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论当代电影“文学性”之必要——以周星驰“西游”电影为例
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作者 王柯入 韦强 《湖南工业大学学报(社会科学版)》 2020年第3期96-102,共7页
随着3D等电影科技的普及,当代电影愈加重视特技和视觉特效,而对“文学性”的观照越来越少。以周星驰“西游”电影对比其他“西游”题材作品,可以发现,周星驰“西游”电影的成功离不开其对“文学性”的追求,“文学性”在当代电影中,仍然... 随着3D等电影科技的普及,当代电影愈加重视特技和视觉特效,而对“文学性”的观照越来越少。以周星驰“西游”电影对比其他“西游”题材作品,可以发现,周星驰“西游”电影的成功离不开其对“文学性”的追求,“文学性”在当代电影中,仍然具有不容忽视的意义。周星驰“西游”电影的“文学性”,主要体现在高超的语言艺术与精巧的情节构建上,这两个因素使得周星驰“西游”电影在故事性、喜剧性上达到了同类题材电影难以企及的高度,这也是其票房成功的基础所在。 展开更多
关键词 当代电影 文学性 周星驰 “西游”电影 语言 情节
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接受美学视域下郑保瑞“西游”系列电影研究
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作者 李怡璇 《大舞台》 2020年第4期90-94,共5页
中国电影产业的发展日新月异,荧幕上充溢着各种"二度创作",对于经典影视的翻拍以中国古典名著《西游记》最具人气。香港导演郑保瑞所打造"西游"系列三部曲,不仅改变了郑保瑞电影创作的"作者身份",并且开... 中国电影产业的发展日新月异,荧幕上充溢着各种"二度创作",对于经典影视的翻拍以中国古典名著《西游记》最具人气。香港导演郑保瑞所打造"西游"系列三部曲,不仅改变了郑保瑞电影创作的"作者身份",并且开创了郑保瑞商业大片的喜剧先河,使之成为近些年香港导演"北上"的标杆典范。影片不仅对经典进行了重塑,而且更加突出人性的张力,在夹杂着各种戏剧化的喜剧元素中,契合原著的内在精神,隐喻地体现时代特征。 展开更多
关键词 郑保瑞 接受美学 “西游”电影
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Spain is Different Mass Tourism and Gender Idendities in the Sixties
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作者 Aintzane Rincon 《Journalism and Mass Communication》 2015年第3期119-131,共13页
In Spain, the historical context of the sixties was experienced as a particularly changing one. Gone were the post-war years, and with them the autarchy, poverty and famine, characteristics of that time. After a trans... In Spain, the historical context of the sixties was experienced as a particularly changing one. Gone were the post-war years, and with them the autarchy, poverty and famine, characteristics of that time. After a transitory fifties decade, the country entered a prosperous time, which is known as the develompentism sixties--desarrollismo. The franscoism itself promoted this change. Meanwhile, it became a mandatory to guide the population so the fostered modem life did not imply, among other issues, an abandonment of the traditional gender order. Popular cinema played a key role in that objective. Particularly tourism narratives had direct implications on the renewed way to understand gender identities. In this article we will approach two blockbusters, as representative examples of the mainstream films productions, through which analyse how masculinity and femininity were screened and considered. 展开更多
关键词 mass tourism popular cinema gender identities SEXUALITY
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