、剧情、观众之间的互动与交流,产生了一种“同声共振”的影响,带来了一种“真实感”与“想象性”的统一,在虚构与非虚构之间形成沉浸式戏剧的独特体验。 展开更多
关键词 《大真探赵赶鹅》 沉浸式戏剧 “在场” “真实感”
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An area-based position and attitude estimation for unmanned aerial vehicle navigation 被引量:8
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作者 LIU XiaoChun WANG Hou +4 位作者 FU Dan YU QiFeng GUO PengYu LEI ZhiHui SHANG Yang 《Science China(Technological Sciences)》 SCIE EI CAS CSCD 2015年第5期916-926,共11页
The paper aims to challenge non-GPS navigation problems by using visual sensors and geo-referenced images. An area-based method is proposed to estimate full navigation parameters(FNPs), including attitude, altitude an... The paper aims to challenge non-GPS navigation problems by using visual sensors and geo-referenced images. An area-based method is proposed to estimate full navigation parameters(FNPs), including attitude, altitude and horizontal position, for unmanned aerial vehicle(UAV) navigation. Our method is composed of three main modules: geometric transfer function, local normalized sobel energy image(LNSEI) based objective function and simplex-simulated annealing(SSA) based optimization algorithm. The adoption of relatively rich scene information and LNSEI, makes it possible to yield a solution robustly even in the presence of very noisy cases, such as multi-modal and/or multi-temporal images that differ in the type of visual sensor, season, illumination, weather, and so on, and also to handle the sparsely textured regions where features are barely detected or matched. Simulation experiments using many synthetic images clearly support noise resistance and estimation accuracy, and experimental results using 2367 real images show the maximum estimation error of 5.16(meter) for horizontal position, 9.72(meter) for altitude and 0.82(degree) for attitude. 展开更多
关键词 navigation illumination attitude normalized matching scene handle noisy aerial unmanned
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