Cell-phone short messages in English possess special styles. Some are in a literary style, and others in a non-literary one. In the present paper, the stylistic features of English short messages are illustrated by ap...Cell-phone short messages in English possess special styles. Some are in a literary style, and others in a non-literary one. In the present paper, the stylistic features of English short messages are illustrated by applying the stylistic theory and employing the ＂Model of Analyzing Textual Function＂. The features of the two styles of messages are described and analyzed from the perspectives of their pronunciation, graphology, vocabulary, grammar, discourse, rhetoric, etc., and the stylistic features serve as the basis for discussing the translation principles and methods of English short messages.展开更多
This article focuses on two English translations of Ji Yun＇s 纪昀 eigh- teenth-century collection of ＂stories of the strange,＂ Random Jottings at the Cottage of Close Scrutiny （Yuewei caotang biji 阅微草堂笔记）. ...This article focuses on two English translations of Ji Yun＇s 纪昀 eigh- teenth-century collection of ＂stories of the strange,＂ Random Jottings at the Cottage of Close Scrutiny （Yuewei caotang biji 阅微草堂笔记）. The translation done by Leo Tak-hung Chan is set within the context of his 1998 sinological monograph, while David Pollard＇s recent translation, published in 2014, stands as an edited volume of translation oriented toward the general reader. Referring to textual and paratextual elements in these two translations, I hope to show how the ＂setting＂ of a translation modulates its tone and message, which in turn unfolds with the selection, style and overall structure of the translation. I also draw from an actual dialog between Leo Chan and David Pollard, which evolves around the various aspects in translating Ji Yun＇s work and the more general issues in sinology and translating Chinese literature. The dialog between the two translators of Ji Yun further illustrates the translators＇ approaches to the original text, their mediating efforts toward crosscultural readability and literary felicity and specifically, how the state of mind of a translator might come into play with the ＂flavor＂ of a translation.展开更多
文摘Cell-phone short messages in English possess special styles. Some are in a literary style, and others in a non-literary one. In the present paper, the stylistic features of English short messages are illustrated by applying the stylistic theory and employing the ＂Model of Analyzing Textual Function＂. The features of the two styles of messages are described and analyzed from the perspectives of their pronunciation, graphology, vocabulary, grammar, discourse, rhetoric, etc., and the stylistic features serve as the basis for discussing the translation principles and methods of English short messages.
文摘This article focuses on two English translations of Ji Yun＇s 纪昀 eigh- teenth-century collection of ＂stories of the strange,＂ Random Jottings at the Cottage of Close Scrutiny （Yuewei caotang biji 阅微草堂笔记）. The translation done by Leo Tak-hung Chan is set within the context of his 1998 sinological monograph, while David Pollard＇s recent translation, published in 2014, stands as an edited volume of translation oriented toward the general reader. Referring to textual and paratextual elements in these two translations, I hope to show how the ＂setting＂ of a translation modulates its tone and message, which in turn unfolds with the selection, style and overall structure of the translation. I also draw from an actual dialog between Leo Chan and David Pollard, which evolves around the various aspects in translating Ji Yun＇s work and the more general issues in sinology and translating Chinese literature. The dialog between the two translators of Ji Yun further illustrates the translators＇ approaches to the original text, their mediating efforts toward crosscultural readability and literary felicity and specifically, how the state of mind of a translator might come into play with the ＂flavor＂ of a translation.
