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传统中国“风俗”论说与当代多元文化主义 被引量:1
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作者 孔新峰 《北大政治学评论》 2018年第1期144-176,共33页
鉴于世变,英美多元文化主义理论呈现更为强调国家民族认同的趋向,对多元文化主义中国适用性的研究近来也所在多有。遗憾的是,曾在衍生与巩固多元一体关系方面经验良多、作为文明连续统一的中国,在有关讨论中处于某种缺位状态,或被作为... 鉴于世变,英美多元文化主义理论呈现更为强调国家民族认同的趋向,对多元文化主义中国适用性的研究近来也所在多有。遗憾的是,曾在衍生与巩固多元一体关系方面经验良多、作为文明连续统一的中国,在有关讨论中处于某种缺位状态,或被作为运用西方多元文化主义政策模式解读的对象,或因狭隘强调'(现代)国家'与'(传统)帝国'扞格不入而被视为'前殖民时期等级制'予以隔离批判。传统中国'风俗'论说可为当下多元文化主义论辩提供镜鉴。两汉处中国政治大变局,是形塑中华民族持久统一性的关键时刻,'风俗'论说在帝国整合性工程中具突出作用,具有'寓封建之意于郡县之中'的政治视野与开展技术,当下似应'寓多元文化之义于国家构建之中'。 展开更多
关键词 多元文化主义 “风俗” 帝国 “封建” 国家
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十七年文学与“风俗化”叙事伦理——以萧也牧《我们夫妇之间》为个案的考察 被引量:2
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作者 周保欣 《淮阴师范学院学报(哲学社会科学版)》 2009年第3期354-360,共7页
"十七年"时期,受主流意识形态和时代审美风尚等的综合影响,文学领域形成许多叙事伦理的"风俗化"现象。与显性的主流意识形态以文艺政策、领导权等形式形成的规范性影响不同,"风俗化"叙事伦理是以隐性的... "十七年"时期,受主流意识形态和时代审美风尚等的综合影响,文学领域形成许多叙事伦理的"风俗化"现象。与显性的主流意识形态以文艺政策、领导权等形式形成的规范性影响不同,"风俗化"叙事伦理是以隐性的潜规则形式影响文学的书写与发展的。作为共和国文坛第一个公案,《我们夫妇之间》的被批颇具代表性,小说的知识分子道德叙事非正当性、日常生活的非"斗争"伦理,和在"城市"与"乡土"对比书写中作家对"乡土"道德优越性的漠视,是其获罪的根源。"风俗化"叙事伦理对文学的影响是潜隐的,往往显得更深刻。从"风俗化"叙事伦理对文学的影响和形塑中,可以看到当代文学史结构性转换的某些基本脉络。 展开更多
关键词 十七年文学 “风俗化”叙事伦理 《我们夫妇之间》
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大数据时代的民艺教育改革——“风俗调查”的启示与当代创新
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作者 谢天开 《四川省干部函授学院学报》 2015年第2期107-111,共5页
本文从现代民艺史、民艺的文化资源共享、民艺的高校教育改革三个维度,回顾借鉴现代民艺的典例经验启示,放眼于大数据时代,分别论述了民艺的综合能力训练、民艺的慕课和民艺的文化产业应用三个方面的问题,以期探索当代高校民间艺术教育... 本文从现代民艺史、民艺的文化资源共享、民艺的高校教育改革三个维度,回顾借鉴现代民艺的典例经验启示,放眼于大数据时代,分别论述了民艺的综合能力训练、民艺的慕课和民艺的文化产业应用三个方面的问题,以期探索当代高校民间艺术教育改革新路径。 展开更多
关键词 “风俗调查” 大数据 民艺教育 改革路径
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《风俗通义》通假现象研究
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作者 孟心 王玲娟 《南阳师范学院学报》 CAS 2011年第8期53-56,共4页
文章从音同音近角度切入力图探究《风俗通义》通假字的语音关系,笔者通过梳理、查证、认定等大量考据工作,最后从训诂角度认定了全书59个音同音近借用通假字,同时进行了声韵皆同、声同韵近、声近韵同和声韵皆近四个大类的分析,从而全面... 文章从音同音近角度切入力图探究《风俗通义》通假字的语音关系,笔者通过梳理、查证、认定等大量考据工作,最后从训诂角度认定了全书59个音同音近借用通假字,同时进行了声韵皆同、声同韵近、声近韵同和声韵皆近四个大类的分析,从而全面展示《风俗通义》的通假面貌。 展开更多
关键词 风俗通义》 通假现象 音近音同借用
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战国秦汉基层官吏的《日书》利用及其认识 被引量:6
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作者 琴载元 《史学集刊》 CSSCI 北大核心 2013年第6期117-124,共8页
以往学者对战国秦汉基层官吏利用《日书》的方式和目的提出了各种意见,其中最核心的观点是"移风易俗"说和"助政"说。两说皆存在一定的问题。"移风易俗"说意味着当时官吏把《日书》的内容视为"恶俗&q... 以往学者对战国秦汉基层官吏利用《日书》的方式和目的提出了各种意见,其中最核心的观点是"移风易俗"说和"助政"说。两说皆存在一定的问题。"移风易俗"说意味着当时官吏把《日书》的内容视为"恶俗",或者下层文化;"助政"说意味着当时官吏拥有较高的判断能力。笔者认为,这都并非战国秦汉基层官吏的普遍认识。战国秦汉的基层官吏与一般百姓一样,相信数术知识,并在生活方面积极地利用《日书》。 展开更多
关键词 日书 数术 “移风易俗” “略以助政”
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Influence of Huizhou Culture on Plant Landscapes in Huizhou-style Gardens
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作者 余汇芸 温琦 《Journal of Landscape Research》 2010年第3期71-73,77,共4页
Huizhou-style gardens have been greatly influenced by Huizhou culture, their plant landscapes have also been integrated with various aspects of Huizhou culture, which demonstrated the ideology, historical and cultural... Huizhou-style gardens have been greatly influenced by Huizhou culture, their plant landscapes have also been integrated with various aspects of Huizhou culture, which demonstrated the ideology, historical and cultural connotation of the society in an abstract and impalpable way. In this study, Huizhou-style miniature landscapes, plants of virtual implications, flowers or fruit trees of special connotations are taken for examples to analyze the influence of Xin’an Neo-Confucianism on plant landscapes in Huizhou-style gardens, the demonstration of Huizhou businessmen’s aesthetic tastes, as well as folk cultures of Huizhou, which implies that plant landscapes in Huizhou-style gardens are those incorporating with humanistic spirits, ornamental and practical uses. This study aims to provide references for further researches in the present situation of ancient Huizhou areas, protection of ancient Huizhou-style gardens and construction of new-style Huizhou gardens. 展开更多
关键词 Huizhou culture Plant landscapes Xi’an Neo-Confucianism Aesthetic tastes of Huizhou businessmen Folk customs
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Study on the Kind and Character of Mongol Hats in Yuan Dynasty
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作者 贾玺增 《Journal of Donghua University(English Edition)》 EI CAS 2007年第3期427-430,共4页
In the thirteenth century the Mongols created a vast, transcontinental empire that intensified cultural, art, craftwork, garment and commercial contact throughout Eurasia. Hats were so indispensable parts of formal Mo... In the thirteenth century the Mongols created a vast, transcontinental empire that intensified cultural, art, craftwork, garment and commercial contact throughout Eurasia. Hats were so indispensable parts of formal Mongol dress that were seen as a symbol of Mongol traditional garment. Roughly Mongolian men's headgear can be divided into two groups, which are Li and Mao. In addition, Mongolian women's Gu-gu-gwan, a kind of bonnet, was the head-dress for the empress, concubines of the emperor, and wife of high ranking ministers. This study, based on the analysis of image resources and existing evidence, discusses the hats of Yuan period in the context of its group, origin, decoration and cultural influences. 展开更多
关键词 Mongol hats ORNAMENTS Yuan Dynasty Nasji Gwgu-gwan
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Study on the Folk Costume Symbolization in Waterside Villages of Southern Yangtze in China
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作者 崔荣荣 陶辉 沈琳琳 《Journal of Donghua University(English Edition)》 EI CAS 2007年第3期391-395,共5页
The folk costume in waterside villages of Southern Yangtze in China was notonly daily consumer goods, but also a symbol system of folk-custom culture. This symbol system was directly conveyed by a series medley shape ... The folk costume in waterside villages of Southern Yangtze in China was notonly daily consumer goods, but also a symbol system of folk-custom culture. This symbol system was directly conveyed by a series medley shape signs, many-faceted color signs and decorated craft signs of pleated skirt. Its origination, accumulation, continual process and development were greatly associated with the life style and paddy culture of waterside villages, such as the folk religion, social life, artistic philosophy, regional culture, the landform of waterside villages and the humanity environment. So the folk costume was the significant sign of practical function and also the significative sign of folk traditional culture, both of which composed the costume cultural symbol system of waterside villages of Southern Yangtze called " integration of aesthetic and practical function". 展开更多
关键词 waterside villages of Southern Yangtze folkcostune symbol system integration of aesthetic andpractical function
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Collar of Lady's Wear in Qing Dynasty
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作者 李晓君 《Journal of Donghua University(English Edition)》 EI CAS 2007年第3期396-399,共4页
The research is started with a query that whether the width of collar in Qing Dynasty is too small. The paper bases on the statistics which come from the collection of the Costume Museum of Denghua University. compare... The research is started with a query that whether the width of collar in Qing Dynasty is too small. The paper bases on the statistics which come from the collection of the Costume Museum of Denghua University. compares the results with the national standard specification, then analyzes the structure and shape of collars in Qing Dynasty, and tells the relationship between collar and the garment. Furthermore, the paper discusses the function of lady's collar in Qing Dynasty and gives a suggestion that collar being an indicator to distinguish women's wear from children's wear. 展开更多
关键词 filing Dynasty COLLAR COSTUME lady's wear
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Historicity of Texts and Textuality of History On The Virginian From the Perspective of New Historicism
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作者 LIU Jie-xiu 《Journal of Literature and Art Studies》 2014年第4期259-263,共5页
The Virginian: A Horseman of the Plains (1902) has been considered as one of the masterpieces of American western novels for its successful depiction of cowboys and local customs, which earns Owen Wister the Father... The Virginian: A Horseman of the Plains (1902) has been considered as one of the masterpieces of American western novels for its successful depiction of cowboys and local customs, which earns Owen Wister the Father of Western fiction. The paper aims to reveal the relationship between The Virginian and its historical context by applying the doctrines of New Historicism: historicity of texts and textuality of history. By historicity of texts, it points out that the work is the emblem of disappearance of western frontier, and it symbolizes the union of the Wild West and the civilized east. By textuality of history, it detects the change of social class, the development of livestock industry and railway, and their influence on the work at the later part of 19th century. 展开更多
关键词 The Virginian new historicism TEXT HISTORY
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Research on aesthetic charm of Qiang folk songs
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作者 Weizhong Lu 《International Journal of Technology Management》 2013年第9期16-18,共3页
Qiang folk songs are a form of expression of the ancient oral literature and mass creation, regardless of folk songs, work songs, custom songs, worship songs, etc., They mostly reflect the dominated public opinion of ... Qiang folk songs are a form of expression of the ancient oral literature and mass creation, regardless of folk songs, work songs, custom songs, worship songs, etc., They mostly reflect the dominated public opinion of Qiang people from different historical periods and cultural life. Qiang folk songs are born with a strong national consciousness, national temperament and color. Through social and cultural changes, Qiang folk song forms its unique aesthetics in the language, form, emotion, mood and other aspects. Understanding and analyzing the aesthetic charm of Qiang folk songs helps to strengthen the Qiang heritage and intangible cultural heritage protection, and benefit rich folk culture of Chinese Qiang cognition. 展开更多
关键词 Qiang folk songs aesthetic charm
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Explaining the Rule of Translation Based on the Cross-cultural Thinking
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作者 LIU Saisai 《International English Education Research》 2016年第1期44-46,共3页
The emphasis of translation is faithfulness, expressiveness and elegance, which is based on understanding of the two kinds of ethnic cultural background achieved. Language as a product of society, as the crystallizati... The emphasis of translation is faithfulness, expressiveness and elegance, which is based on understanding of the two kinds of ethnic cultural background achieved. Language as a product of society, as the crystallization of human history and culture, which is the combination of all the characteristics of the entire nation's social consciousness, customs, history and culture of human society. In this paper, starting from the Central American countries of different cultural perspectives, pointed out that cultural issues should be noted that in the process of translation. In terms of history, geography, traditional thinking, cognitive systems, text analysis of the causes of the Sino-US cultural differences. Translation and culture has a secret, regardless of the contact. Cultural commonalities translation becomes possible, but the personality of their language and culture gave an obstacle translation activities. Due to differences in national history, social system, habits, there is a great difference between the Chinese Han culture and the American culture, this difference is caused by the different ways of thinking, embodied in both Chinese and English language performance including words understanding and the use of different meaning connotation of associative meaning, and sentence structure. For this reason, the analysis of the theoretical principles of sentences by reference to further explore and propose solutions on certain aspects is essential. And in today's globalized increasingly competitive situation, how to be more accurate English translation closer to the two languages, culture, and then discuss the worth of the majority of English learners. 展开更多
关键词 cross-cultural thinking the rule of translation the policy
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Study on the Policy of Embodying Language Difference between Chinese and Western Culture
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作者 LI Yan 《International English Education Research》 2016年第1期69-70,共2页
For centuries, cross-cultural exchange activities throughout history, language and culture from the communication is an integral part of the contact. For the entire human history, cross-cultural communication is not s... For centuries, cross-cultural exchange activities throughout history, language and culture from the communication is an integral part of the contact. For the entire human history, cross-cultural communication is not strange. It plays an important role in studying different languages. Language is the carrier of culture and the main manifestation of culture. Language is developing with the development of a nation, it is an integral part of national culture, history, customs and local customs and practices, the nation's culture and social customs are also in the national language to show. The different historical background and development process leads to great difference exists in Western languages. With mutual understanding and deepen, the conflict in western culture are increasing. Language is the primary from of communication. And the use of language and culture are closely related. So "differences between Chinese culture and Western culture in English language" has become the important topic of intercultural communication. 展开更多
关键词 cultural difference the policy of embodiment mode of thinking
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张竞生与中国民俗学滥觞
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作者 李言统 《韩山师范学院学报》 2019年第4期8-15,共8页
张竞生是20世纪中国学术史上富有传奇色彩的一个人物,1921-1926年他在北京大学执教期间,与中国民俗学有过重要的交汇。他联合北京大学学术界同盟共同发起、创建的'风俗调查会',是中国民俗学发展史上继歌谣征集处、歌谣研究会之... 张竞生是20世纪中国学术史上富有传奇色彩的一个人物,1921-1926年他在北京大学执教期间,与中国民俗学有过重要的交汇。他联合北京大学学术界同盟共同发起、创建的'风俗调查会',是中国民俗学发展史上继歌谣征集处、歌谣研究会之后又一重要学术组织,延续和推动了中国民俗学的发展。在开展'风俗调查会'活动中,他亲自拟定风俗调查表、风俗调查会启事、风俗调查会《简章》及器物征集《说明》,开设《风俗学》课程,引导风俗调查实践,以及主持风俗调查会的一切事务和学术实践,在当时具有开创和示范的价值及意义,也为中国民俗学队伍的培养和中国民俗学会组织的诞生发挥了很重要的作用。 展开更多
关键词 张竞生 “风俗调查会” 民俗学
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Discussion on Dong Ethnic Minority's Folk Culture and Aesthetic Psychology from the Perspective of Song and Dance "Duoye"
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作者 Juanjuan HE 《International Journal of Technology Management》 2013年第5期55-57,共3页
In this paper, Dong ethnic minority's folk customs and aesthetic psychology are understood from the perspective of the nationality culture reflected in Dong song and dance "Duoye" so as to excavate the nationality ... In this paper, Dong ethnic minority's folk customs and aesthetic psychology are understood from the perspective of the nationality culture reflected in Dong song and dance "Duoye" so as to excavate the nationality spirit, and also the connotation and spiritual foundation of the humanity structure are explored, in which the dignified history, rich nationality characteristics, and elegant artistic quality are integrated together, for the purpose of inheriting the traditional culture and continuously innovating and developing the nationality culture. 展开更多
关键词 Song and Dance "Duoye" Dong Culture Aesthetic Psychology
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从“三越吴服”店探究日本近代“风俗美人画”商业招贴广告
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作者 汤雅莉 《装饰》 CSSCI 北大核心 2008年第12期136-137,共2页
日本现代招贴广告设计的独特艺术风格在世界范围内是大家有目共睹的。然而,从明治维新到20世纪20年代,在近代资本主义转型过程中,日本设计萌芽期的商业招贴广告是何种状况可能并不被许多人了解。本文试图通过对日本早期"三越吴服&q... 日本现代招贴广告设计的独特艺术风格在世界范围内是大家有目共睹的。然而,从明治维新到20世纪20年代,在近代资本主义转型过程中,日本设计萌芽期的商业招贴广告是何种状况可能并不被许多人了解。本文试图通过对日本早期"三越吴服"企业的商业广告进行梳理、分析和比较,着重探讨在西方文明冲击下,这一过渡时期商业广告的艺术特征。从而更加深刻地了解和认识日本现代设计中所蕴含的民族性特征。 展开更多
关键词 明治维新 企业招贴广告 “浮世绘” “风俗美人画” 民族性
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