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象征与现实的双向“坍塌”——从《冈仁波齐》与《塔洛》看“主位”与“他者”文化视域下的民族文化困境
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作者 侯文煜榕 《文教资料》 2019年第35期197-199,167,共4页
近年来,大量反映藏地风貌与人民生活、叙写藏民故事的影视作品出现在大众视野。其中,两种不同文化视域下的影像呈现具有较强的区分度。这两类作品各具特色与风格,也从“他者”与“主位”两个不同的文化视角共同展现了当下西藏地区民族... 近年来,大量反映藏地风貌与人民生活、叙写藏民故事的影视作品出现在大众视野。其中,两种不同文化视域下的影像呈现具有较强的区分度。这两类作品各具特色与风格,也从“他者”与“主位”两个不同的文化视角共同展现了当下西藏地区民族文化传统发展与沿袭的困境。从这两个不同的文化视角出发,选取的代表性的两部影片是《冈仁波齐》与《塔洛》。解读两部作品,可以从符号象征、叙事线索、镜语体系等方面探讨民族文化困境是怎样在影片中所表现出来的,在双向的“坍塌”中消解传统的“西藏象征”再加以重构。 展开更多
关键词 西藏题材电影 “西藏象征” “普通西藏 民族文化
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A Comparative Architectural Study of the Structural Form between Two Religious Buildings in Brasilia: The Cathedral and the Tibetan Stupa
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作者 Claudia Estrela Porto 《Journal of Civil Engineering and Architecture》 2013年第9期1092-1110,共19页
Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country's religious syncretism. This ... Brasilia, born of the urban plan by Lficio Costa and of the unexpected concrete structural forms designed by Oscar Niemeyer, knew how to adapt to the new forms that came from the country's religious syncretism. This article aims to compare, through religious symbolism, structural forms and architectural spaces, two sacred monuments: The cathedral of Brasilia (1958-1967) and the stupa of the Tibetan Buddhist Center, inaugurated in 2006. The millenary construction form of the stupa, one of the primordial sacred structures for all Buddhism traditions, the sacred symbol of enlightenment, must obey some construction rules according to its lineage's Buddhist tradition. In this way, the stupa is the opposite of a strong and fearless structural form embodied in the cathedral, with its 16 revolution hyperboloid concrete pillars and its subterranean entrance. Although built in concrete both are unusual forms of architecture with distinct spatial conception and sculptural form structures. While respecting religious differences, it is noticeable a real commitment between form and structure, volume and religious symbolism. At the conclusion, it is perceivable how distinct forms--the Cathedral and the Stupa--can respond in analog manners to the necessity of a gathering space where visitors go in search of expressing their faith. Along with them, Buddhism and Catholicism are rooted in Brazil's new capital. 展开更多
关键词 Religious architecture structural form cathedral stupa.
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