艺术社会学的“艺术界”之维——评卢文超新作《作为互动的艺术:霍华德·贝克尔艺术社会学理论研究》

作为国内艺术社会学领域的重要学者,卢文超将霍华德·贝克尔的“艺术-社会学”引入学界,引发热议。他的新书《作为互动的艺术:霍华德·贝克尔艺术社会学理论研究》则是贝克尔研究的大成之作。该书系统阐述了贝克尔“艺术-社会学”的理论源流与核心要义,并将“艺术界”等重要理论置于宏观的艺术理论层面加以考察,尤其在与“艺术-社会”学的比较中阐明贝克尔理论的特色、价值和不足。卢文超的研究开拓出国内艺术社会学的经验研究维度,对建构艺术社会学的中国话语提供了坚实基础。

Discussion of the importance of the stage art practice in the vocal music teaching

As a special art of the music performances, the vocal music is different from the philosophy and the social sciences, which is reflected not through the theoretical explanation or the theoretical researches, but should reflect the connotation of its own through the form of manifestation of the specific voices. At present, in the vocal music teaching in our country, different teachcrs will carry out the explanation combined with the related theoretical knowledgc and their own experience in the vocal music teaching. In the theoretical teaching, often they will use the related Irainlng methods, and the application of the training methods fully shows the quality of the teaching work, which will often under the influence of the stage art practice. The theoretical teaching is only to impart the theoretical knowledge of the vocal music to the students, but in the aspect of the specific practice, wc will need the support of the stage art practice. In this paper, with the importance of the stage art practice in the vocal music teaching as the research object, based on the analysis of the present situation ofthc vocal music teaching, this paper discusscs the relationship bctween thc stage art practice and the vocal music teaching, and the specific application of the stage practice in the vocal music teaching, and analyzes the importance of the stage art practice in the vocal music teaching, in order to promote the application of the stage art practice in the teaching of the vocal music art, and improve the levels of the vocal music teaching in China.

The Research on Historical Evolution and Inheritance Development of Ansai waist drum in China

This article from the perspective of sports science and sociology to explain the origin and development ofansai waist drum, analyzes the historical evolution of ansai waist drum, analysis of ansai waist drum in problems existing in the process of development, and according to the analysis and the reality put forward the countermeasures of development of ansai waist drum inheritance： transmission of ansai waist drum based on school, and innovation of art form, ＂waist drum troupe＂ building, the establishment of various rules and regulations and the drummer cultivation mechanism and strengthening network, books, magazines and other publicity and performances.

Literary Art as a Vehicle for the Diffusion of Cultural Imperialism in the Nigerian Society： The Example of Chimamanda Adichie＇s Purple Hibiscus

This paper takes a cursory look at the conceptual framework of what cultural imperialism entails with particular study of its socio-political consequences in contemporary Nigerian society, and a closer look at the transportation and importation of western cultural values and the implantation of same in Nigeria thereby almost completely eclipsing the hitherto African cultural conservatism of the Nigerian state. Clear examples of this cultural transplant are given in this work, including but not limited to the use of English language in place of the indigenous languages for communication even when there are no foreigners, smoking of cigarettes, ladies putting on trousers, abortions as a means of birth control, free premarital and extramarital sexual relationships, and homosexuality and gay practices. These which were viewed as an anathema to Nigeria＇s cultural values have supplanted the traditional conservatism of the Nigerian people. This work particularly looks at Chimamanda Adichie＇s Purple Hibiscus and distills classical cases of cultural imperialism. Adichie through the character Eugene, captures cultural imperialism as seen in the life of this vastly brainwashed ＂been-to＂ who is clearly portrayed as an imperial lackey, capitalist, and apologist. Also, the character of Rev. Father Benedict, a Briton, who often found any indigenous songs in St. Agnes Parish was quite offensive. The work also captures cultural imperialism in the ironical contempt with which the catholic devotee, Eugene, treats his own father, Papa Nnukwu, steeped in the traditional African cultural values, and Eugene viewes him as Godlessness. The essay concludes by identifying the cultural crises that cultural imperialism creates in the Nigerian state, and recommends ways of diluting and diffusing the present cultural imperialism as a solution to the myriad of socio-political crises currently experienced by the Nigerian society.

Thinking about the piano art aesthetics

In recent years, with the continuous development of social economy, people＇s spiritual and cultural demand has been further improved The piano art more attention with the development of times, at the same time, the piano art＇s aesthetic value is the more worth people to think. In this paper, the aesthetic value and aesthetic principles of piano art and so on has carried on the brief analysis.

Sense of Science and Technology in Product Design

Sense of science and technology has become the trend of modem design, but the commonly acknowledged sense of science and technology is different from science and technology itself. Starting from machine aesthetics and high-tech style, combined with the changing process of the sense of science and technology, it analyzes the causes and related social factors, style characteristics and manifestations of the sense of science and technology, as well as the inherent relationship of multi-angle analysis technology and the sense of science and technology. It illustrates the social value and defects of artistic expression of the sense of science and technology and reflects on the connection and difference between science and technology on the one hand and the sense of science and technology on the other hand.

The teaching mode to cultivate the innovation of art and design

In recent years, with the development of social and economic ＂globalization＂, in China, the new knowledge economy society has been gradually formed. The old education system, teaching management, and many old teaching methods and concepts are no longer adapted to the social development and needs. The world needs the new comprehensive quality talents. Developing high-quality and useful talents to serve the community is not only needed by both society and market, but also our most urgent and imperative task. As the art and design in colleges which is closely related to the socio-economic development, it is like a barometer of social economy, accurately reflecting the socio-economic dynamics and trends. To break the traditional concept, we must convert the concept of major-targeting to major-adapting, namely the coexisting of innovation education and adaption education, to meet the domestic demand for high-quality and high standards art and design talents to meet the increasing demand for talents.