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汉景帝阳陵从葬坑思想观念考
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作者 刘晓达 《艺术设计研究》 CSSCI 2017年第1期10-19,共10页
本文对汉景帝阳陵陵园诸从葬坑出土材料进行了研究,并进而认为:位于阳陵封土东侧诸从葬坑内的各类材料和印文,均暗示了服务于皇帝的以宗正、少府为中心的近臣、宦者、侍女群体,旨在让皇帝的灵魂在地下宫殿世界安居。在这些从葬坑内放置... 本文对汉景帝阳陵陵园诸从葬坑出土材料进行了研究,并进而认为:位于阳陵封土东侧诸从葬坑内的各类材料和印文,均暗示了服务于皇帝的以宗正、少府为中心的近臣、宦者、侍女群体,旨在让皇帝的灵魂在地下宫殿世界安居。在这些从葬坑内放置的车马行列则象征着皇帝灵魂借此巡游四边的"情节"。而位于陵园南区的从葬坑出土材料不仅展现了用于护卫皇陵的军队,同时也可能象征着皇帝的灵魂凭借位于帝陵封土东侧的车马,巡行到陵园南区从葬坑所象征的"行宫"。南区从葬坑中对车马行列的表现则可能暗示了在"行宫"内高级军官进行日常巡视、警戒的场景,它们同时也成为阳陵陵园呈现都城长安乃至西汉王国万千气象的一个组成部分。 展开更多
关键词 汉景帝 阳陵从葬坑 “视觉”材料 印文 意义
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Study on Chinese painting freehand brushwork
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作者 Rong Zhuang 《International English Education Research》 2014年第9期17-20,共4页
In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with plural... In art of the canvas, the brush stroke in Chinese painting and calligraphy is one of the important behavior means of the canvas, have independent aesthetic value at the same time, contemporary, one that is with pluralism, varied painting idea and painting skill and technique of art is great and abundant, traditional in the canvas works " The brush stroke in Chinese painting and calligraphy " Already not merely can be spoken to the limit by the simple scribbling and wiping of pen, and Chinese comfortable brush stroke in Chinese painting and calligraphy, technique of writing incorporate visual language and spiritual intension created that can enrich the picture greatly in the canvas is created. This text attempts to canvass the canvas and create the feasibility that incorporated into comfortable brush stroke in Chinese painting and calligraphy and expansionary from two respect factors of cultural idea and skill and technique and tool material. 展开更多
关键词 Chinese canvas FREEHAND BRUSHWORK
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