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“视觉化文本”与文本“视觉化”的相互阐发与遮蔽 被引量:5
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作者 汪岚 《编辑之友》 CSSCI 北大核心 2022年第8期76-84,共9页
当代“视觉转向”不仅让文本形式呈现多媒介“间性”交叉存在,也为“文本”的“观看”内容和“观照”方式带来了颠覆性的变革,最突出的是“视觉化文本”和文本“视觉化”的出现。两者既是“视觉转向”的产物,也为这种“转向”赋予了新... 当代“视觉转向”不仅让文本形式呈现多媒介“间性”交叉存在,也为“文本”的“观看”内容和“观照”方式带来了颠覆性的变革,最突出的是“视觉化文本”和文本“视觉化”的出现。两者既是“视觉转向”的产物,也为这种“转向”赋予了新的意义和价值。文章对当代“视觉转向”下的新型文化文本“视觉化文本”与文本“视觉化”审美范式进行概念性归纳总结,并建构两者间的互动生成模式,从而对“视觉化文本”和文本“视觉化”之间的阐发与遮蔽关系进行研究分析。 展开更多
关键词 视觉转向 视觉 “视觉化文本” 文本“视觉
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Proust Between Print Culture and Visual Art: Eve Kosofsky Sedgwick's "Works in Fiber, Paper and Proust"
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作者 Adam Watt 《Fudan Journal of the Humanities and Social Sciences》 2015年第2期179-191,共13页
Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes t... Marcel Proust is an author of global significance and renown. Trans- lations into Chinese and Korean of A la recherche du temps perdu are ongoing. The Gallica online library of France's Bibliothbque nationale makes the notebooks from which Proust's novel emerged between 1908 and 1922 digitally accessible any- where in the world. It is well known that Proust has been adapted to graphic novel format, individual volumes of his novel have been adapted for cinema, inspired ballet and musical theatre and his characters' lives have fuelled works of fiction by contemporary creative writers. This paper considers a very recent instance of Proust's reception and adaptation: "Works in Fiber, Paper and Proust" created by the critic and theorist Eve Kosofsky Sedgwick (1950-2009) and first exhibited at Harvard University in 2005. These remarkable objects--including what Sedgwick calls an "accordion-book" and a "loom-book"--give a woven, layered physicality to Proust's words and remobilise them in ways that force us to reconfigure our understanding of the text-reader relation. Sedgwick's visual, textile artworks are the products of creative, adaptive practices undertaken as a sort of therapy that was instrumental in her coming to terms with the terminal cancer diagnosis she received in 1996. My paper explores Sedgwick's adaptive practice and interrogates the in- sights their challenging hybridity offers us into the ongoing transmission of Proust's work. 展开更多
关键词 PROUST Eve Sedgwick A la recherche du temps perdu "Works inFiber Paper and Proust" ADAPTATION
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