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“清楚变化了的音乐创造”——瓦格纳的“音乐戏剧”构想 被引量:8
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作者 刘经树 《星海音乐学院学报》 CSSCI 2012年第1期91-98,共8页
瓦格纳自己从未用"音乐戏剧"来称呼他的作品,他的这种构想因而长期以来被误解。文章通过梳理瓦格纳自19世纪50年代以来的理论思考轨迹,论述他逐步形成的舞台作品理论:扬弃早期独立音乐(前古典、维也纳古典早期的器乐曲)"... 瓦格纳自己从未用"音乐戏剧"来称呼他的作品,他的这种构想因而长期以来被误解。文章通过梳理瓦格纳自19世纪50年代以来的理论思考轨迹,论述他逐步形成的舞台作品理论:扬弃早期独立音乐(前古典、维也纳古典早期的器乐曲)"缺损的"模式,创造出包含万千意蕴的交响乐。自贝多芬《第三"英雄"交响曲》让音乐以自己的语言"开口说话"以来,瓦格纳《指环》四部剧及其它主要作品成为西方古典、浪漫时期独立音乐的丰碑。 展开更多
关键词 “音乐戏剧” 独立音乐观念 《歌剧与戏剧 “清楚变化了的音乐创造” “诗行旋律与管弦乐旋律” “主导动机” 戏剧的对白形式 “冥想着的沉默”
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Chemistry, Theater, Information and Communications Technology
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作者 Maria de los Angeles Montiel Montoya Celia Sanchez Mendoza Graciela Martinez de Jesus 《Journal of Chemistry and Chemical Engineering》 2015年第3期221-226,共6页
Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduce... Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduces the use of ICT (information and communications technology), such as Faeebook, Moodle platform, Web sites, E-mail, Word, Publisher, PowerPoint, Videos and Digital music. Results in the conduct of the students that participated: assertiveness, self-esteem, tolerance, cooperation, responsibility and teamwork, all of them significantly contributed a meaningful learning about the polymers. 展开更多
关键词 THEATER ICT POLYMER meaningful learning.
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A Great Citizen Is Still "Under-Construction": The Conflicting Self-Identity in Sayonara 1945
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作者 LEE Shin-yi CHEN Jui-sung 《Journal of Literature and Art Studies》 2014年第10期840-847,共8页
Sayonara 1945, performed by Golden Bough Theatre in 2010 in Taipei, was claimed to be a "Heart Taiwan Magical Musical". This "Heart Taiwan Magical Musical" is actually an adaptation ofTaiwan Residents Opela, a ref... Sayonara 1945, performed by Golden Bough Theatre in 2010 in Taipei, was claimed to be a "Heart Taiwan Magical Musical". This "Heart Taiwan Magical Musical" is actually an adaptation ofTaiwan Residents Opela, a reformed and adapted style of Taiwan Residents local opera (gezaixi), which has been strongly influenced by Japanese Colonization. Sayanara 1945 fictionalizes a troop of Taiwan Residents youths who join the Imperial Army being lied and cheated to dig gold for the Japanese Emperor after the war is over. This play gives a conflicting scenario of being Taiwan Residents in 1945, while everything that defined Taiwan Residents suddenly turned out to be treason to the country. By adapting the form of Opela, the play structurally presents a society where diverse and plural cultural elements counteract each other in Taiwan. Furthermore, as the title suggests, the play says Sayonara ("Goodbye" in Japanese) to 1945, yet the confusion and conflict generated in 1945 still haunt Taiwan Residents society. In other words, the play responds to an on-going self-conflict of being Taiwan Residents that still continues even after the war and unto the present symbolically. Presented in the year before "the Republic of China" celebrated her hundredth birthday, this play portrays the anxiety about who the Taiwan Residents really are over the island, just like in the summer of 1945 when everything was also uncertain and confusing. This paper intends to discuss, by adopting the form and techniques of Opela, how this reformed Opela speaks for Taiwan Residents local arts and culture, and how the Taiwan Residents identity is framed and shaped ever since the colonization era. 展开更多
关键词 Opela Sayonara 1945 Golden Bough Theatre Taiwan Residents opera Taiwan Residents identity Japanesecolonization Japanization movement
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Creative Thought and the First Performers of Tchaikovsky Opera "Evgeny Onegin"
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作者 Yang Yong 《International Journal of Technology Management》 2013年第11期101-102,共2页
The opera is one of the music peaks of realism in the world opera literatures.It is full of sincere feelings and its characters have the real and vivid personality. Tchaikovsky choosing Pushkin' s "Onegin" as the o... The opera is one of the music peaks of realism in the world opera literatures.It is full of sincere feelings and its characters have the real and vivid personality. Tchaikovsky choosing Pushkin' s "Onegin" as the opera theme is because he wants to get rid of the things of flashy without substance and he needs poetic, humanistic and simple subjects. 展开更多
关键词 TCHAIKOVSKY opera "Onegin"
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