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吴东刚 张洁的绘画作品
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作者 吴东刚 张洁 《上海艺术家》 2004年第1期60-60,共1页
关键词 吴东刚 张洁 绘画作品 中国画 《对语》 《申猴》 《丽日繁花》 《大吉图》
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Women, Conflict and Politics: Assessing Margaret Ekpo's Approach to Political Emancipation and Liberation in Nigeria
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作者 Nonso N. Bisong E. E. Andrew-Essien 《Sociology Study》 2012年第4期252-260,共9页
For generations, the potential of Nigerian women to contribute effectively to national development seems to be suppressed by many factors which cut across religious, environmental and cultural constraints. Consequentl... For generations, the potential of Nigerian women to contribute effectively to national development seems to be suppressed by many factors which cut across religious, environmental and cultural constraints. Consequently, women have strongly resolved to renegotiate their relevance through the adoption and utilization of various initiatives. At the forefront, one of these initiatives early in time was Margaret Ekpo (1914-2006), a Nigerian female political activist who unilaterally began radical movements in parts of Nigeria to transform the political consciousness of the Nigerian women, and to reverse gender-related inequalities in the country. This paper sets out to evaluate her approaches to what could be described as political re-engineering. It develops a framework drawing from theories of conflict resolution and the principles of liberalism and feminism. Findings show that despite of the limited formal education and political ideologies to which she was exposed to, she was able to rise above the prevailing challenges of her time to build a firm pedestal upon which many women politicians in Nigeria have stood to launch themselves to political limelight. The study concludes that the principles of liberalism and a desire to foster the political development of Nigeria account for Margaret Ekpo's venture into the political field. 展开更多
关键词 Margaret Ekpo WOMEN CONFLICT POLITICS emancipation
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Postcolonialism and the Feminine in Paulina Chiziane's O alegre canto da perdiz
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作者 Algemira de Macedo Mendes Aurea Regina do Nascimento Santos 《Journal of Literature and Art Studies》 2016年第7期744-750,共7页
In this study we present the novel O alegre canto da perdiz (2008), by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing... In this study we present the novel O alegre canto da perdiz (2008), by Paulina Chiziane, focusing on the path of the characters Delfina and Maria das Dores, pointing to the construction of a female speech denouncing the state to which the Mozambican woman was subjected, especially during colonization, a trauma still present in Africa. By telling the saga of these two women (mother and daughter), the novel also makes a reinterpretation of the origin and history of the peoples of Africa. Beyond the issues that mark the secular submission of women to the world of man in certain African societies, Paulina Chiziane also leads us to confront the issue of reductionism practiced by those who look from outside Africa and seeks to present its history and its literature as if the African continent were a single country, as reported by the Nigerian novelist Chimamanda Adichie in her speech against "the danger of listening and repeating a single story, the winners' story" (Adichie, 2009). We aim to identify aspects of the unique feminine of Paulina Chiziane by rescuing legends of matriarchy in the course of the characters. We will also do a reading of colonialism and post-colonialism objectifying the female of writing Paulina Chiziane. The critical placement of the text allows us to analyze it with the contribution of Spivak (2010), Said (1978), Bonnici (2000), among others. 展开更多
关键词 Paulina Chiziane O alegre canto da perdiz POST-COLONIALISM FEMININE
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唐秀玲作品
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作者 唐秀玲 《国画家》 2003年第4期45-47,共3页
关键词 唐秀玲 中国画 《丽日》 《金沙滩》 《谧》
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任惠中作品
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作者 任惠中 《美术向导》 2004年第2期77-77,共1页
关键词 任惠中 中国画 《丽日》 水墨纸本
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