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文博类纪录片的传播特色与传播价值——以《博物馆说》为例
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作者 陈雪娇 《视听》 2023年第2期66-69,共4页
互联网时代,文化传播生态发生了重要变化,文博类节目成为中华民族精神的重要载体。纪录片《博物馆说》通过将文物作为载体、将短视频作为知识传播的形式、讲解人“百花齐放”等传播特色,除了具备娱乐功能外,还实现了触发文化记忆、创造... 互联网时代,文化传播生态发生了重要变化,文博类节目成为中华民族精神的重要载体。纪录片《博物馆说》通过将文物作为载体、将短视频作为知识传播的形式、讲解人“百花齐放”等传播特色,除了具备娱乐功能外,还实现了触发文化记忆、创造良性经济消费、承担社会责任等价值传播,为文博类纪录片创作提供了借鉴,推动中华优秀传统文化的创造性转化和创新性发展。 展开更多
关键词 《博物馆说》 短视频 纪录片
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Torture Museums: What Has Changed Today?
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作者 Ruchan Gokdag 《Journalism and Mass Communication》 2016年第2期79-90,共12页
Torture has always been regarded as a tool for confession and applied throughout history. In cases when requesting and convincing do not work, threatening or torturing has been considered to be a "right" to do. Tort... Torture has always been regarded as a tool for confession and applied throughout history. In cases when requesting and convincing do not work, threatening or torturing has been considered to be a "right" to do. Torture was used in Ancient Rome, in Europe in Medieval Age, and in England even though it was against unwritten law, and applied in USA secretly today. Since ancient times, people have been used to torturing for similar purposes. Today, torture is put into practice again for similar purposes such as forcing people to live according to religious beliefs and looking after the benefits of the government. Torture museums found in many European countries make visitors confused as these museums display terrifying tools applied to the Christian community in Medieval Age and then used by Christians to torture "Deviants". 展开更多
关键词 TORTURE torture museums torture tools torture in Monotheistic Religions
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