Constantin Stanislavski＇s Russian acting system, further developed by contemporary methodological practices, and Maurice Merleau-Ponty＇s philosophy of the body as object-subject are compared to illustrate how simple...Constantin Stanislavski＇s Russian acting system, further developed by contemporary methodological practices, and Maurice Merleau-Ponty＇s philosophy of the body as object-subject are compared to illustrate how simple, learned techniques can assist in the production of authentic and transparent interrelational presence. Authentic presence requires three components： （1） honest exposition of a person＇s singular, essential being; （2） empathy towards the needs of other, distinct and separate from the self; and （3） mutual reciprocation, which means giving back or responding somewhat equitably to the other with whom the self is in communication, and accepting the same respondence from the other if afforded. The comprehension of Merleau-Ponty＇s ontology combined with Stanislavski＇s performance technique is uniquely suited to interpersonal communications in the ＇real world＇. Stanislavski＇s artistic vision demands an intensity of attentive involvement in order to achieve onstage authenticity. Merleau-Ponty provides supportive philosophical schematics, especially in his controversial but effective use of the expression ＇flesh＇. While this study may initially appear to focus on the artist, the development of interrelational skills is reliably applicable to anyone who desires to obtain a higher degree of authenticity in collaborative presence.展开更多
When we communicate with others, we are about to encounter certain types of discourse, and transfer some new information. If we want to be understood correctly, we should try to connect with the schemata which exist i...When we communicate with others, we are about to encounter certain types of discourse, and transfer some new information. If we want to be understood correctly, we should try to connect with the schemata which exist in the participants, arousing their experienced knowledge of what we mentioned in our expression. The real sample in the thesis is a strong support to this opinion.展开更多
With the development of economy and international communication, Chinese culture is going out of the country and is known by the world. The paper analyzes the historical and present Chinese culture oversea transmissio...With the development of economy and international communication, Chinese culture is going out of the country and is known by the world. The paper analyzes the historical and present Chinese culture oversea transmission and the strategies of the transmissions. The paper has three parts： The first part is the history of Chinese culture transmission, the second part is the present Chinese transmission, and the third part is the strategies of Chinese culture transmission. And in the conclusion, it is made clear that everyone going abroad or in front of the foreigners is transmitting Chinese culture in one way or another. In order to make Chinese culture popular, some methods should be taken for Chinese visiting or going to other countries.展开更多
With the frequent international communication, cruise tourism is no longer a strange way of entertainment for visitors in our country. Especially in recent years, Chinese outbound tourism continues to increase. Last y...With the frequent international communication, cruise tourism is no longer a strange way of entertainment for visitors in our country. Especially in recent years, Chinese outbound tourism continues to increase. Last year, the number has reached nearly one hundred million. The cruise tourism as an important way of outbound tourism has also been favored by a number of people of all ages. At the same time, in our country Shanghai, Tianjin, Xiamen and Sanya had built facilities and relatively complete cruise home port, which receive visitors from all over the world and large international passenger liner. However, because Chinese cruise industry started relatively late, talent cultivation is relatively backward, which results in cruise talent gap. This paper is based on the current situation of the development of the cruise industry in our country, comprehensively and objectively analysis the demand of talents on the cruise, and aims to put forward some suggestions for the training of the cruise personnel in our country.展开更多
＂The Belt and Road Initiative＂ needs internationalized talents. To deepen the international cooperation of higher education with South-Asia countries depends on the cooperation and joint efforts from government, uni...＂The Belt and Road Initiative＂ needs internationalized talents. To deepen the international cooperation of higher education with South-Asia countries depends on the cooperation and joint efforts from government, universities, and enterprises, which aimed at promoting internationalized talents＇ development. What＇s more, they should verify their responsibilities and strengthen their relationships and connects, jointly improving international talents cultivation of Yunnan and South-Asia countries. Therefore, more high quality talents with high identity for ＂The Belt and Road Initiative＂ will be cultivated, which will promote the economic development of Yunnan province and South-Asia countries.展开更多
Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and...Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and sense of responsibility and the strengthening of individual aspirations, they also show different aesthetic traits in terms of narrative form. Some advocate a realist style, while others pursue modernist techniques or are enamored of fragmentary details. At the same time, each generation projects its own aesthetic ideas. From the viewpoint of cultural anthropology, this kind Of generation gap essentially implies the effect of the latent protocols of different historical-cultural contexts and memories of growing up on the human spirit. Although the generation gap is an expression of a plural cultural scene, the question of how to strengthen intellectual interaction between different generations of writers and effectively overcome the limitations of each generation remains an important aspect of the promotion of the healthy development of modern Chinese literature.展开更多
文摘Constantin Stanislavski＇s Russian acting system, further developed by contemporary methodological practices, and Maurice Merleau-Ponty＇s philosophy of the body as object-subject are compared to illustrate how simple, learned techniques can assist in the production of authentic and transparent interrelational presence. Authentic presence requires three components： （1） honest exposition of a person＇s singular, essential being; （2） empathy towards the needs of other, distinct and separate from the self; and （3） mutual reciprocation, which means giving back or responding somewhat equitably to the other with whom the self is in communication, and accepting the same respondence from the other if afforded. The comprehension of Merleau-Ponty＇s ontology combined with Stanislavski＇s performance technique is uniquely suited to interpersonal communications in the ＇real world＇. Stanislavski＇s artistic vision demands an intensity of attentive involvement in order to achieve onstage authenticity. Merleau-Ponty provides supportive philosophical schematics, especially in his controversial but effective use of the expression ＇flesh＇. While this study may initially appear to focus on the artist, the development of interrelational skills is reliably applicable to anyone who desires to obtain a higher degree of authenticity in collaborative presence.
文摘When we communicate with others, we are about to encounter certain types of discourse, and transfer some new information. If we want to be understood correctly, we should try to connect with the schemata which exist in the participants, arousing their experienced knowledge of what we mentioned in our expression. The real sample in the thesis is a strong support to this opinion.
文摘With the development of economy and international communication, Chinese culture is going out of the country and is known by the world. The paper analyzes the historical and present Chinese culture oversea transmission and the strategies of the transmissions. The paper has three parts： The first part is the history of Chinese culture transmission, the second part is the present Chinese transmission, and the third part is the strategies of Chinese culture transmission. And in the conclusion, it is made clear that everyone going abroad or in front of the foreigners is transmitting Chinese culture in one way or another. In order to make Chinese culture popular, some methods should be taken for Chinese visiting or going to other countries.
文摘With the frequent international communication, cruise tourism is no longer a strange way of entertainment for visitors in our country. Especially in recent years, Chinese outbound tourism continues to increase. Last year, the number has reached nearly one hundred million. The cruise tourism as an important way of outbound tourism has also been favored by a number of people of all ages. At the same time, in our country Shanghai, Tianjin, Xiamen and Sanya had built facilities and relatively complete cruise home port, which receive visitors from all over the world and large international passenger liner. However, because Chinese cruise industry started relatively late, talent cultivation is relatively backward, which results in cruise talent gap. This paper is based on the current situation of the development of the cruise industry in our country, comprehensively and objectively analysis the demand of talents on the cruise, and aims to put forward some suggestions for the training of the cruise personnel in our country.
文摘＂The Belt and Road Initiative＂ needs internationalized talents. To deepen the international cooperation of higher education with South-Asia countries depends on the cooperation and joint efforts from government, universities, and enterprises, which aimed at promoting internationalized talents＇ development. What＇s more, they should verify their responsibilities and strengthen their relationships and connects, jointly improving international talents cultivation of Yunnan and South-Asia countries. Therefore, more high quality talents with high identity for ＂The Belt and Road Initiative＂ will be cultivated, which will promote the economic development of Yunnan province and South-Asia countries.
文摘Since the 1990s, the generation gap among three important groups of writers born in the 1950s, 1960s and 1970s has become ever more evident. Not only do they show a tendency toward the weakening of grand narrative and sense of responsibility and the strengthening of individual aspirations, they also show different aesthetic traits in terms of narrative form. Some advocate a realist style, while others pursue modernist techniques or are enamored of fragmentary details. At the same time, each generation projects its own aesthetic ideas. From the viewpoint of cultural anthropology, this kind Of generation gap essentially implies the effect of the latent protocols of different historical-cultural contexts and memories of growing up on the human spirit. Although the generation gap is an expression of a plural cultural scene, the question of how to strengthen intellectual interaction between different generations of writers and effectively overcome the limitations of each generation remains an important aspect of the promotion of the healthy development of modern Chinese literature.
