Most cities in China have experienced dramatic changes during the systematic progress of modernization and commercialization. Rebuilding residential space into heritage preservation is popular in Chinese urban plannin...Most cities in China have experienced dramatic changes during the systematic progress of modernization and commercialization. Rebuilding residential space into heritage preservation is popular in Chinese urban planning. Yearning for modernity generates a policy of cultural protection which is transformed by the public spaces within which people carry out daily lives. However, heritage preservation in these cities is in a dilemma. On side, with the opening up, Chinese society toward modernization has been accompanied by large-scale urbanization, rapid commercialization and a booming consumerism. The Chinese capital has forced people to face the challenge of urban environment management and adaptation to a new city. The traditional streets in big cities are destroyed first and then rebuilt to turn the capital into an international metropolis. On the other side, heritage protection needs its historical roots as the authentic cultural features. To some extent, the process of urban landscaping stimulates people＇s nostalgia tie. Although it seems to be individual, it is also a link of one＇s historical memory of sentiment with the development of social construction. Hence, collective urban nostalgia that emerged through the rebuilding of heritage in urban China can promote nationalism from the governmental perspective. Further, it can also lead people face the life itself but neglect the social tensions around them. Meanwhile, rebuilding mode of Longtang also elaborates the power structure existing among state, capital, intellectuals.展开更多
The paper examines the role of shared spaces in divided cities in promoting future sustainable communities and spaces described as inclusive to all. It addresses the current challenges that prevent such inclusiveness ...The paper examines the role of shared spaces in divided cities in promoting future sustainable communities and spaces described as inclusive to all. It addresses the current challenges that prevent such inclusiveness and suggests future trends of its development to be of benefit to the wider city community. It explains how spaces in divided cities are carved up into perceived ownerships and territorialized areas, which increases tension on the shared space between territories; the control of which can often lead to inter-community disputes. The paper reports that common shared space in-between conflicting communities takes on increased importance since the nature of the conflict places emphasis on communities＇ confidence, politically and socially, while also highlighting the necessity for confidence in inclusion and feeling secure in the public domain. In order to achieve sustainable environments, strategies to promote shared spaces require further focus on the significance of everyday dynamics as essential aspects for future integration and conflict resolution.展开更多
This study endeavours to assess the deliberate distortion of historical memory in two works written in different periods of time by the same author, namely Vedat Kokona with the novel Me Valet e let,s （With the Waves...This study endeavours to assess the deliberate distortion of historical memory in two works written in different periods of time by the same author, namely Vedat Kokona with the novel Me Valet e let,s （With the Waves of Life） published in the 1960s, as well as his own autobiography Endur ne Tisin e Kohes （Woven in the Veil of Time）, which was written and published after the 1990s. The novel was written under the censorship conditions of social realism, and consequently the stance toward historical war figures was shaped by the ideological prism： ＂Enver Hoxha leads the war, opponents like Lumo Skendo collaborate with the enemy, and the indifferent intelligentsia must feel blameworthy for their non-engagement with the communists＂. This scheme apparently collapses after the 1990s, when Kokona took it upon himself to narrate his autobiography, in the abridgment entitled Woven in the Veil of Time. Therein is revealed his realistic assessment of the figures of Enver Hoxha, Lumo Skendo, Ernest Koliqi, etc. Freed at the time from the chains of ideological censure, in his memoirs, Kokona discusses these historical characters. Supplied with individual human sensitivity, facing good and evil, he reflects upon the past, with the consciousness of the intellectual who has witnessed an era permeated with major changes.展开更多
文摘Most cities in China have experienced dramatic changes during the systematic progress of modernization and commercialization. Rebuilding residential space into heritage preservation is popular in Chinese urban planning. Yearning for modernity generates a policy of cultural protection which is transformed by the public spaces within which people carry out daily lives. However, heritage preservation in these cities is in a dilemma. On side, with the opening up, Chinese society toward modernization has been accompanied by large-scale urbanization, rapid commercialization and a booming consumerism. The Chinese capital has forced people to face the challenge of urban environment management and adaptation to a new city. The traditional streets in big cities are destroyed first and then rebuilt to turn the capital into an international metropolis. On the other side, heritage protection needs its historical roots as the authentic cultural features. To some extent, the process of urban landscaping stimulates people＇s nostalgia tie. Although it seems to be individual, it is also a link of one＇s historical memory of sentiment with the development of social construction. Hence, collective urban nostalgia that emerged through the rebuilding of heritage in urban China can promote nationalism from the governmental perspective. Further, it can also lead people face the life itself but neglect the social tensions around them. Meanwhile, rebuilding mode of Longtang also elaborates the power structure existing among state, capital, intellectuals.
文摘The paper examines the role of shared spaces in divided cities in promoting future sustainable communities and spaces described as inclusive to all. It addresses the current challenges that prevent such inclusiveness and suggests future trends of its development to be of benefit to the wider city community. It explains how spaces in divided cities are carved up into perceived ownerships and territorialized areas, which increases tension on the shared space between territories; the control of which can often lead to inter-community disputes. The paper reports that common shared space in-between conflicting communities takes on increased importance since the nature of the conflict places emphasis on communities＇ confidence, politically and socially, while also highlighting the necessity for confidence in inclusion and feeling secure in the public domain. In order to achieve sustainable environments, strategies to promote shared spaces require further focus on the significance of everyday dynamics as essential aspects for future integration and conflict resolution.
文摘This study endeavours to assess the deliberate distortion of historical memory in two works written in different periods of time by the same author, namely Vedat Kokona with the novel Me Valet e let,s （With the Waves of Life） published in the 1960s, as well as his own autobiography Endur ne Tisin e Kohes （Woven in the Veil of Time）, which was written and published after the 1990s. The novel was written under the censorship conditions of social realism, and consequently the stance toward historical war figures was shaped by the ideological prism： ＂Enver Hoxha leads the war, opponents like Lumo Skendo collaborate with the enemy, and the indifferent intelligentsia must feel blameworthy for their non-engagement with the communists＂. This scheme apparently collapses after the 1990s, when Kokona took it upon himself to narrate his autobiography, in the abridgment entitled Woven in the Veil of Time. Therein is revealed his realistic assessment of the figures of Enver Hoxha, Lumo Skendo, Ernest Koliqi, etc. Freed at the time from the chains of ideological censure, in his memoirs, Kokona discusses these historical characters. Supplied with individual human sensitivity, facing good and evil, he reflects upon the past, with the consciousness of the intellectual who has witnessed an era permeated with major changes.
