This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern ...This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film ＂Lost＂ and ＂Peking Monk＂ as examples and analyze the specific form of expression. This article is going to indicate in the end that ＂the revolution of aesthetics＂ and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the ＂aesthetic form＂ of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the ＂aesthetic entertainment＂ and ＂spiritual redemption＂. The significance of Marxist Aesthetics lies in that it upgrades the general ＂literal principle＂ and ＂aesthetic principle＂ in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation.展开更多
This study presents the fact that the relationship between the white colonialists and the black indigenous population threw up a myriad of socio-political cross fertilization in Africa. The way and manner the Whites r...This study presents the fact that the relationship between the white colonialists and the black indigenous population threw up a myriad of socio-political cross fertilization in Africa. The way and manner the Whites related with the Black people, the levels of reactions and response of the black population to the invading socio-political values and standards during the colonial era has been the subject of interesting writings in Africa. Of significance in this class of writing in Kenya is Ngugi Wa Thiong＇O＇s works. His profound sympathy with his people in their weaknesses, their poverty in the socio-political development in Kenya, and particularly his hatred of exploitation, cruelty, and injustice are noteworthy. It is the thrust of this work to critically look at the socio-political change in postcolonial Kenya through the literary eyes of Ngugi in his remarkable and compelling work, Petals of Blood （1977）, with a view to establish the contributions of the work to real socio-political development in Kenya through the approaches of textual criticism, interpretation, and post-colonial theory. Thus, the study examines the socio-political development in postcolonial Kenyan society, the lifestyle of people, and the relationships that exist among Kenyan citizens, especially between the rich and the poor, the government （ruling class）, and the governed （masses）. It also establishes the basis for the continued prevalence of the themes of violence, corruption, injustice, disillusionment, decadence, and disintegration in contemporary Kenyan literature, in spite of the transformation and change in the socio-political setting of the State.展开更多
Feminism generally agree that their goals are to expose patriarchal premises and resulting prejudices, to promote discovery and reevaluation of literature by women, and to examine social, cultural, and psychosexual co...Feminism generally agree that their goals are to expose patriarchal premises and resulting prejudices, to promote discovery and reevaluation of literature by women, and to examine social, cultural, and psychosexual contexts of literature and literary criticism. comparatively speaking; British Feminist criticism emphasizes the women＇s self-awareness, social critical function and prefers traditional realistic techniques. While American feminism approaches focuses on self-expression and feminine identity.展开更多
In different historical periods, the institutions of higher learning are endowed with dltlerent social tunctlons, wnlcn also experience some changes with the social development.The addition of cultural inheritance and...In different historical periods, the institutions of higher learning are endowed with dltlerent social tunctlons, wnlcn also experience some changes with the social development.The addition of cultural inheritance and innovation function, makes the institutions of higher learning must assume their obligations in accounting integrity construction.This article, through interpreting the essence and significance of accounting integrity, further expound the functions and integrity construction. responsibilities of the institutions of higher learning in accounting展开更多
The paper traces back women like Celie, Shug, Sofia or Nettie engaged in journeys of self-discovery and development, ones that follow predicted feminist patterns, who try to get free from any dominance, either be it m...The paper traces back women like Celie, Shug, Sofia or Nettie engaged in journeys of self-discovery and development, ones that follow predicted feminist patterns, who try to get free from any dominance, either be it male, social or cultural. The colour purple signifies a metaphysical, social and personal rebirth reflected into different shades by their inner self. The social oppression for black women in their quest for freedom is the main theme of Walker＇s novel The Color Purple, written in the epistolary technique of Samuel Richardson＇s in the XVIllth century English novel. In our attempt to analyse the theme and the female characters of the novel we are also trying to cross a bridge from the slave woman of the past belonging to a completely different culture and race to the contemporary paradigm of the liberated woman. The movement in time encompasses possible similitudes and differences.展开更多
This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the tra...This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the transportation and importation of western cultural values and the implantation of same in Nigeria thereby almost completely eclipsing the hitherto African cultural conservatism of the Nigerian state. Clear examples of this cultural transplant are given in this work, including but not limited to the use of English language in place of the indigenous languages for communication even when there are no foreigners, smoking of cigarettes, ladies putting on trousers, abortions as a means of birth control, free premarital and extramarital sexual relationships, and homosexuality and gay practices. These which were viewed as an anathema to Nigeria＇s cultural values have supplanted the traditional conservatism of the Nigerian people. This work particularly looks at Chimamanda Adichie＇s Purple Hibiscus and distills classical cases of cultural imperialism. Adichie through the character Eugene, captures cultural imperialism as seen in the life of this vastly brainwashed ＂been-to＂ who is clearly portrayed as an imperial lackey, capitalist, and apologist. Also, the character of Rev. Father Benedict, a Briton, who often found any indigenous songs in St. Agnes Parish was quite offensive. The work also captures cultural imperialism in the ironical contempt with which the catholic devotee, Eugene, treats his own father, Papa Nnukwu, steeped in the traditional African cultural values, and Eugene viewes him as Godlessness. The essay concludes by identifying the cultural crises that cultural imperialism creates in the Nigerian state, and recommends ways of diluting and diffusing the present cultural imperialism as a solution to the myriad of socio-political crises currently experienced by the Nigerian society.展开更多
This study endeavours to assess the deliberate distortion of historical memory in two works written in different periods of time by the same author, namely Vedat Kokona with the novel Me Valet e let,s （With the Waves...This study endeavours to assess the deliberate distortion of historical memory in two works written in different periods of time by the same author, namely Vedat Kokona with the novel Me Valet e let,s （With the Waves of Life） published in the 1960s, as well as his own autobiography Endur ne Tisin e Kohes （Woven in the Veil of Time）, which was written and published after the 1990s. The novel was written under the censorship conditions of social realism, and consequently the stance toward historical war figures was shaped by the ideological prism： ＂Enver Hoxha leads the war, opponents like Lumo Skendo collaborate with the enemy, and the indifferent intelligentsia must feel blameworthy for their non-engagement with the communists＂. This scheme apparently collapses after the 1990s, when Kokona took it upon himself to narrate his autobiography, in the abridgment entitled Woven in the Veil of Time. Therein is revealed his realistic assessment of the figures of Enver Hoxha, Lumo Skendo, Ernest Koliqi, etc. Freed at the time from the chains of ideological censure, in his memoirs, Kokona discusses these historical characters. Supplied with individual human sensitivity, facing good and evil, he reflects upon the past, with the consciousness of the intellectual who has witnessed an era permeated with major changes.展开更多
In this paper, we conduct research on the timeliness and effectiveness of university thought political lesson education practice. What person, how to cultivate people is developing the socialist education enterprise i...In this paper, we conduct research on the timeliness and effectiveness of university thought political lesson education practice. What person, how to cultivate people is developing the socialist education enterprise in our country must solve fundamental problem. College students is a national valuable human resources, are the hope of nation, the future of our motherland. To make university students grow up to be the cause of socialism with Chinese characteristics qualified builders and reliable successors, we not only need to vigorously improve their scientific and cultural quality, and actively improve their ideological and political quality. College students＇ ideological and the political education content system of the science building is refers to according to the requirements of college students＇ ideological and political education goal, to constitute elements of ideological and political education content should be reasonable configuration, make each other, permeate each other, in order to realize the content of organic integration and collaborative development.展开更多
This article focuses on the factors that influence the dynamics of the sociological imagination. The author argues for the codependence of sociological theorizing, thinking, and imagination that are analyzed through t...This article focuses on the factors that influence the dynamics of the sociological imagination. The author argues for the codependence of sociological theorizing, thinking, and imagination that are analyzed through the prism of the increasing complexity of social and cultural dynamics of the society, the accelerated complex development of human communities within the ＂arrow of time＂. He critically discusses the types of sociological imagination worked out by C. Wright Mills, P. Sztompka, S. Fuller, and U. Beck, and proposes his own model of sociological imagination in the form of a non-linear humanistic one that is based on the synthesis of social, hard and humane science. It deals with the acceleration of socio-cultural dynamics and glocal complexity, the integrity of the interdependent humanity, and synergetically takes into consideration paradoxical synthesis, breaks, risks, and dispersions of socium, its obiective, subjectively constructed, and virtual realities, searching for new forms of humanism, based on men＇s existential needs. It presupposes humane praxis--nowadays the world needs the passing over from technological to humane modernization that can be achieved due to a humanistic turn in sociology, its orientation on a non-linear humanistic sociological imagination.展开更多
Cultural Psychology emerged as an interdisciplinary subfield roughly in the 1980s/1990s. With about thirty years of momentum, this discipline has grown from little more than a special interests group to a topic to whi...Cultural Psychology emerged as an interdisciplinary subfield roughly in the 1980s/1990s. With about thirty years of momentum, this discipline has grown from little more than a special interests group to a topic to which multiple institutions and journals have been dedicated. This paper presents an outline of the discipline of Cultural Psychology from an American interdisciplinary perspective. The pitfalls of General Psychology （research methodology, politicization, and an essentialist hermeneutic） and Anthropology （an epistemological gap in the four fields approach, psychophobia, and the role of the researcher in cultural change） are addressed, in turn. Cultural Psychology provides an alternative to these pitfalls by drawing on the strengths of each discipline to address both theoretical and empirical problems. Cultural Psychology urges for a critical reflection on the social structure and history of its own discipline, resulting in a broader academic canon and a more nuanced understanding of interdisciplinary relations within the human sciences.展开更多
This article critically examines three most influential learning theories that underlie the instruction and learning environments in second language learning (SLL). Evaluation follows the description of each theory. T...This article critically examines three most influential learning theories that underlie the instruction and learning environments in second language learning (SLL). Evaluation follows the description of each theory. The point is to understand the impacts of different theories on second language learning. The paper argues that an integrated approach, which combines the three theories, is needed.展开更多
文摘This article believes that ＂Chinese Dream＂ has three dimensions： First, ＂Chinese Dream＂ is the inevitable demands of Chinese reconstruction and it is the deepest desire of Chinese nation since the Chinese modern history. Second, the modernism of socialism with Chinese feature is the process of Chinese modernism. Third, the third theoretical dimension, 1 believe, is the ideal of socialism. I would like to take the film ＂Lost＂ and ＂Peking Monk＂ as examples and analyze the specific form of expression. This article is going to indicate in the end that ＂the revolution of aesthetics＂ and the assignments of critics, which can be recognized as the intuitive ability, could merge the historical affair and the human nature, which literature comprise, together and deliver deeper analyses and appraise The mission of critics is not only to distinctly emerge the aesthetic form of the literal works, but also analyze and seize the ＂aesthetic form＂ of them, that is to say, their mission is to find the aesthetic meanings of aesthetic expression from commonage in order to achieve the goal of leading and stimulating people ensuing the consciousness and liberation of culture. That is the most important mission and responsibility of Marxist literal criticism and literal critics. This is a rather tough task and refers to the new understanding and attitude to the relative questions of literature and culture. In the eyes of some self-complacent intellectuals, the responsibility for literature and critics is the ＂aesthetic entertainment＂ and ＂spiritual redemption＂. The significance of Marxist Aesthetics lies in that it upgrades the general ＂literal principle＂ and ＂aesthetic principle＂ in to a level of social development and national deliverance, and also it regards whether the literature having the function of cultural libration as the more pivotal content. The assignment for the critics and litterateurs is to engage and promote the production and promulgate for this significance, the cultural consciousness and liberation.
文摘This study presents the fact that the relationship between the white colonialists and the black indigenous population threw up a myriad of socio-political cross fertilization in Africa. The way and manner the Whites related with the Black people, the levels of reactions and response of the black population to the invading socio-political values and standards during the colonial era has been the subject of interesting writings in Africa. Of significance in this class of writing in Kenya is Ngugi Wa Thiong＇O＇s works. His profound sympathy with his people in their weaknesses, their poverty in the socio-political development in Kenya, and particularly his hatred of exploitation, cruelty, and injustice are noteworthy. It is the thrust of this work to critically look at the socio-political change in postcolonial Kenya through the literary eyes of Ngugi in his remarkable and compelling work, Petals of Blood （1977）, with a view to establish the contributions of the work to real socio-political development in Kenya through the approaches of textual criticism, interpretation, and post-colonial theory. Thus, the study examines the socio-political development in postcolonial Kenyan society, the lifestyle of people, and the relationships that exist among Kenyan citizens, especially between the rich and the poor, the government （ruling class）, and the governed （masses）. It also establishes the basis for the continued prevalence of the themes of violence, corruption, injustice, disillusionment, decadence, and disintegration in contemporary Kenyan literature, in spite of the transformation and change in the socio-political setting of the State.
文摘Feminism generally agree that their goals are to expose patriarchal premises and resulting prejudices, to promote discovery and reevaluation of literature by women, and to examine social, cultural, and psychosexual contexts of literature and literary criticism. comparatively speaking; British Feminist criticism emphasizes the women＇s self-awareness, social critical function and prefers traditional realistic techniques. While American feminism approaches focuses on self-expression and feminine identity.
文摘In different historical periods, the institutions of higher learning are endowed with dltlerent social tunctlons, wnlcn also experience some changes with the social development.The addition of cultural inheritance and innovation function, makes the institutions of higher learning must assume their obligations in accounting integrity construction.This article, through interpreting the essence and significance of accounting integrity, further expound the functions and integrity construction. responsibilities of the institutions of higher learning in accounting
文摘The paper traces back women like Celie, Shug, Sofia or Nettie engaged in journeys of self-discovery and development, ones that follow predicted feminist patterns, who try to get free from any dominance, either be it male, social or cultural. The colour purple signifies a metaphysical, social and personal rebirth reflected into different shades by their inner self. The social oppression for black women in their quest for freedom is the main theme of Walker＇s novel The Color Purple, written in the epistolary technique of Samuel Richardson＇s in the XVIllth century English novel. In our attempt to analyse the theme and the female characters of the novel we are also trying to cross a bridge from the slave woman of the past belonging to a completely different culture and race to the contemporary paradigm of the liberated woman. The movement in time encompasses possible similitudes and differences.
文摘This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the transportation and importation of western cultural values and the implantation of same in Nigeria thereby almost completely eclipsing the hitherto African cultural conservatism of the Nigerian state. Clear examples of this cultural transplant are given in this work, including but not limited to the use of English language in place of the indigenous languages for communication even when there are no foreigners, smoking of cigarettes, ladies putting on trousers, abortions as a means of birth control, free premarital and extramarital sexual relationships, and homosexuality and gay practices. These which were viewed as an anathema to Nigeria＇s cultural values have supplanted the traditional conservatism of the Nigerian people. This work particularly looks at Chimamanda Adichie＇s Purple Hibiscus and distills classical cases of cultural imperialism. Adichie through the character Eugene, captures cultural imperialism as seen in the life of this vastly brainwashed ＂been-to＂ who is clearly portrayed as an imperial lackey, capitalist, and apologist. Also, the character of Rev. Father Benedict, a Briton, who often found any indigenous songs in St. Agnes Parish was quite offensive. The work also captures cultural imperialism in the ironical contempt with which the catholic devotee, Eugene, treats his own father, Papa Nnukwu, steeped in the traditional African cultural values, and Eugene viewes him as Godlessness. The essay concludes by identifying the cultural crises that cultural imperialism creates in the Nigerian state, and recommends ways of diluting and diffusing the present cultural imperialism as a solution to the myriad of socio-political crises currently experienced by the Nigerian society.
文摘This study endeavours to assess the deliberate distortion of historical memory in two works written in different periods of time by the same author, namely Vedat Kokona with the novel Me Valet e let,s （With the Waves of Life） published in the 1960s, as well as his own autobiography Endur ne Tisin e Kohes （Woven in the Veil of Time）, which was written and published after the 1990s. The novel was written under the censorship conditions of social realism, and consequently the stance toward historical war figures was shaped by the ideological prism： ＂Enver Hoxha leads the war, opponents like Lumo Skendo collaborate with the enemy, and the indifferent intelligentsia must feel blameworthy for their non-engagement with the communists＂. This scheme apparently collapses after the 1990s, when Kokona took it upon himself to narrate his autobiography, in the abridgment entitled Woven in the Veil of Time. Therein is revealed his realistic assessment of the figures of Enver Hoxha, Lumo Skendo, Ernest Koliqi, etc. Freed at the time from the chains of ideological censure, in his memoirs, Kokona discusses these historical characters. Supplied with individual human sensitivity, facing good and evil, he reflects upon the past, with the consciousness of the intellectual who has witnessed an era permeated with major changes.
文摘In this paper, we conduct research on the timeliness and effectiveness of university thought political lesson education practice. What person, how to cultivate people is developing the socialist education enterprise in our country must solve fundamental problem. College students is a national valuable human resources, are the hope of nation, the future of our motherland. To make university students grow up to be the cause of socialism with Chinese characteristics qualified builders and reliable successors, we not only need to vigorously improve their scientific and cultural quality, and actively improve their ideological and political quality. College students＇ ideological and the political education content system of the science building is refers to according to the requirements of college students＇ ideological and political education goal, to constitute elements of ideological and political education content should be reasonable configuration, make each other, permeate each other, in order to realize the content of organic integration and collaborative development.
文摘This article focuses on the factors that influence the dynamics of the sociological imagination. The author argues for the codependence of sociological theorizing, thinking, and imagination that are analyzed through the prism of the increasing complexity of social and cultural dynamics of the society, the accelerated complex development of human communities within the ＂arrow of time＂. He critically discusses the types of sociological imagination worked out by C. Wright Mills, P. Sztompka, S. Fuller, and U. Beck, and proposes his own model of sociological imagination in the form of a non-linear humanistic one that is based on the synthesis of social, hard and humane science. It deals with the acceleration of socio-cultural dynamics and glocal complexity, the integrity of the interdependent humanity, and synergetically takes into consideration paradoxical synthesis, breaks, risks, and dispersions of socium, its obiective, subjectively constructed, and virtual realities, searching for new forms of humanism, based on men＇s existential needs. It presupposes humane praxis--nowadays the world needs the passing over from technological to humane modernization that can be achieved due to a humanistic turn in sociology, its orientation on a non-linear humanistic sociological imagination.
文摘Cultural Psychology emerged as an interdisciplinary subfield roughly in the 1980s/1990s. With about thirty years of momentum, this discipline has grown from little more than a special interests group to a topic to which multiple institutions and journals have been dedicated. This paper presents an outline of the discipline of Cultural Psychology from an American interdisciplinary perspective. The pitfalls of General Psychology （research methodology, politicization, and an essentialist hermeneutic） and Anthropology （an epistemological gap in the four fields approach, psychophobia, and the role of the researcher in cultural change） are addressed, in turn. Cultural Psychology provides an alternative to these pitfalls by drawing on the strengths of each discipline to address both theoretical and empirical problems. Cultural Psychology urges for a critical reflection on the social structure and history of its own discipline, resulting in a broader academic canon and a more nuanced understanding of interdisciplinary relations within the human sciences.
文摘This article critically examines three most influential learning theories that underlie the instruction and learning environments in second language learning (SLL). Evaluation follows the description of each theory. The point is to understand the impacts of different theories on second language learning. The paper argues that an integrated approach, which combines the three theories, is needed.
