A Tentative Study on Creation Theory of E.H.Gombrich＇s Art Theory

There are two popular aesthetic trends in Europe in the 17th and the 18th centuries. The first one is continental rationalism which holds that people＇ s knowledge comes from inborn rationality. The other one is British empiricism.

Research on the Problem of Art Production Theory Since the New Period

The issue of art production is an important topic discussed in China’s academia. The article first discusses thetheoretical issues of early art production in China, mainly taking Mr. Dong Xuewen’s views as an example. Second,scholars have their own views on the discussion of the unbalanced development of art production and materialproduction in the 1970s and 1980s. Third, this article uses the art production theory to construct the contemporaryliterary art form, and raises the art production theory to the essentialism to discuss the art production theory and thereflection theory. Fourth, the relationship between art production and art consumption is in large-scalecomprehensive systematic research.

The Relation between Theory and Practice in Muslim Sages＇ Thoughts in the Third and Fourth Hijra Centuries and Its Effects on Concept of Craft （Sana＇at） and Art in Islamic Civilization

Farabi defines ＂Ilm al-Hiyal＂ （mechanic） in Ihsa al-Ulum as ＂knowing a way by which, human can adjust all of the concepts that have been proved in mathematics with verification to exotic objects, and helps their states in exotic objects to be carried＂. He believes this will be recognized and be attained by craft （sana＇at, art）. This was the common view in Islamic wisdom and philosophy in third and fourth Hijra centuries （9 ＆ 10 CE）. Researchers believe that the unique emphasis on parallelism between theoretical science and practical work is an important feature of Baghdad school and affected Islamic visual culture. Baghdad school had been affected by translation. In this way, Ikhwan-al-Safa, whom wrote the first encyclopedia of science in Islamic culture, had a very efficient role. They devised geometry into intellectual and sensual ones in the second part of their book, al-Rasa-el, and considered intellectual geometry as one of the middle philosophy and recognition and understanding factor for meaning of sensual geometry evidences. They insisted on basic situation of intellectual geometry in guidance of whom, want to learn intellectual things from sensual ones. They knew intellectual geometry as the factor for requiring skill in scientific crafts （sana＇at）, and sensual geometry as the factor of practical crafts, and made a vast relation between them. They also defined end of intellectual geometry understanding the base of all sciences and the main factor of wise, essence of self （nafs）. Important feature of Ikhwan-al-Safa＇s wisdom is omitting the gap between theory and practice, making a vast relation between them, which affected the meaning of crafts in Islamic culture, and rendered a spiritual feature to crafts and arts. It seems this relation has created the concept of traditional arts, and integrating wisdom and crafts in Iranian-Islamic culture constructed all of the Fotowat-Nam e （book of Chivalry）. This article reviews the concept, which affiliates theory and practice in third and fourth centuries and has a deep effect on recognition of art and craft in Islamic culture.

Definition of Language and Art in the Context of the Evolution Theory

The problem of human language, arithmetic, and art was studied in the context of the definition ＂civilization＂ on the basis of Darwin＇s theory. The author defines civilization as ＂survival of the weak＂. The author supposes that language and art were invented by the men to describe their heroic deeds for the women in order to be selected by them for reproduction. In other words, language and art became a selection criterions together with beauty and presents. Finally, the author defines language and art.

Uta Frith’s thoughts on the Theory of Mind and Autistic Deficit: Dialogue between Art and Neuroscience

The contemporary scientist and German developmental psychologist at the Institute of Cognitive Neuroscience of University College London, Uta Frith has mainly focused her research on autism spectrum disorder and the related theory-of-mind deficit. To explain the autistic mentalistic deficit, the psychologist has used a specific tool: art, her initial pursuit cultivated at the Universität des Saarlandes, in Germany. Thus, this work seeks to reconstruct the artistic influences on Uta Frith’s scientific efforts, highlighting how the dialogical intersection of two seemingly distant disciplines, like art and neuroscience, can generate surprising new networks of signification and an understanding of the intrapsychic and interpsychic worlds. Art challenges us to develop moments of neuroscientific knowledge. On the other. In contrast, neuroscience offers the opportunity to develop further insights into the role of visual perception in contemplating works of art.

Research on Development of the Aesthetic Interaction and Interaction Design Theory and the Applications on Art Design Field

In this paper, we conduct research on development of aesthetic interaction and interaction design theory and the applications on art design fi eld. In this article to discuss the experience and the depth of the aesthetic object is limited in the fi eld of aesthetics, although both clearly show their subject or object, but if points in general is easy to fall into the quagmire of subjective idealism and mechanical materialism, it is off the aesthetic realm. It is on the basis of the unity between subject and object of this essay, it is in this, experience and the depth of the aesthetic object is worth exploring the intersection. Organizational communication and the reception aesthetics in their own unique research perspective and multi-disciplinary background, in the organization and the role of aesthetic gradually revealed, integration and interaction of the two is the inevitable trend of development. Under this basis, we propose the corresponding issues as the implementation that is meaningful.

Analysis on the Homogeneities between Traditional Chinese Music and Painting Arts from Qichang Dong＇s ＂Theory of Southern and Northern Schools＂

Qichang Dong was a famous calligraphy and painting artist in ancient China. The theory of southern and northern schools proposed by him was a conclusion to traditional Chinese landscape painting art, and played an incomparable function in the traditional Chinese painting history in comparison with other painting theories. In the painting history, there were the theory of ＂pre-Dong＂ and the theory of ＂post-Dong＂ . In this paper, by starting from Qichang Dong＇ s ＂theory of southern and northern schoots＂ , the homogeneities between traditional Chinese music and painting arts are analyzed from the principle of spirit and the principle of technology, so that the homogeneities between traditional Chinese music and painting arts are explored in aesthetic concept and actual art creation.

Brief Cases on Military Treatise of English Translation of The Art of War Based on Functionalist Translation Theory

Katharina Reiss put forward the functionalist translation theory in 1970 s.It promotes the status of the translators and provides options that translators could get in order to make the good translation.As China' s military treasure,The Art of War exerts great influence on the military development for its profound theory and careful logic.Combined with the theory,the paper finds different strategies in translating the military terminology of the cases.

A Study of Attitude in Art Criticism

Functional linguistic research focuses on the dimension of"implementation,"with research on"instance"and"individuation"being relatively scarce.However,Appraisal Theory provides a comprehensive method for realizing"instance"and"individuation".Appraisal Theory,as a type of empirical research method with strong capabilities in both operation and application,is heavily involved in a variety of fields such as literature,art,philosophy,news,and law.Overall,research in the arts is deficient.This study employs Appraisal Theory as a framework for analyzing the discourse of art criticism from the perspective of the attitude system,analyzing 83 art critiques chosen for their semantic meaning of emotion and valuation endowed by the writers in critical language.It performs identification,analysis,and classification on corpus resources in order to investigate the application of Appraisal theory in art criticism and summarize representation and feature of these attitudinal resources used.The author concludes that the attitudinal resources all involve affect,judgment,and appreciation,but are distributed unevenly.The feature demonstrates that more appreciation than affect and judgement is involved,more positive meaning than negative meaning is conveyed,and an explicit rather than implicit method is used.According to this study,the attitudinal resources effectively contribute to the establishment of relationships among the writer,artworks,and the potential reader,and they function well in appraisal by establishing a"resonance"relationship between the artwork and the potential reader within person.

优化:人工智能时代的文论问题

日常用语中的“优化”指采取一定措施使事物变得优异。作为计算科学和运筹学中的重要内容,优化是指在一定限制条件下,选取某种方案以获得“最优化”的目标。将优化引入文论,可以与美化相关联,彼此之间有同有异。生成式AI中,优化有模型训练、创意提示、调试迭代三种方式。文艺作品之所以能够被优化,与其作为物质基础的艺术媒介及其作品的“可修正性”有关。在优化的技术演进中,先后经历了手工加工时代的优化、机械复制时代的优化、数字创生时代的优化三个阶段。手工加工时代出现了诸如对“手稿”的“润色、修改”,对“乐器”的“调音”,对“原作”的“临摹、誊写甚至重写”,对“文物、遗迹”的“修复”等不同的“类优化”类型;机械复制时代出现了“参数优化”“剪辑优化”“表演优化”等类型;数字创生时代出现了以算法优化为核心的智能优化。将优化引入文论,需要警惕“最优化”的结果不是“奇异性”,而是“普通性”的算法悖论、数据和变量中的偏差不易被纠偏;相反,易强化成偏见的偏差悖论以及随机并不意味着不同,而只是相似,是风格的重复的生成悖论。

阮元“文”论在晚清民国的回响——兼论近代文学观念的建立

清代中期阮元及其门人对“文”观念进行了“辨章学术、考镜源流”的分梳,反省古文及唐宋八大家的作品,以使文学摆脱“文以载道”的束缚,这促使了文学独立,并出现了文学史观的雏形。阮元及其门人关于“文笔”的考辨不仅在当时引发了对“文”观念的论争,而且影响了清末民初章太炎、刘师培等人的文学观。他们对阮元及其后学的观点进行选择性吸收和转化,甚至有批评阮元之处。同时,关于“文”的论争也引起其他近代学者对文学观念的关注和探析,为民国学者进行文学史撰写提供了材料资源和观点支撑,促成了清末民初“纯文学”观念的萌发,进而影响了中国文学批评史的写作和中国文学批评史学科的建立。

“新文科”背景下课程思政的积极育人体系建构

为了顺应科技革命和产业革命的变革趋势,促进文科教育的转型和升级,“新文科”建设是新时代提升高校文科教育质量的关键。要培养中国风格的高质量“新文科”人才,其中课程思政工作是举足轻重的。因此,“新文科”课程思政建设应立足新时代,充分结合积极性教育优势,融合PEMRA理论,以立德树人为根基,构建以知识体系教育与思想政治教育有机融合为发展路径的课程思政积极育人体系模型,探寻积极有效的实践路径,最终实现全面、高质量的人才培养目标。

艺术本质核心元素探析

艺术的本质问题是一个论争了几个乃至十几个世纪的话题,也是一个曾经被“反本质主义”要放弃和搁置讨论的形而上问题。从历史上看,研究者曾从“模仿”“形式”“表现”来界定艺术的本质。可以说,艺术既是对现实的“模仿”,又不完全是,因为“模仿”的目的是要表达作者的情感和感受。艺术既是要创造一种美的“形式”,又不完全是,因为通过美的“形式”也还是要表达作者的艺术追求和主观感受。因此,无论“模仿说”还是“形式说”,最终的目的都是要表达或表现作者的主观感觉。“表现”才是艺术中最主要和最核心的元素,“表现说”也更充分地体现着艺术的本质。

图像的力量:艺术家、哲学家和理论家的作用

在欧洲艺术史上,图像的生产者和解释者都是艺术生产作坊中的工匠,以及通过各种权力发表意见的哲学家和观众们。忽视这段历史,忽视工匠及其传统在图像力量中的作用,显然是一种非历史的态度。声誉显赫的艺术理论家和批评家的出现,是非常晚近的事情。斗转星移,理论家和批评家已然将阐释图像力量的权力变成了一种特权,尽管他们并不从事艺术和图像的生产活动,却能够在资本和体制权力推动下影响艺术和图像的生产活动。当今天的艺术理论和批评再也不关注艺术家的生产活动,理论家和批评家甚至也可以不具备最基本的艺术生产的技术和技巧知识,那么,艺术理论和批评阐释的有效性如何得以建立,是一个需要引起我们重视的问题。

人工智能时代TPACK理论在艺术设计教学中的应用

在人工智能时代的背景下,从技术、教学和学科知识整合的角度,深入探讨了人工智能对教育的影响,并对数字化时代下的TPACK理论进行了重新解读。重点探讨了如何充分利用人工智能技术来增强TPACK理论在艺术设计教学中的应用问题。人工智能技术为TPACK理论的发展与深化提供了关键技术支持,而TPACK理论为教师将技术融入教学理论提供了新的概念框架和实践模式,以支持更多个性化和多元化的学习体验。采用了案例分析等研究方法,通过教学成果的评估与分析,旨在揭示在人工智能时代应用TPACK理论的实际意义和教学效果,进一步促进艺术设计教育的持续发展和进步。

由玄入佛:魏晋南北朝小说中“无鬼论”故事

无鬼论故事是魏晋南北朝小说涉鬼故事中的一类,“无鬼论”和“鬼自证”的二元对立情节使此类故事呈现出高度模式化特点,对后世影响很大。无鬼论故事根植于我国本土有鬼、无鬼的思想论争中,产生于魏晋时期,有着浓厚的玄学清谈色彩。但其真正传播开来则在刘宋以来,儒佛之间的“形神论”之争是其兴盛的激发因素,《幽明录》《殷芸小说》集中辑采此类故事有着宣佛意图。无鬼论故事从产生到兴盛经过了一个“由玄入佛”的过程。

管工交叉专业改革——基于三链融合的理论视角

在智慧经济与产业创新引领下,在新文科建设的推动下,高校迫切需要对管工交叉型专业进行创新改革。文章结合天津市高校物流专业调研数据,从“历史链—组织链—目标链”三链融合理论出发,利用问卷调查进行了三链融合数据的皮尔逊相关分析,提出了管工交叉型专业改革的内在逻辑、障碍总结与路径设计。研究结果表明:以三链为基础,当前高校专业改革面临的主要障碍包括师资历史积淀少、产学研合作制度不完善、监督制度不健全、反馈制度效率低、就业升学目标不清晰以及资源组织目标不清晰等方面。因此,天津市高校应依托于教学改革、科研育人、社会服务三个模块实现数字化、智慧化、整合性人才培养目标的专业创新改革。文章结合天津大学物流工程专业改革案例,为高校管工交叉专业转型提供思路与参考。

兼性阐释视域下的大学通识教育——马一浮“六艺论”学科观平议

马一浮的“六艺论”学科观在近代中国思想史和教育史上独树一帜。在兼性阐释的视域下重新审视马一浮“六艺论”学科观,其长处是“学”兼中西与“史”兼正变。前者指“六艺论”兼和了国学的“六艺代四部”与西学的“六艺统摄西来一切学术”,后者指“六艺论”既基于“四部之学”和“西学中源”两种受西学“冲击”而“反应”的近代学说,又是对它们的“反应之反应”,二者体现了中国近代知识分子的世界文明关怀。不过,“六艺论”学科观片面强调“六艺”的权威地位,因此陷入了封执己见的误区,由“兼和”走向了“偏执”。马一浮“六艺论”学科观对于大学通识教育的当代价值,在于如何重建“经典中心”,如何重塑“兼性思维”。

田野课堂的教学方法与实践:基于《毕业设计》课程的案例分析

田野课堂是面向生活世界的教学方式,但已有的田野课堂模式主要以社会科学田野调查为理论基础,将田野视为方法,以田野为研究对象,使得课堂集中于社会科学研究的诸领域。在新文科倡导的理念下,探索符合多学科尤其是艺术与人文学科需要的田野课堂教学模式,总结通用的田野课堂组织逻辑,并提炼教学方法,具有重要的现实意义。在高校摄影专业《毕业设计》课程的教学中,教师拥有自觉的教学方法论意识是开展田野课堂前提,给出观察社会的知识工具是帮助学生自发寻找田野的关键步骤,不同环境之间、不同人群之间的交互和反馈是贯穿田野课堂始终的核心环节。整体上看,田野课堂的教学方式有助于教学世界和生活世界的融合,转化知识课堂为生命课堂。