WANG Fu-chih is a well-established philosopher and a language master. This paper studies his language view through analyzing his poetic views and his views on the relationship between Name and Reality.
This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli＇s Imprese of 1586. Camillo Camilli （ca. 1560-1615--his exact birth date is unknown） was an Italian poet of the sixteent...This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli＇s Imprese of 1586. Camillo Camilli （ca. 1560-1615--his exact birth date is unknown） was an Italian poet of the sixteenth-century. His family came from Monte San Savino, Siena, and records mention that he died on July 13, 1615, in Ragusa. While personal documentation on Camilli＇s life is scarce there are substantial sources about his literary career as a translator, compiler and poet. Camilli wrote extensively. There are the five canti on Erminia e Tancredi which were collated with Tarquo Tasso＇s （1544-1595） unfinished poems, and his commentaries for Ludovico Ariosto＇s Orlando Furioso in 1584 and for Tasso＇s Gerusalemme Liberata in 1585. Under the influence of Tasso＇s writings and his involvement in the commentary of Gerusalemme Liberata （1585）, Camilli started formulating his concetto （conceit） of what an impresa is （badge, device or insignia）. The focus of this essay is on Camilli＇s Imprese for the Academies. The whole collection of the lmprese consists of three volumes. The frontispiece to each volume depicts three different stage settings filled with classical ornamentation and bearing in the center of the lintel the impresa or insignia of Francesco Ziletti＇s printing company--a starfish surrounded by stars and bound by a ribbon. Camilli selected this image to announce through the imprese the significance of these famous men （uominifamosi） of the academy, granting them immortality and honor for their cultural and intellectual accomplishments.展开更多
The author found the text and poem writing had not always been correspondent to his personal experience through observation and reading. The poets really meant that their own poems could not express his suffering when...The author found the text and poem writing had not always been correspondent to his personal experience through observation and reading. The poets really meant that their own poems could not express his suffering when he said he had been afraid that he could not match his suffering. People often think the rich experieuce is the key to the depth of writing, but the truth is not like that. The author concluded that the content of poem shall keep certain gap with the ethic meaning through research on the experience and writing of the great poets and give an ontological questioning and then he can embody common humanity and emotion without blank teaching. A poet shall be in face of the difficulty of writing and learn to handle with the challenge of difficulty, and then the difficulty can be transferred into skill of writing,展开更多
The love song of J. Alfred Prufrock is known as the first masterpiece of modernism poetry. Its protagonist Prufrock is not a concrete single person, but an abstraction of all modem men in trouble. He is alienated by w...The love song of J. Alfred Prufrock is known as the first masterpiece of modernism poetry. Its protagonist Prufrock is not a concrete single person, but an abstraction of all modem men in trouble. He is alienated by women, time and space, and hence he is paralyzed and helpless. The use of dramatic monologue and stream of consciousness, quotation and allusions, objective correlative and startling imagery, irony and anti-climax, refrain and rhythm, fragmentation and juxtaposition not only deepens the theme, but also establishes Eliot＇s reputation as a leading modernist poet.展开更多
Starting from the observation of a greater religious pluralism of the Brazilian society, we ask ourselves, in the f＇trst instance, if it is a movement does not present itself as a paradigmatic change. That is, if as ...Starting from the observation of a greater religious pluralism of the Brazilian society, we ask ourselves, in the f＇trst instance, if it is a movement does not present itself as a paradigmatic change. That is, if as beliefs underlying social relations in a binary world of identity exclusions would not be in a process of weakening, allowing us to perceive new ways of latent arrangements. In a second instance, after recognizing that plurality requires recognition of the freedoms of belief and expression, we question the limits of such freedom point to a cosmopolitan ethics. For that matter, we take as reference in the non-religions in the Brazilian urban peripheries.展开更多
文摘WANG Fu-chih is a well-established philosopher and a language master. This paper studies his language view through analyzing his poetic views and his views on the relationship between Name and Reality.
文摘This study examines the humanistic influence of ancient and Renaissance art in Camillo Camilli＇s Imprese of 1586. Camillo Camilli （ca. 1560-1615--his exact birth date is unknown） was an Italian poet of the sixteenth-century. His family came from Monte San Savino, Siena, and records mention that he died on July 13, 1615, in Ragusa. While personal documentation on Camilli＇s life is scarce there are substantial sources about his literary career as a translator, compiler and poet. Camilli wrote extensively. There are the five canti on Erminia e Tancredi which were collated with Tarquo Tasso＇s （1544-1595） unfinished poems, and his commentaries for Ludovico Ariosto＇s Orlando Furioso in 1584 and for Tasso＇s Gerusalemme Liberata in 1585. Under the influence of Tasso＇s writings and his involvement in the commentary of Gerusalemme Liberata （1585）, Camilli started formulating his concetto （conceit） of what an impresa is （badge, device or insignia）. The focus of this essay is on Camilli＇s Imprese for the Academies. The whole collection of the lmprese consists of three volumes. The frontispiece to each volume depicts three different stage settings filled with classical ornamentation and bearing in the center of the lintel the impresa or insignia of Francesco Ziletti＇s printing company--a starfish surrounded by stars and bound by a ribbon. Camilli selected this image to announce through the imprese the significance of these famous men （uominifamosi） of the academy, granting them immortality and honor for their cultural and intellectual accomplishments.
文摘The author found the text and poem writing had not always been correspondent to his personal experience through observation and reading. The poets really meant that their own poems could not express his suffering when he said he had been afraid that he could not match his suffering. People often think the rich experieuce is the key to the depth of writing, but the truth is not like that. The author concluded that the content of poem shall keep certain gap with the ethic meaning through research on the experience and writing of the great poets and give an ontological questioning and then he can embody common humanity and emotion without blank teaching. A poet shall be in face of the difficulty of writing and learn to handle with the challenge of difficulty, and then the difficulty can be transferred into skill of writing,
文摘The love song of J. Alfred Prufrock is known as the first masterpiece of modernism poetry. Its protagonist Prufrock is not a concrete single person, but an abstraction of all modem men in trouble. He is alienated by women, time and space, and hence he is paralyzed and helpless. The use of dramatic monologue and stream of consciousness, quotation and allusions, objective correlative and startling imagery, irony and anti-climax, refrain and rhythm, fragmentation and juxtaposition not only deepens the theme, but also establishes Eliot＇s reputation as a leading modernist poet.
文摘Starting from the observation of a greater religious pluralism of the Brazilian society, we ask ourselves, in the f＇trst instance, if it is a movement does not present itself as a paradigmatic change. That is, if as beliefs underlying social relations in a binary world of identity exclusions would not be in a process of weakening, allowing us to perceive new ways of latent arrangements. In a second instance, after recognizing that plurality requires recognition of the freedoms of belief and expression, we question the limits of such freedom point to a cosmopolitan ethics. For that matter, we take as reference in the non-religions in the Brazilian urban peripheries.
