乐乐姐姐的一封信

亲爱的宝贝们：一转眼，乐乐姐姐和你们已经通过《快乐作文》相识6年了，这6年来，因为有你们的陪伴和支持，乐乐姐姐觉得好开心，也许在朋友们看来，

同素近义形容词对比分析及教学策略——以“欢乐”、“快乐”为例

同素近义形容词对留学生来说是学习的难点。目前汉语作为第二语言教学中的词汇研究对于实词尤其是同素近义形容词的对比研究尚较为缺乏。因此文章选取高频近义词＂快乐＂、＂欢乐＂作为个例,尝试从近义词的语义搭配角度入手,通过对比分析近义形容词共现词的语义特征来区分近义词用法,希望为近义形容词的辨析探究一种对比分析模式。

A perspective from Kenneth＇s works： On musical term translation

This paper mainly discusses some translation issues on musical works and terms of musical documents. Musical term translation is established by usage, musical researchers and those who understand music have no problems of understanding the musical terms and musical instruments and names of famous musicians. Foreign scholars obtain the ideas of Chinese culture by means of published writings in the mainland, Taiwan and Hong Kong, and also from the media and the Internet. Since there are cultural differences of mainland, Taiwan and Hong Kong, they may make misunderstanding in their works related to Chinese musicians, historical events and even musical instruments. Accurate back-translation of specific terms from the works written by foreign scholars requires corresponding specific and historical knowledge, consulting dictionaries and skills of using the Internet.

Listening to Turkish classical music decreases patients’anxiety,pain,dissatisfaction and the dose of sedative and analgesic drugs during colonoscopy:A prospective randomized controlled trial

AIM： To determine whether listening to music decreases the requirement for dosages of sedative drugs, patients＇ anxiety, pain and dissatisfaction feelings during colonoscopy and makes the procedure more comfortable and acceptable. METHODS： Patients undergoing elective colonoscopy between October 2005 and February 2006 were randomized into either listening to music （Group 1, n = 30） or not listening to music （Group 2, n = 30）. Anxiolytic and analgesic drugs （intravenous midazolam and meperidine） were given according to the patients＇ demand. Administered medications were monitored. We determined their levels of anxiety using the State-Trait Anxiety Inventory Test form. Patients＇ satisfaction, pain, and willingness to undergo a repeated procedure were self-assessed using a visual analog scale. RESULTS： The mean dose of sedative and analgesic drugs used in group 1 （midazolam： 2.1 ± 1.4, meperidine： 18.1 ± 11.7） was smaller than group 2 （midazolam： 2.4 ± 1.0, meperidine： 20.6 ± 11.5）, but without a significant difference （P 〉 0.05）. The mean anxiety level in group 1 was lower than group 2 （36.7 ± 2.2 vs 251.0 ± 1.9, P 〈 0.001）. The mean satisfaction score was higher in group 1 compared to group 2 （87.8 ± 3.1 vs 58.1 ± 3.4, P 〈 0.001）. The mean pain score in group i was lower than group 2 （74.1 ± 4.7 vs 39.0 ± 3.9, P 〈 0.001）. CONCLUSION： Listening to music during colonoscopy helps reduce the dose of sedative medications, as well as patients＇ anxiety, pain, dissatisfaction during the procedure. Therefore, we believe that listening to music can play an adjunctive role to sedation in colonoscopy. It is a simple, inexpensive way to improve patients＇ comfort during the procedure.

Metropolises and World Music in Globalization： Towns, Melting Pot Works, and Jazz Classics in Memories

Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.

试论钢琴演奏的重要要素

培养和发展钢琴演奏者的音乐内心听觉能力是良好乐感的重要基础,也是区分演奏者演奏水平高低的一个重要因素。乐感是音乐感知能力的综合体验。它包含对音乐内容的理解和音乐的表现能力等。在听觉能力训练上努力培养学生能够辨别每个音的音质,追求美的、好的音质是钢琴演奏教学的重要组成部分,也是完善和发展钢琴演奏艺术表现的手段。

From the History of Formation Uzbek Oral-Professional Music

First features of formation of oral-professional genres in the territory of Uzbekistan were known from ancient time. Examples of preserving wall painting, small statues with musicians images evidence that professionalism was taken place in the early of 1 st millennium. Dastan, Katta Ashula, Makom are the main oral-professional genres of the Uzbeks. History facts are in the paper.

The Baul Sursadhak： The Tradition and Individual Talent

The Bauls or the fakirs of Bengal have been unacknowledged prophets even a century back, till the recent interest now in their music, philosophy, and performance. The Bauls do not revere class/caste/religious divides and often flout the norms of the society by their divine madness. Etymologically, the word derives from Sanskrit, ＂vatula＂ （meaning one who is affected by the wind disease or is mad）, or ＂vyakula＂ （meaning restless or disordered）. In recent years however, Bauls have been recognized as a religious sect, yet the connotation of madness still clings to their reputation. This paper is going to discuss briefly how the Baul tradition developed in Bengal and then focus on the Baul philosophy in the Baul-gan texts and on their musical appeal. Many of the Baul-gans have had profound influence on other forms of music. Closely associated with the Baul sangeet is the Bhatiali music whose rhythm, has often won the hearts of many classical musicians. Often times the classical musicians have been found to render the ektatra or dotara sounds in their improvisations. Rabindranath Tagore too has used some of the Baul maestro, Lalon Fakir＇s lyrics, philosophy as well as music in many of his songs. More recently, Baul songs have been rendered through fusion bands or experimental music.

The study on the beauty of Yulin Tea-picking

Yulin was belong to ＂Hundred Yue＂ in ancient time, the Zhuang and Yao nationality was the indigenous people here. After the Qin and Han Dynasties, the central plains people constantly migrating to the south not only brought the advanced agricultural technology, but also a lot of Hafts customs and folk music, including the ＂picking flower lanterns＂, ＂tea-picking drama＂ and other folk music cultures which combined with the local pristine ＂tea plucking＂ folk songs, and then the ＂tea plucking＂ music culture began to have its own unique artistic features. These characteristics contributed to highlight the beauty of Yulin tea plucking opera. This article mainly discusses Yulin tea-picking Drama＇s rich aesthetic connotation through elaborating its music, lyrics, the theme, dancing, and clothing etc.

The Study and Practice of Theory and Composition Among Women in Ghana

The performance and composition of traditional choral music were championed and dominated by women. Unfortunately, the involvement of women in the practice of art music, specifically theory and composition in Ghana has been observed to be absent or very minimal, the cause of which is problematic to identify. This paper examines why women have been passive in the performance and composition of this musical genre, and suggests avenues for improvement in the situation. Fifteen women across various musical genres： Traditional, Art and Popular were interviewed to ascertain this fact. The results will serve as an aid for an improvement of this unfortunate situation in Ghana.

Exploring the music in the film

Nowadays, film is essential to our recreational life.Most people always focus on the plots.If we turn our attention to the film scores,we could find that every rhythm is full of your deep feelings.With the research of the art of sound, we could see with our eyes, and hear with our heart.

Communism and the Emergence of the Central European Jazz School

Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive part of the world jazz scene and made significant achievements during the communist era. They were able to master the European classical piano school, becoming virtuoso pianists themselves, as well as acquiring self-taught jazz skills. Semi-isolated from the contemporary music trends abroad, Central European artists nonetheless made remarkable musical accomplishments that deserve to be called the Central European Jazz School. Between 1948 and 1989, the communist ideology controlled every country of Central Europe including East Germany. The careers of jazz pianists in these countries would have developed differently if they had lived under democratic conditions. This is evident in the lives of those who emigrated to Western countries and subsequently found a place in the world jazz scene. Using analysis of the Central European jazz musicians＇ compositions and their professional careers, this paper aims to demonstrate the extent to which the Central European Jazz School has contributed to jazz music in Europe and the wider world.

On the Inheritance and Development of Folk Music

Folk music in the past was inherited through family tradition, apprenticeship, social folk life, etc., mainly by the way of oral teaching method. Since the founding of New China, the country in addition to investigate and research the minority musicians, takes into consideration the special education and minority musical heritage and the establishment of different forms and characteristics of art institutions. In the inheritance and development of folk music, the advantages of school education cannot be ignored. We should pay attention to the inheritance and development of folk music in college music reform, so that music education has become a platform to promote the national music culture.

Font of Music Prodigies

China＇s outstanding achievements in music education are all the more impressive in view of its relatively late start.Chinese musicians such as Tan Dun,Yo Yo Ma and Bright Sheng that have established their eminence within Western classical music circles may soon be competing with those currently winning awards in major international music competitions.

JOKA AND HIS FLYING SYMPHONY CRUISING OVER THE QINGHAI-TIBET PLATEAU

Forty-five years ago,Joka was just a herder grazing animals on Damxung Grassland in the Tibet Autonomous Region.At that time,the concept of music class did not exist in the curriculum of local elementary schools,so the boy＇s musical talent originated from the traditional pastoral songs and dances characteristic of his hometown.Nowadays,53-year-old Joka has become the first post-doctoral candidate for professional music composition in China as well as the first Tibetan musicology master and doctor.

Fathering a Chinese Mozart

HUANG Nansong, aged 13, is a well-known figure at the middle school attached to the Central Conservatory of Music. The schoolmaster is proud of him, and the teachers all sing his praises, although he won＇t actually become a new student at the school until September. Huang Nansong has performed on the same stage as Lang Lang on several occasions.

Rock Music in Contemporary China： An Ideological Arena

The rock music in contemporary China is a filed for the folk, official, elite and other multi-element ideology competition. Wang Feng is a winner walking on the ideological balance beam. After deconstructing Cui Jian＇s grand narrative mode and strong critical feature, his works have been endowed with heavy critical color and reflection value by a grassroots band named ＂Xuriyanggang＂. Besides, Wang Feng＇s works have eliminated the distinction between the official and folk feature, elegance and worldly feature, as well as elite and mass. To a large extent, they have defined the rock music in contemporary China, and pushed the Chinese rock to the mainstream market. Consequently, the Chinese rock has been gradually developed into multiple and compound culture modes.

On the dual nature of the piano teaching in the music education in normal colleges

The piano teaching in the music education in normal universities can promote the students to feel the music, and improve the students＇ music qualities. The students can get the sense of the rhythm, the sense of harmony and the sense of pitch and other musical skills in the process of learning to play the piano, thus more accurate performing the music art. For the purpose, the piano teaching in the music education in the normal universities is for the purpose of cultivating the future piano teachers or performers. In this paper, the author carries out thediscussion with the dual nature of the piano teaching in the music education in normal colleges as the theme, in order to put forward some useful strategies for the piano teaching in eoUeges and universities.