Construction of beautiful villages is an integral part of No.1 file issued by the central government and rural landscape planning plays an important role. The research reviewed the status quo of beautiful village cons...Construction of beautiful villages is an integral part of No.1 file issued by the central government and rural landscape planning plays an important role. The research reviewed the status quo of beautiful village construction, analyzed rural landscape planning and the optimized way for rural landscape planning, providing theoretical references for construction of beautiful village construction.展开更多
This study investigates the language strategies used by Shakespeare in The Tragedy of Hamlet, Prince of Denmark （1603）. Emphasis is given to the type of language or register Shakespeare provides his characters with ...This study investigates the language strategies used by Shakespeare in The Tragedy of Hamlet, Prince of Denmark （1603）. Emphasis is given to the type of language or register Shakespeare provides his characters with in order to give them genuine or assumed identities. The linguistic register of the three major characters of Claudius, the Ghost, and Hamlet is explored in light of the Elizabethan cultural context. This concern with these three characters stems from the basic assumption of the paper that the play is a struggle between Claudius and the Ghost over Hamlet. Claudius speaks the language of a monarch which is informed by the code of society; the Ghost, who used to speak such language of sovereignty while alive, speaks a language of the dead informed by a newly acquired experience not familiar to human beings. On the other hand, Hamlet＇s use of language is the most peculiar in the play. His register keeps changing according to his tragic growth and his readiness for action. The study indicates that the language functions Shakespeare utilizes in Hamlet are numerous. Language is used creatively for a variety of purposes in addition to communication. The playwright employs language as a shield for self-defense, a tool for defining and hiding identity and misleading and manipulating others, a means of search for reality, and a tool for punishment, among other functions. The study findings invite further research into Shakespeare＇s use of language in his plays. No detailed in-depth studies of Shakespearean language and its implications exist.展开更多
The article explores the disruptive social contexts and inter-racial rela- tionships in Thomas Dekker＇s Lust＇s Dominion （c.1599-1600） [Collier found out about its original performance date, which was in February 1...The article explores the disruptive social contexts and inter-racial rela- tionships in Thomas Dekker＇s Lust＇s Dominion （c.1599-1600） [Collier found out about its original performance date, which was in February 1600, and that it was first published in 1657 （Collier 1827, p. 264）] with focus on the Moorish Eleazar. The play is about race, lust, revenge and politics. The Elizabethan experienced a cultural blend and a fear of Africans and other foreigners. Like Dekker, Elizabethan dramatists imparted well-known contemporary prejudices and stereotypes on those of specific origin in Africa based solely on their dark skin. Elizabethan shows reinforced the image of the Moor as cruel, tyrannical and deceitful. The African Moors are portrayed to the Elizabethan expectations as being demi-devil, deceitful, lascivious, unpleasant, merciless egotist as soon as he appears. The depiction of the evil Moor contributes to Elizabethan superiority as an intrinsic right. Dekker illustrates the pervasive racism of Elizabethan Europe and the plain consequences of this institutionalized prejudice.展开更多
基金Supported by Postgraduate Innovation Fund Project by Jiangxi Normal University in 2016(YJS2016061)Art Design and Practice Teaching Reform Driven by Universityindustry Base(JXJG-15-2-29)~~
文摘Construction of beautiful villages is an integral part of No.1 file issued by the central government and rural landscape planning plays an important role. The research reviewed the status quo of beautiful village construction, analyzed rural landscape planning and the optimized way for rural landscape planning, providing theoretical references for construction of beautiful village construction.
文摘This study investigates the language strategies used by Shakespeare in The Tragedy of Hamlet, Prince of Denmark （1603）. Emphasis is given to the type of language or register Shakespeare provides his characters with in order to give them genuine or assumed identities. The linguistic register of the three major characters of Claudius, the Ghost, and Hamlet is explored in light of the Elizabethan cultural context. This concern with these three characters stems from the basic assumption of the paper that the play is a struggle between Claudius and the Ghost over Hamlet. Claudius speaks the language of a monarch which is informed by the code of society; the Ghost, who used to speak such language of sovereignty while alive, speaks a language of the dead informed by a newly acquired experience not familiar to human beings. On the other hand, Hamlet＇s use of language is the most peculiar in the play. His register keeps changing according to his tragic growth and his readiness for action. The study indicates that the language functions Shakespeare utilizes in Hamlet are numerous. Language is used creatively for a variety of purposes in addition to communication. The playwright employs language as a shield for self-defense, a tool for defining and hiding identity and misleading and manipulating others, a means of search for reality, and a tool for punishment, among other functions. The study findings invite further research into Shakespeare＇s use of language in his plays. No detailed in-depth studies of Shakespearean language and its implications exist.
文摘The article explores the disruptive social contexts and inter-racial rela- tionships in Thomas Dekker＇s Lust＇s Dominion （c.1599-1600） [Collier found out about its original performance date, which was in February 1600, and that it was first published in 1657 （Collier 1827, p. 264）] with focus on the Moorish Eleazar. The play is about race, lust, revenge and politics. The Elizabethan experienced a cultural blend and a fear of Africans and other foreigners. Like Dekker, Elizabethan dramatists imparted well-known contemporary prejudices and stereotypes on those of specific origin in Africa based solely on their dark skin. Elizabethan shows reinforced the image of the Moor as cruel, tyrannical and deceitful. The African Moors are portrayed to the Elizabethan expectations as being demi-devil, deceitful, lascivious, unpleasant, merciless egotist as soon as he appears. The depiction of the evil Moor contributes to Elizabethan superiority as an intrinsic right. Dekker illustrates the pervasive racism of Elizabethan Europe and the plain consequences of this institutionalized prejudice.
