The purpose of the paper civilization is to provide a is to show violence as the integral property of any live being. One of the aims of controlled portion of violence to the community members. If the portions are too...The purpose of the paper civilization is to provide a is to show violence as the integral property of any live being. One of the aims of controlled portion of violence to the community members. If the portions are too small then uncontrolled violence appears in different forms of criminality and self-destruction. In countries without virtual violence the terrorism and ＂suicide＂ bombers are born. For the male the aim of violence is a feeling of victory. In the nature only the winner has the right to reproduction. In a civilized society each male has the right to reproduction and the necessity to feel himself as a winner. Survival means right for reproduction. Civilization has turned the bite between men into a kiss between men （men winner） and women （men defeated）, the kick between men--into a caress between men （men winner） and women （men defeated） and, finally, the violence between men into love/eros between men （men winner） and women （men vanquished） and violence between men into homosexuality/eros between men winner and men vanquished. In the civilization, the male is winner and the female simulates the defeated male, homo or animals. We can define eros as a substitute of violence in civilization like the metamorphose of violence.展开更多
In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem C...In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem China, in which the existence dimension in Marxist concept of practice was of great significance to breaking the theoretical limitation of present Practice Aesthetics. Therefore, in terms of the distinctive context of Chinese contemporary aesthetics, the introduction of Practice Ontology Aesthetics from the theoretical perspective of Marxist existentialism offers a possible way to break the current aesthetics and represents a multiple academic pursuit of Marxist, Chinese and modem aesthetics.展开更多
文摘The purpose of the paper civilization is to provide a is to show violence as the integral property of any live being. One of the aims of controlled portion of violence to the community members. If the portions are too small then uncontrolled violence appears in different forms of criminality and self-destruction. In countries without virtual violence the terrorism and ＂suicide＂ bombers are born. For the male the aim of violence is a feeling of victory. In the nature only the winner has the right to reproduction. In a civilized society each male has the right to reproduction and the necessity to feel himself as a winner. Survival means right for reproduction. Civilization has turned the bite between men into a kiss between men （men winner） and women （men defeated）, the kick between men--into a caress between men （men winner） and women （men defeated） and, finally, the violence between men into love/eros between men （men winner） and women （men vanquished） and violence between men into homosexuality/eros between men winner and men vanquished. In the civilization, the male is winner and the female simulates the defeated male, homo or animals. We can define eros as a substitute of violence in civilization like the metamorphose of violence.
文摘In recent years, Practice Ontology Aesthetics takes shape in academic discussion and argument. The introduction of Practice Ontology Aesthetics occurred in the course of introspection of Practice Aesthetics in modem China, in which the existence dimension in Marxist concept of practice was of great significance to breaking the theoretical limitation of present Practice Aesthetics. Therefore, in terms of the distinctive context of Chinese contemporary aesthetics, the introduction of Practice Ontology Aesthetics from the theoretical perspective of Marxist existentialism offers a possible way to break the current aesthetics and represents a multiple academic pursuit of Marxist, Chinese and modem aesthetics.
