期刊文献+
共找到2篇文章
< 1 >
每页显示 20 50 100
“跨民族主义”:当代中国电影的“地方”建构 被引量:6
1
作者 周安华 《民族艺术研究》 CSSCI 2022年第5期13-18,共6页
面对数字化、“互联网+”的科技传播时代,中国电影的中华“民族性”、各民族电影的审美间性需要学界认真审视。中国电影的“地方”建构有赖于地缘文化的支撑、“地方”人文的共情创造,决胜于植根中华沃土的深厚蕴含生成,它实际上是一种... 面对数字化、“互联网+”的科技传播时代,中国电影的中华“民族性”、各民族电影的审美间性需要学界认真审视。中国电影的“地方”建构有赖于地缘文化的支撑、“地方”人文的共情创造,决胜于植根中华沃土的深厚蕴含生成,它实际上是一种“跨民族主义电影”,寻求的是多文化、多中心的关联性以及跨地缘空间的共同文化身份的生产。因为当代科技力量不断改变着地域空间的阻隔状况,“跨民族主义”作为非限制的、流动更替的镜像,在知识广谱化的情况下更有利于知识化人。“跨民族主义电影”——民族电影新阶段之体察:其共存的基因图谱,是民族精神重要的询唤力量;其所进行的普遍情感表达与人性揭示,能赢得跨地跨国的观众共鸣。当代少数民族题材电影以其生动而丰沛的“原型”意蕴、挥之不去的“英雄情结”和“本真”的生命真实映现,呼唤植根于民族传统的真善美,在一种政治理性之外,凸显了东方文艺美学的自觉,这正是其重要价值所在。 展开更多
关键词 “跨民族主义” 中国电影 “地方”建构 基因图谱
下载PDF
Linguistic Diversity in Trans-cultural Communication
2
作者 Xiaoquan Chu 《Fudan Journal of the Humanities and Social Sciences》 2014年第4期525-536,共12页
The transcultural communication that characterizes our times needs to be carried out in a few commonly shared languages and this requirement has sharpened the awareness about uneven language status. While defenders of... The transcultural communication that characterizes our times needs to be carried out in a few commonly shared languages and this requirement has sharpened the awareness about uneven language status. While defenders of minor languages frequently make use of such concepts as ecosystem, human rights, capital, power, imperialism, etc. To express alarm at the spread of the English language in the present world, researchers tend to forget that these concepts applied to languages are only metaphors which, taken at their face value, would conceal the non- exclusive nature of language as a communicative instrument. A question is raised as to whether we should go beyond an essentially nationalist perception of language inherited from the nineteenth century. 展开更多
关键词 Minority language - Nationalism COMMUNICATION Symbolic capital
原文传递
上一页 1 下一页 到第
使用帮助 返回顶部