Iris Murdoch is a renowned female novelist and philosopher in the 20th century English literature. In her literary creation, she has a preference for male narration and holds a reserved attitude to women＇s movements ...Iris Murdoch is a renowned female novelist and philosopher in the 20th century English literature. In her literary creation, she has a preference for male narration and holds a reserved attitude to women＇s movements with reluctance to be considered as a feminist writer, which permits her realistic depiction of female characters and dispassionate thought on women＇s problems. This paper, with the interpretation and redefinition of the concepts as consciousness, identity, and self in Murdoch＇s philosophy, analyzes the fragmented self of three female figures in The Flight from the Enchanter （1956） respectively from the perspectives of self-consciousness, identity, and self and reveals that the fragmentation of female selfhood is mainly due to the overwhelming male dominance in the gender relationship.展开更多
This paper focuses on pioneer women＇s development of the self from the perspective of feminism in 0 Pioneerst. （1913） and My A ntonia （1994）. As rigid social connections and concepts restrict women＇s autonomy an...This paper focuses on pioneer women＇s development of the self from the perspective of feminism in 0 Pioneerst. （1913） and My A ntonia （1994）. As rigid social connections and concepts restrict women＇s autonomy and freedom, they must transform themselves and the world in order to survive. In order to analyze pioneer women＇s process of self-growth in the special period, the author of this paper compares and contrasts the specific situation, and analyzes the characteristics of the protagonists in the above two novels. Through analysis, the authuor concludes that pioneer women always create a nurturing and gracious atmosphere in their household. Practically, these women successfully transmit the old civilization to the newly established homestead.展开更多
Feminism generally agree that their goals are to expose patriarchal premises and resulting prejudices, to promote discovery and reevaluation of literature by women, and to examine social, cultural, and psychosexual co...Feminism generally agree that their goals are to expose patriarchal premises and resulting prejudices, to promote discovery and reevaluation of literature by women, and to examine social, cultural, and psychosexual contexts of literature and literary criticism. comparatively speaking; British Feminist criticism emphasizes the women＇s self-awareness, social critical function and prefers traditional realistic techniques. While American feminism approaches focuses on self-expression and feminine identity.展开更多
The Awakening was Kate Chopin＇s masterpiece, describing a wealthy businessman＇s wife--Edna＇s confusion, awakening, pursuit, and suffocation of self-awareness in the South of America in the late 19th century. With t...The Awakening was Kate Chopin＇s masterpiece, describing a wealthy businessman＇s wife--Edna＇s confusion, awakening, pursuit, and suffocation of self-awareness in the South of America in the late 19th century. With the method of close reading in new criticism, this paper reinterprets Edna＇s awakening process. Her awakening process is accompanied by the symbolic image of ＂bird＂, representing women＇s situation in the patriarchal society and carrying Edna＇s hope for freedom, love, and self-realization. The application of bird＇s symbolic image reflects Kate Chopin＇s compassion for women in the patriarchal society, making the novel more appealing with its profound humanitarian connotations.展开更多
Although T. S. Eliot＇s ＂The Journey of the Magi＂ is a religious poem in the profoundest sense, the title of my paper is intended to give only a sly wink at Trinitarianism. My real object is to explain how Eliot con...Although T. S. Eliot＇s ＂The Journey of the Magi＂ is a religious poem in the profoundest sense, the title of my paper is intended to give only a sly wink at Trinitarianism. My real object is to explain how Eliot contrived to manufacture a poem which, at fu＇st glance, resembles a dramatic monologue （generally understood as a poem for one voice----that of a historical/fictional/mythological character addressing a silent listener, group of listeners or reader）, yet which is slowly revealed as a lyrical monologue （for the poet＇s own voice） which yet--and this quite intentionally----contains considerably more than mere echoes of another two speakers： namely a Magus and the biblical translator and, most famously, sermon writer Archbishop Launcelot Andrewes （1555-1626） court preacher to James 1 and Charles 1 of England. I wish to show how Eliot, in writing what is ultimately confessional verse, goes out of his way to hoodwink the reader by allowing the first two of his ＂{The} Three Voices of Poetry＂ （1957） to overlap with and then incorporate the third. His own descriptions of these voices are （i） lyric, defined as ＂the poet talking to himself＂, （ii） that of the single speakerwho gives a （dramatic） monologuel ＂addressing an {imaginary} audience in an assumed voice＂ and （iii） that of the verse dramatist ＂who attempts to create a dramatic character speaking in verse when he {i.e. the author} is saying.., only what he can say within the limits of one imaginary character addressing another imaginary character＂ yet adding ＂some bit of himself that the author gives to a character may be the germ from which that character starts＂ （Eliot, 1957, pp. 38, 40）. The basis of my argument is that such an act of＂giving of the self＇ as the raw material for the creation of a dramatic monologue persona as well as a character designed for the stage had been part and parcel of Eliot＇s modus operandi up to and including ＂Prufrock＂ and The Waste Land; further, that in ＂The Journey of the Magi＂ and his later commentary upon it he fmally comes out and admits the fact, and in far clearer a manner than he does when defining the Objective Correlative in his essays on Hamlet. Far from attempting to erase the sense of selfhood from his poetry, I believe that Eliot, consciously or not, ended up by demonstrating to those who worshipped the Romantics and their cult of personality just how difficult it was to express the purely subjective self in poetry.展开更多
Fichte＇s various articulations of the Wissenschaftslehre （＂theory of scientific knowledge＂） are self-conscious attempts to systematize Kant＇s critical philosophy. Fichte＇s notion of the pure I （ieh） serves as...Fichte＇s various articulations of the Wissenschaftslehre （＂theory of scientific knowledge＂） are self-conscious attempts to systematize Kant＇s critical philosophy. Fichte＇s notion of the pure I （ieh） serves as the theoretical starting-point for his exposition of transcendental idealism, and in many ways this concept is analogous to Kant＇s notion of the transcendental unity of apperception explained in the Critique of Pure Reason. This paper argues that although Fichte and Kant agree on （1） the active nature of the pure I, （2） the distinction between pure and empirical apperception, and （3） skepticism concerning the possibility of theoretical knowledge of any positive （i.e., noumenal） content of the pure I, their respective notions of pure apperception differ in that Kant affirms the conceptual priority of the pure I to its objects while Fichte denies the same. Fichte＇s departure from Kant on this point foreshadows many later recognition theories of consciousness, e.g., those of Hegel and Marx.展开更多
The purpose of this study was to examine the impact of macro social factors （states, religion, region, Arab spring, terrorism, unrest （Shoe index）, democracy, corruption （GPI）, Human development （HDI）, low self...The purpose of this study was to examine the impact of macro social factors （states, religion, region, Arab spring, terrorism, unrest （Shoe index）, democracy, corruption （GPI）, Human development （HDI）, low self-control, life stress events （LSE）, youth unemployment, religiosity, feeling （fear and anger）, youth unemployment and total unemployment） on Arab youth＇s radicalization. A sample of 6,730 Arab youth age 15-24 years was selected from Kuwait, UAE, KSA, Oman, Qatar, Bahrain, Jordan, Tunisia, Libya, Morocco, Lebanon, Egypt, Gaza and Palestine and Syrian refuges in Jordan. A questionnaire of 43 items to measure radicalization was developed based on the literature review. A construct validity of the scale was estimated by calculating the correlation between radicalization scale and Low self-control scale and found a positive significant relationship （0.680, a = 0.000）, a sign of validity of the scale. A Reliability of the scale is strong and was estimated by Cronbach＇s alpha and was 0.947. An average of 46.6% of the participants was categorized as radicals with standard deviation of 12. Macro social factors explained 64% of the variance on radicalization. It has a significant impact on radicalization （F = 807.6, a = 0.000）. Each single variable has a significant impact. The analysis revealed three groups of macro determinants of youth radicalization were identified： （1） Geographic factors： state, region, and Arab spring; （2） Social factors： religion, religiously, feelings, LSE and LSC; （3） Human security： unrest, terrorism, democracy, corruption, human development, youth unemployment and employment rate. To alleviate the consequences of radicalization, prevention policies should take in account youth concerns as partners and victims of radicalization. Policies need to focus on radicalization pull and push factors on micro-meso-macro level.展开更多
Tess of the d＇ Urbervilles, the greatest novel of British famous writer Thomas Hardy, describes the misfortune and tragedy of a poor peasant girl named Tess, the cause of which has always been the concern of people. ...Tess of the d＇ Urbervilles, the greatest novel of British famous writer Thomas Hardy, describes the misfortune and tragedy of a poor peasant girl named Tess, the cause of which has always been the concern of people. This passage will inquire into the cause of her tragedy from a critical point of view of feminism. In this passage, we can know the Tess takes shape from a social developing procession, man-made morality and the male writer. Then this article concludes that the consciousness of the females are given by the society in which they lived and the liberation of the females must be based on the awakening of self-consciousness and the change of moral sense of mortality in society.展开更多
文摘Iris Murdoch is a renowned female novelist and philosopher in the 20th century English literature. In her literary creation, she has a preference for male narration and holds a reserved attitude to women＇s movements with reluctance to be considered as a feminist writer, which permits her realistic depiction of female characters and dispassionate thought on women＇s problems. This paper, with the interpretation and redefinition of the concepts as consciousness, identity, and self in Murdoch＇s philosophy, analyzes the fragmented self of three female figures in The Flight from the Enchanter （1956） respectively from the perspectives of self-consciousness, identity, and self and reveals that the fragmentation of female selfhood is mainly due to the overwhelming male dominance in the gender relationship.
文摘This paper focuses on pioneer women＇s development of the self from the perspective of feminism in 0 Pioneerst. （1913） and My A ntonia （1994）. As rigid social connections and concepts restrict women＇s autonomy and freedom, they must transform themselves and the world in order to survive. In order to analyze pioneer women＇s process of self-growth in the special period, the author of this paper compares and contrasts the specific situation, and analyzes the characteristics of the protagonists in the above two novels. Through analysis, the authuor concludes that pioneer women always create a nurturing and gracious atmosphere in their household. Practically, these women successfully transmit the old civilization to the newly established homestead.
文摘Feminism generally agree that their goals are to expose patriarchal premises and resulting prejudices, to promote discovery and reevaluation of literature by women, and to examine social, cultural, and psychosexual contexts of literature and literary criticism. comparatively speaking; British Feminist criticism emphasizes the women＇s self-awareness, social critical function and prefers traditional realistic techniques. While American feminism approaches focuses on self-expression and feminine identity.
文摘The Awakening was Kate Chopin＇s masterpiece, describing a wealthy businessman＇s wife--Edna＇s confusion, awakening, pursuit, and suffocation of self-awareness in the South of America in the late 19th century. With the method of close reading in new criticism, this paper reinterprets Edna＇s awakening process. Her awakening process is accompanied by the symbolic image of ＂bird＂, representing women＇s situation in the patriarchal society and carrying Edna＇s hope for freedom, love, and self-realization. The application of bird＇s symbolic image reflects Kate Chopin＇s compassion for women in the patriarchal society, making the novel more appealing with its profound humanitarian connotations.
文摘Although T. S. Eliot＇s ＂The Journey of the Magi＂ is a religious poem in the profoundest sense, the title of my paper is intended to give only a sly wink at Trinitarianism. My real object is to explain how Eliot contrived to manufacture a poem which, at fu＇st glance, resembles a dramatic monologue （generally understood as a poem for one voice----that of a historical/fictional/mythological character addressing a silent listener, group of listeners or reader）, yet which is slowly revealed as a lyrical monologue （for the poet＇s own voice） which yet--and this quite intentionally----contains considerably more than mere echoes of another two speakers： namely a Magus and the biblical translator and, most famously, sermon writer Archbishop Launcelot Andrewes （1555-1626） court preacher to James 1 and Charles 1 of England. I wish to show how Eliot, in writing what is ultimately confessional verse, goes out of his way to hoodwink the reader by allowing the first two of his ＂{The} Three Voices of Poetry＂ （1957） to overlap with and then incorporate the third. His own descriptions of these voices are （i） lyric, defined as ＂the poet talking to himself＂, （ii） that of the single speakerwho gives a （dramatic） monologuel ＂addressing an {imaginary} audience in an assumed voice＂ and （iii） that of the verse dramatist ＂who attempts to create a dramatic character speaking in verse when he {i.e. the author} is saying.., only what he can say within the limits of one imaginary character addressing another imaginary character＂ yet adding ＂some bit of himself that the author gives to a character may be the germ from which that character starts＂ （Eliot, 1957, pp. 38, 40）. The basis of my argument is that such an act of＂giving of the self＇ as the raw material for the creation of a dramatic monologue persona as well as a character designed for the stage had been part and parcel of Eliot＇s modus operandi up to and including ＂Prufrock＂ and The Waste Land; further, that in ＂The Journey of the Magi＂ and his later commentary upon it he fmally comes out and admits the fact, and in far clearer a manner than he does when defining the Objective Correlative in his essays on Hamlet. Far from attempting to erase the sense of selfhood from his poetry, I believe that Eliot, consciously or not, ended up by demonstrating to those who worshipped the Romantics and their cult of personality just how difficult it was to express the purely subjective self in poetry.
文摘Fichte＇s various articulations of the Wissenschaftslehre （＂theory of scientific knowledge＂） are self-conscious attempts to systematize Kant＇s critical philosophy. Fichte＇s notion of the pure I （ieh） serves as the theoretical starting-point for his exposition of transcendental idealism, and in many ways this concept is analogous to Kant＇s notion of the transcendental unity of apperception explained in the Critique of Pure Reason. This paper argues that although Fichte and Kant agree on （1） the active nature of the pure I, （2） the distinction between pure and empirical apperception, and （3） skepticism concerning the possibility of theoretical knowledge of any positive （i.e., noumenal） content of the pure I, their respective notions of pure apperception differ in that Kant affirms the conceptual priority of the pure I to its objects while Fichte denies the same. Fichte＇s departure from Kant on this point foreshadows many later recognition theories of consciousness, e.g., those of Hegel and Marx.
文摘The purpose of this study was to examine the impact of macro social factors （states, religion, region, Arab spring, terrorism, unrest （Shoe index）, democracy, corruption （GPI）, Human development （HDI）, low self-control, life stress events （LSE）, youth unemployment, religiosity, feeling （fear and anger）, youth unemployment and total unemployment） on Arab youth＇s radicalization. A sample of 6,730 Arab youth age 15-24 years was selected from Kuwait, UAE, KSA, Oman, Qatar, Bahrain, Jordan, Tunisia, Libya, Morocco, Lebanon, Egypt, Gaza and Palestine and Syrian refuges in Jordan. A questionnaire of 43 items to measure radicalization was developed based on the literature review. A construct validity of the scale was estimated by calculating the correlation between radicalization scale and Low self-control scale and found a positive significant relationship （0.680, a = 0.000）, a sign of validity of the scale. A Reliability of the scale is strong and was estimated by Cronbach＇s alpha and was 0.947. An average of 46.6% of the participants was categorized as radicals with standard deviation of 12. Macro social factors explained 64% of the variance on radicalization. It has a significant impact on radicalization （F = 807.6, a = 0.000）. Each single variable has a significant impact. The analysis revealed three groups of macro determinants of youth radicalization were identified： （1） Geographic factors： state, region, and Arab spring; （2） Social factors： religion, religiously, feelings, LSE and LSC; （3） Human security： unrest, terrorism, democracy, corruption, human development, youth unemployment and employment rate. To alleviate the consequences of radicalization, prevention policies should take in account youth concerns as partners and victims of radicalization. Policies need to focus on radicalization pull and push factors on micro-meso-macro level.
文摘Tess of the d＇ Urbervilles, the greatest novel of British famous writer Thomas Hardy, describes the misfortune and tragedy of a poor peasant girl named Tess, the cause of which has always been the concern of people. This passage will inquire into the cause of her tragedy from a critical point of view of feminism. In this passage, we can know the Tess takes shape from a social developing procession, man-made morality and the male writer. Then this article concludes that the consciousness of the females are given by the society in which they lived and the liberation of the females must be based on the awakening of self-consciousness and the change of moral sense of mortality in society.
